'London in the Wild is a timely opportunity to get out and explore all the wild spaces and natural places that exist alongside us. Both on your doorstep and on the other side of the river.' - Chris Packham A place of cars, concrete, lights, noise and pollution, London is a harsh, unyielding landscape created to meet the needs of people, not wildlife, but if you take the time to stop and look, you'll discover it is teeming with more than 15,000 species of flora, fungi and fauna, including marsh frogs, hedgehogs, short-eared owls and dragonflies. With London in the Wild as your guide, you can explore the city from your garden, local parks and community space, but also from its wetlands, woodlands and heaths. Along the way you'll discover the best places to see bluebells in springtime, the day-to-day life of a London Tube mouse and the activities of seals who make their home in the Thames.

The current environmental crises demand that we revisit dominant approaches for understanding nature-society relations. Narrating Nature brings together various ways of knowing nature from differently situated Maasai and conservation practitioners and scientists into lively debate. It speaks to the growing movement within the academy and beyond on decolonizing knowledge about and relationships with nature, and debates within the social sciences on how to work across epistemologies and ontologies. It also speaks to a growing need within conservation studies to find ways to manage nature with people. This book employs different storytelling practices, including a traditional Maasai oral meeting—the enkiguena—to decenter conventional scientific ways of communicating about, knowing, and managing nature. Author Mara J. Goldman draws on more than two decades of deep ethnographic and ecological engagements in the semi-arid rangelands of East Africa—in landscapes inhabited by pastoral and agropastoral Maasai people and heavily utilized by wildlife. These iconic landscapes have continuously been subjected to boundary drawing practices by outsiders, separating out places for people (villages) from places for nature (protected areas). Narrating Nature follows the resulting boundary crossings that regularly occur—of people, wildlife, and knowledge—to expose them not as transgressions but as opportunities to complicate the categories themselves and create ontological openings for knowing and being with nature otherwise. Narrating Nature opens up dialogue that counters traditional conservation narratives by providing space for local Maasai inhabitants to share their ways of knowing and being with nature. It moves beyond standard community conservation narratives that see local people as beneficiaries or contributors to conservation, to demonstrate how they are essential knowledgeable members of the conservation landscape itself.

A father tells his child about the wonder of the natural world from a Christian point of view.

Educator and art therapist London uses stories, poetic meditations, and guided exercises to show readers how making art in nature can enhance their self-knowledge and creativity. 20 halftones.

In this impressively researched, alarming book, Rosaleen Duffy investigates the world of nature conservation, arguing that the West's attitude to endangered wildlife is shallow, self-contradictory, and ultimately very damaging. Analyzing the workings of the black-market wildlife industry, Duffy points out that illegal trading is often the direct result of Western consumer desires, from coltan for cellular phones to exotic meats sold in London street markets. She looks at the role of ecotourism, showing how Western travelers contribute—often unwittingly—to the destruction of natural environments. Most strikingly, she argues that the imperatives of Western-style conservation often result in serious injustice to local people, who are branded as “problems' and subject to severe restrictions on their way of life and even extrajudicial killings.

The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. In Aesthetic Science, Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. To show how early modern naturalists conceived of the interplay between sensory experience and the production of knowledge, Aesthetic Science explores natural-historical and anatomical works of the Royal Society through the lens of the aesthetic. By underscoring the importance of subjective experience to the communication of knowledge about nature, Wragge-Morley offers a groundbreaking reconsideration of scientific representation in the early modern period and brings to light the hitherto overlooked role of aesthetic experience in the history of the empirical sciences.