This groundbreaking volume is the first comprehensive, critical examination of the rise of protected areas and their current social and economic position in our world. It examines the social impacts of protected areas, the conflicts that surround them, the alternatives to them and the conceptual categories they impose. The book explores key debates on devolution, participation and democracy; the role and uniqueness of indigenous peoples and other local communities; institutions and resource management; hegemony, myth and symbolic power in conservation success stories; tourism, poverty and conservation; and the transformation of social and material relations which community conservation entails. For conservation practitioners and protected area professionals not accustomed to criticisms of their work, or students new to this complex field, the book will provide an understanding of the history and current state of affairs in the rise of protected areas. It introduces the concepts, theories and writers on which critiques of conservation have been built, and provides the means by which practitioners can understand problems with which they are wrestling. For advanced researchers the book will present a critique of the current debates on protected areas and provide a host of jumping off points for an array of research avenues

What if what we think we know about ecology and environmental policy is just wrong? What if environmental laws often make things worse? What if the very idea of nature has been hijacked by politics? What if wilderness is something we create in our minds, as opposed to being an actual description of nature? Developing answers to these questions and developing implications of those answers are our purposes in this book. Two themes guide us--political ecology and political entrepreneurship. Combining these two concepts, which we develop in some detail, leads us to recognize that sometimes in their original design and certainly in their implementation, major U.S. environmental laws are more about opportunism and ideology than good management and environmental improvement. Will America enact environmental policies based on sound principles? The authors of Nature Unbound are cautiously optimistic.

What would happen, I wondered, if I simply missed out the fifty per cent of the population whose voices have been credited with shaping this particular ‘cultural form’. If I coppiced the woodland, so to speak, and allowed the light to shine down to the forest floor and illuminate countless saplings now that a gap has opened in the canopy. . . There has, in recent years, been an explosion of writing about place, landscape and the natural world. But within this blossoming of interest, women’s voices have remained very much in the minority. For the very first time, this landmark anthology collects together the work of women, over the centuries and up to the present day, who have written about the natural world in Britain, Ireland and the outlying islands of our archipelago. Alongside the traditional forms of the travelogue, the walking guide, books on birds, plants and wildlife, Women on Nature embraces alternative modes of seeing and recording that turn the genre on its head. Katharine Norbury has sifted through the pages of women’s fiction, poetry, household planners, gardening diaries and recipe books to show the multitude of ways in which they have observed the natural world about them, from the fourteenth-century writing of the anchorite Julian of Norwich to the seventeenth-century travel journal of Celia Fiennes; from the keen observations of Emily Brontë to a host of brilliant contemporary voices. Women on Nature presents a groundbreaking vision of the natural world which, in addition to being a rich and scintillating anthology that shines a light on many unjustly overlooked writers, is of unique importance in terms of women’s history and the history of writing about nature.

Longlisted for the 2020 Wainwright Prize 'I can't remember the last book I read that I could say with absolute assurance would save lives. But this one will' Chris Packham 'Fabulously direct and truthful, filled with energy but devoid of self-pity . . . I was impressed and enchanted. Highly recommended' Stephen Fry 'Succeeds – triumphantly – in articulating with great honesty what it is like to suffer with a mental illness, and in providing strategies for coping' Mail on Sunday When Joe Harkness suffered a breakdown in 2013, he tried all the things his doctor recommended: medication helped, counselling was enlightening, and mindfulness grounded him. But nothing came close to nature, particularly birds. How had he never noticed such beauty before? Soon, every avian encounter took him one step closer to accepting who he is. The positive change in Joe's wellbeing was so profound that he started a blog to record his experience. Three years later he has become a spokesperson for the benefits of birdwatching, spreading the word everywhere from Radio 4 to Downing Street. In this groundbreaking book filled with practical advice, Joe explains the impact that birdwatching had on his life, and invites the reader to discover these extraordinary effects for themselves.

A critical evaluation of Philip Roth—the first of its kind—that takes on the man, the myth, and the work Philip Roth is one of the most renowned writers of our time. From his debut, Goodbye, Columbus, which won the National Book Award in 1960, and the explosion of Portnoy's Complaint in 1969 to his haunting reimagining of Anne Frank's story in The Ghost Writer ten years later and the series of masterworks starting in the mid-eighties—The Counterlife, Patrimony, Operation Shylock, Sabbath's Theater, American Pastoral, The HumanStain—Roth has produced some of the great American literature of the modern era. And yet there has been no major critical work about him until now. Here, at last, is the story of Roth's creative life. Roth Unbound is not a biography—though it contains a wealth of previously undisclosed biographical details and unpublished material—but something ultimately more rewarding: the exploration of a great writer through his art. Claudia Roth Pierpont, a staff writer for The New Yorker, has known Roth for nearly a decade. Her carefully researched and gracefully written account is filled with remarks from Roth himself, drawn from their ongoing conversations. Here are insights and anecdotes that will change the way many readers perceive this most controversial and galvanizing writer: a young and unhappily married Roth struggling to write; a wildly successful Roth, after the uproar over Portnoy, working to help writers from Eastern Europe and to get their books known in the West; Roth responding to the early, Jewish—and the later, feminist—attacks on his work. Here are Roth's family, his inspirations, his critics, the full range of his fiction, and his friendships with such figures as Saul Bellow and John Updike. Here is Roth at work and at play. Roth Unbound is a major achievement—a highly readable story that helps us make sense of one of the most vital literary careers of the twentieth and twenty-first centuries.

Theology, says Brian McLaren, is at its best when it is in conversation with the wild world that flourishes beyond our walls and outside our windows and cities. In God Unbound, McLaren follows his love of nature all the way to the Galapagos Islands. There, he pays close attention to the flora and fauna around him but also to what is happening within him, how the natural world awakens his soul in a way that organized religion cannot. The result is a sparkling and engrossing theology which refuses to remain indoors.