Despite their small area, the southern islands of Japan can be seen as stepping stones towards a more nuanced view of cultural osmosis between Japan and the outside world. This book presents an ethnographic portrayal of the people of the Southern Ryukyu Islands and their world. In particular it explores the mind of the islanders, their relationship with the natural world, their social relationships, and the rituals which represent and give expression to these relationships. Based on extensive original research, including participant observation, the book allows the authentic voices of the Ryukyu Island worlds to speak for themselves as well as setting the work in the wider context of anthropology, Japanese Studies and Pacific Island studies.

Despite their small area, the southern islands of Japan can be seen as stepping stones towards a more nuanced view of cultural osmosis between Japan and the outside world. This book presents an ethnographic portrayal of the people of the Southern Ryukyu Islands and their world. In particular it explores the mind of the islanders, their relationship with the natural world, their social relationships, and the rituals which represent and give expression to these relationships. Based on extensive original research, including participant observation, the book allows the authentic voices of the Ryukyu Island worlds to speak for themselves as well as setting the work in the wider context of anthropology, Japanese Studies and Pacific Island studies.

This new edition provides a clear introduction to Japanese society which does not require any previous knowledge of the country. It contains new material on the effects of the Asian crisis and recession in Japan, the changes to the Japanese ruling political elite and more.

This book examines the complex relationship between gender and class among Japanese tea ceremony (chadō) practitioners in Japan. It argues that chadō has a cultural, economic, social and symbolic value and is used as a tool to improve gender and class equality.

This book takes an explicitly feminist approach to studying gender and social inequalities in island settings while deliberating on ‘islandness’ as part of the intersectional analysis. Though there is a wealth of recent literature on islands and island studies, most of this literature focuses on islands as objects of study rather than as contexts for exploring gender relations and local gendered developments. Taking Karides’ ‘Island feminism’ as a starting point and drawing from the wider literature on island studies as well as gender and place, this book bridges this gap by exploring gender, gender relations, affect and politics in various island settings spanning a great variety of global locations, from the Faroe Islands and Greenland in the north to Tasmania in south. Insights on recent developments and gendered contestations in these locations provide rich food for thought on the intricate links between gender and place in a local/global world. This text will be of key interest to students and scholars of gender and feminist studies, cultural studies, Island studies, anthropology, and more broadly to sociology, geography, diversity and social justice studies, global democracy, and international relations.

Joy Hendry's collection demonstrates the value of an anthropological approach to understanding a particular society by taking the reader through her own discovery of the field, explaining her practice of it in Oxford and Japan, and then offering a selection of the results and findings she obtained. Her work starts with a study of marriage made in a small rural community, continues with education and the rearing of children, and later turns to consider polite language, especially amongst women. This lead into a study of "wrapping" and cultural display, for example of gardens and theme parks, which became a comparative venture, putting Japan in a global context. Finally the book sums up change through the period of Hendry's research.

How Japanese coastal residents and transnational conservationists collaborated to foster relationships between humans and sea life Drawing the Sea Near opens a new window to our understanding of transnational conservation by investigating projects in Okinawa shaped by a “conservation-near” approach—which draws on the senses, the body, and memory to collapse the distance between people and their surroundings and to foster collaboration and equity between coastal residents and transnational conservation organizations. This approach contrasts with the traditional Western “conservation-far” model premised on the separation of humans from the environment. Based on twenty months of participant observation and interviews, this richly detailed, engagingly written ethnography focuses on Okinawa’s coral reefs to explore an unusually inclusive, experiential, and socially just approach to conservation. In doing so, C. Anne Claus challenges orthodox assumptions about nature, wilderness, and the future of environmentalism within transnational organizations. She provides a compelling look at how transnational conservation organizations—in this case a field office of the World Wide Fund for Nature in Okinawa—negotiate institutional expectations for conservation with localized approaches to caring for ocean life. In pursuing how particular projects off the coast of Japan unfolded, Drawing the Sea Near illuminates the real challenges and possibilities of work within the multifaceted transnational structures of global conservation organizations. Uniquely, it focuses on the conservationists themselves: why and how has their approach to project work changed, and how have they themselves been transformed in the process?