"Naval Wives & Mistresses is an innovative study of naval women who stayed at home while their men went to sea. Focusing on the second half of the 18th century, a period when Britain was almost continuously at war, this book looks at different social groups, from the aristocratic elite to the laboring and criminal poor, prostitutes, and petty thieves. Drawing on a range of material from personal letters to trial reports, from popular prints to love tokens, it exposes the personal cost of warfare and imperial ambition. It also reveals the opportunities for greater self-determination that some women were able to grasp, as the responsibility for maintaining the home and bringing up children fell squarely on them in their husbands' absence. Illustrated with images from the National Maritime Museum's extensive collection of oil paintings, prints, and drawings, the book includes many voices from the past and throws fresh light on an under-researched aspect of women's history."--Publisher description.

An innovative study of naval women who stayed at home while their men went to sea. Focusing on the second half of the 18th century, a period when Britain was almost continuously at war, this book looks at different social groups, from the aristocratic elite to the labouring and criminal poor, prostitutes and petty thieves.

For centuries, the sea has been regarded as a male domain, but in this illuminating historical narrative, maritime scholar David Cordingly shows that an astonishing number of women went to sea in the great age of sail. Some traveled as the wives or mistresses of captains; others were smuggled aboard by officers or seamen. And Cordingly has unearthed stories of a number of young women who dressed in men’s clothes and worked alongside sailors for months, sometimes years, without ever revealing their gender. His tremendous research shows that there was indeed a thriving female population—from pirates to the sirens of myth and legend—on and around the high seas. A landmark work of women’s history disguised as a spectacularly entertaining yarn, Women Sailors and Sailor’s Women will surprise and delight.

This book explores the ways in which mid-19th Century American army officers' wives used material culture to confirm their status as middle-class women.

A revelatory history of the characters that playwrights and managers created out of the real lives of women in intimate relationships with military men to serve Great Britain's greatest needs during the war-saturated eighteenth century. During the long eighteenth century, Great Britain was almost continuously at war. As the era unfolded, the theatre gradually discovered the potential in having actresses, recently introduced to the stage in the 1660s, perform as wartime women characters. As playwrights and managers began casting women in transformative roles to meet each major national need, female characters came to be central figures in bringing the war home to the nation, transforming them into deeply patriotic British subjects. Paula Backscheider's Women in Wartime is the first study of theatrical representations of women with intimate connections to military men. Drawing upon her extensive expertise in gender, performance studies, popular culture, and archival studies, Backscheider traces the rise of the London theatre's acceptance that one of its responsibilities was to support its country's wars. Rather than focusing on the historical, mythical "warrior women" on the battlefield who have been much studied, Backscheider explores the lives and work of sweethearts, wives, mothers, sisters, barmaids, provision sellers, seaport prostitutes, and more, whose relationships to active-duty men made them recruits, volunteers, or even conscripts. They represent a distinct group of thousands of real women, and the actresses who portrayed them gave performances of change, struggle, celebration, mourning, survival, love, and patriotism. Backscheider explicates more than fifty plays—from main pieces, short farces, interludes, afterpieces, and comic operas to entr'actes, pantomimes, and even masques—as both entertainment and as ideological and propagandistic vehicles in times of severe crises. She also reveals how these works, many written by men with military experience, attest to the context of difficult, inescapable realities and momentous needs. Through the debunking of sexual stereotypes and attention to audience-pleasing roles such as impoverished-wife and breeches parts, Backscheider adds a dimension to theatrical history that substantially contributes to women's and military histories. Women in Wartime demonstrates the startling acuity and prescience of the repertoire in responding to the war-steeped culture of the period.

In this unique encyclopedia, 120 leading scholars from around the world provide comprehensive treatment of the role of women in war, from the first written history to the present. This authoritative encyclopedia presents the work of leading scholars from all over the world to give the first detailed coverage of the role of women in wars throughout history. Histories of war are typically histories of men: great leaders and heroic fighters. Yet the roles of women often receive only limited coverage. Except for such notables as Joan of Arc, traditional histories give short shrift to women as leaders and fighters. Similarly, the direct victimization—particularly sexual abuse as a weapon of terror and domination—and cultural dislocations women suffer in war float as background, without detailed coverage. This work represents a first, devoted in its entirety to thorough examination of all aspects of women in war. For the first time, readers have a single source for information on the scope of women's role in war, and war's effects on them.