This introduction to the art of tribal peoples of North America, Africa, and the South Pacific does not briefly cover the hundreds of artistic traditions in these three vast areas but rather studies in depth thirty-six art styles within all three areas using the methods of art history, including stylistic analysis and iconographic interpretation. Emphasis is on the art in cultural context and as a system of visual communication within each tribal area. Where appropriate for a more complete understanding of the art, data from archaeology, ethnology, linguistics, religion, and other humanistic disciplines are included.Among the peoples and cultures whose art is studied are the Haida, Kwakiutl, and Tlingit; the Hohokam and Mongollon, the Anasazi and Hopi; the Dogon and Bamana of Mali; the Asante of Ghana; the Benin, Yoruba, and Ibo of Nigeria; the Fan, the Bamum, and the Kuba of Central Africa; Australian aboriginal and Island New Guinea art; Island Melanesia art; central and eastern Polynesia; Hawaii and the Maori in Marginal Polynesia.The format of the text and selected illustrations is based on seventeen years of teaching African, North American Indian, and South Pacific art to undergraduate and graduate students at Herbert H. Lehman College (CUNY), New York University, and Columbia University. The book is intended for art history and anthropology students and the interested lay reader or collector. The detailed notes at the end of the book are for further study, research, and understanding of the tribal art style under discussion.

Academic survey of the Pacific Islands. Includes maps, photographs, tables, diagrams, atlas, and detailed index.

American Anthropology in Micronesia: An Assessment evaluates how anthropological research in the Trust Territory has affected the Micronesian people, the U.S. colonial administration, and the discipline of anthropology itself. Contributors analyze the interplay between anthropology and history, in particular how American colonialism affected anthropologists' use of history, and examine the research that has been conducted by American anthropologists in specific topical areas of socio-cultural anthropology. Although concentrating largely on disciplinary concerns, the authors consider the connections between work done in the era of applied anthropology and that completed later when anthropology was pursued mainly for its own sake. The focus then returns to applied concerns in more recent years and issues pertaining to the relevance of anthropology for the world of practical affairs. It will be of essential interest to students and scholars of Pacific Islands studies and the history of anthropology.

Contributors explore the complex relations among Pacific artists, patrons, collectors, and museums over time, as well as the different meanings given to art objects by each.

Animals and their symbolism in diverse world cultures and different eras of human history are chronicled in this lovely volume.

"At its heart, Pasztory's thesis is simple and yet profound. She asserts that humans create things (some of which modern Western society chooses to call "art") in order to work out our ideas - that is, we literally think with things. Pasztory draws on examples from many societies to argue that the art-making impulse is primarily cognitive and only secondarily aesthetic. She demonstrates that "art" always reflects the specific social context in which it is created, and that as societies become more complex, their art becomes more rarefied."--Jacket.