Native Tributes is a sequel to Blue Ravens by Gerald Vizenor, a historical novel about Native Americans in the First World War published by Wesleyan University Press in 2014. Basile Hudon Beaulieu, a native writer, his brother Aloysius, an abstract artist, travel by train from the White Earth Reservation in Minnesota to Washington, D.C. where they protest with thousands of other military veterans in the Bonus Army, and their cousin By Now Rose Beaulieu, a veteran nurse, rides her horse named Treaty to the same march during the summer of 1932. Aloysius creates hand puppets and entertains the spirited veterans with the mockery of communists and President Herbert Hoover. General Douglas McArthur routes the veterans from the National Mall, and the Beaulieu brothers move to an encampment of needy veterans in Hard Luck Town on the East River in New York City. The brothers visit the Biblo and Tanner Booksellers, a gallery owned by Alfred Stieglitz, the Modicut Puppet Theatre, and an exhibition at the Museum of Modern Art. Aloysius is inspired by Arthur Dove, Chaïm Soutine, and Marc Chagall. Native Tributes is a journey of liberty, and escapes the enticement of nostalgia and victimry. Vizenor maintains his masterly perception of oral stories, and creates a dynamic literary tribute to Native American veterans and visionary artists in the Great Depression.

From Tribute to Communal Sovereignty examines both continuity and change over the last five centuries for the indigenous peoples of central western Mexico, providing the first sweeping and comprehensive history of this important region in Mesoamerica. The continuities elucidated concern ancestral territorial claims that date back centuries and reflect the stable geographic locations occupied by core populations of indigenous language–speakers in or near their pre-Columbian territories since the Postclassical period, from the thirteenth to late fifteenth centuries. A common theme of this volume is the strong cohesive forces present, not only in the colonial construction of Christian village communities in Purhépecha and Nahuatl groups in Michoacán but also in the demographically less inclusive Huichol (Wixarika), Cora, and Tepehuan groups, whose territories were more extensive. The authors review a cluster of related themes: settlement patterns of the last five centuries in central western Mexico, language distribution, ritual representation of territoriality, processes of collective identity, and the forms of participation and resistance during different phases of Mexican state formation. From such research, the question arises: does the village community constitute a unique level of organization of the experience of the original peoples of central western Mexico? The chapters address this question in rich and complex ways by first focusing on the past configurations and changes in lifeways during the transition from pre-Columbian to Spanish rule in tributary empires, then examining the long-term postcolonial process of Mexican independence that introduced the emerging theme of the communal sovereignty.

Historical novel about Native American veterans who march in the Bonus Army during the Great Depression Native Tributes is a sequel to Blue Ravens by Gerald Vizenor, a historical novel about Native Americans in the First World War published by Wesleyan University Press in 2014. Basile Hudon Beaulieu, a native writer, his brother Aloysius, an abstract artist, travel by train from the White Earth Reservation in Minnesota to Washington, D.C. where they protest with thousands of other military veterans in the Bonus Army, and their cousin By Now Rose Beaulieu, a veteran nurse, rides her horse named Treaty to the same march during the summer of 1932. Aloysius creates hand puppets and entertains the spirited veterans with the mockery of communists and President Herbert Hoover. General Douglas McArthur routes the veterans from the National Mall, and the Beaulieu brothers move to an encampment of needy veterans in Hard Luck Town on the East River in New York City. The brothers visit the Biblo and Tanner Booksellers, a gallery owned by Alfred Stieglitz, the Modicut Puppet Theatre, and an exhibition at the Museum of Modern Art. Aloysius is inspired by Arthur Dove, Chaïm Soutine, and Marc Chagall. Native Tributes is a journey of liberty, and escapes the enticement of nostalgia and victimry. Vizenor maintains his masterly perception of oral stories, and creates a dynamic literary tribute to Native American veterans and visionary artists in the Great Depression.

In the spring, the bear returns to the forest, the glacier returns to its source, and the salmon returns to the fresh water where it was spawned. Drawing on the special relationship that the Native people of southeastern Alaska have always had with nature, Blonde Indian is a story about returning. Told in eloquent layers that blend Native stories and metaphor with social and spiritual journeys, this enchanting memoir traces the author’s life from her difficult childhood growing up in the Tlingit community, through her adulthood, during which she lived for some time in Seattle and San Francisco, and eventually to her return home. Neither fully Native American nor Euro-American, Hayes encounters a unique sense of alienation from both her Native community and the dominant culture. We witness her struggles alongside other Tlingit men and women—many of whom never left their Native community but wrestle with their own challenges, including unemployment, prejudice, alcoholism, and poverty. The author’s personal journey, the symbolic stories of contemporary Natives, and the tales and legends that have circulated among the Tlingit people for centuries are all woven together, making Blonde Indian much more than the story of one woman’s life. Filled with anecdotes, descriptions, and histories that are unique to the Tlingit community, this book is a document of cultural heritage, a tribute to the Alaskan landscape, and a moving testament to how going back—in nature and in life—allows movement forward.

"Women have long been the creative force behind Native American art, yet their individual contributions have been largely unrecognized, instead treated as anonymous representations of entire cultures. 'Hearts of Our People: Native Women Artists' explores the artistic achievements of Native women and establishes their rightful place in the art world. This lavishly illustrated book, a companion to the landmark exhibition, includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases more than 115 artists from the United States and Canada, spanning over one thousand years, to reveal the ingenuity and innovation fthat have always been foundational to the art of Native women."--Page 4 of cover.

Excerpt from Tributes to the Tees: By Natives and Strangers And should the eyes of any readers less interested in the theme, casually rest upon the lines, they too may be reminded of localities they love - oi village scenes and native streams, still present to their minds, - and all those home feelings, in distance and in absence, Which inay lead them to sympathize in similar reminiscences. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Terpning, the storyteller of the Plains Indians, presents his most important paintings of the past 35 years Howard Terpning is one of the most lauded painters of Western art and considered by many to be a national treasure. He is known as the "storyteller of the Native American" because of his devotion to and respect for his subject matter, almost exclusively the Plains Indian. He particularly favors the period beginning in the late eighteenth century when a Great Plains culture of Indians and horses thrived along with the buffalo. Passion, compassion, extraordinary talent in palette and brushstroke, and an exceptional ability to evoke emotion and narrative in his paintings have made his work rise to the top as he strives to keep alive the heritage and culture of Native Americans through the power of art. With more than 120 full-color paintings, this volume is the most comprehensive collection of Howard Terpning's work to date. The text by fellow artist Harley Brown provides a unique artist's view of Terpning's oeuvre through discussions of his colors, composition, inspiration, and sheer talent.