This book delivers a systematic investigation of Native American princess pageants, exploring when and why they started, how they spread across and within Native American communities, the ways in which these pageants differ from other contests (such as Miss USA), the workings of the pageants themselves, and their socio-cultural costs and benefits.

As modern versions of the settler nation took root in twentieth-century Canada, beauty emerged as a business. But beauty pageants were more than just frivolous spectacles. Queen of the Maple Leaf deftly uncovers how colonial power operated within the pageant circuit. Patrizia Gentile examines the interplay between local or community-based pageants and provincial or national ones. Contests such as Miss War Worker and Miss Civil Service often functioned as stepping stones to larger competitions. At all levels, pageants exemplified codes of femininity, class, sexuality, and race that shaped the narratives of the settler nation. A union-organized pageant such as Queen of the Dressmakers, for example, might uplift working-class women, but immigrant women need not apply. Queen of the Maple Leaf demonstrates how these contests connected female bodies to respectable, wholesome, middle-class femininity, locating their longevity squarely within their capacity to reassert the white heteropatriarchy at the heart of settler societies.

The Native American Contest Powwow introduces Cultural Tethering Theory to convey the importance of the contest powwow in the celebration and preservation of Native American culture. The book addresses the concepts of culture, cultural change, acculturation, assimilation, and illustrates how competitive powwows align with and differ from competitive sporting events. Authors Steven Aicinena and Sebahattin Ziyanak go on to explain how the modern intertribal contest powwow evolved and why modern Native American cultures are experiencing an erosion of traditional values, a rapid loss of traditional languages, dysfunctional changes in social organization, limited opportunity to transmit culturally valued knowledge, and reduced opportunities for youths to observe culturally appropriate behavior. The authors also examine Native American identity and explore who can legitimately claim to be a Native American under current laws and customs. Additional topics addressed include blood quantum, cultural knowledge, cultural participation, being Indian, and playing Indian. Finally, the authors describe the difference between being Native American and playing Indian in powwow and pseudo-cultural powwow environments.

"In Warrior Princesses Strike Back, Lakhota twin sisters Sarah Eagle Heart and Emma Eagle Heart-White recount growing up on the Pine Ridge Indian Reservation and overcoming odds throughout their personal and professional lives. Woven throughout are self-help strategies centering women of color, that combine marginalized histories, psychological research on trauma, perspectives on "decolonial therapy," and explorations on the possibility of healing intergenerational and personal trauma"--

This transnational collection discusses the use of Native American imagery in twentieth and twenty-first-century European culture. With examples ranging from Irish oral myth, through the pop image of Indians promulgated in pornography, to the philosophical appropriations of Ernst Bloch or the European far right, contributors illustrate the legend of "the Indian." Drawing on American Indian literary nationalism, postcolonialism, and transnational theories, essays demonstrate a complex nexus of power relations that seemingly allows European culture to build its own Native images, and ask what effect this has on the current treatment of indigenous peoples.

Citing a lack of strong feminist voices in contemporary Canadian media, Freeman (journalism, Carleton U., Ottawa) was motivated to write this first book-length analysis of news media coverage of women's issues in Canada. The period 1966-1971 is seen as a critical period in Canadian feminist history, during which time the Canadian government appointed a federal inquiry into women's issues (the Royal Commission on the Status of Women). Freeman examines the relationship between the Commission and the media, the reporters' understandings of professional practice, and the ways in which they covered issues from the hearings and the Commission's Report. She argues that an understanding of media coverage of gender issues is the past may lead to thoughtful and effective coverage now and in the future. Accessible to a general audience. c. Book News Inc.

After his remarkable eight-second ride at the 1996 Indian National Finals Rodeo, an elated American Indian world champion bullrider from Pine Ridge, South Dakota, threw his cowboy hat in the air. Everyone in the almost exclusively Indian audience erupted in applause. Over the course of the twentieth century, rodeos have joined tribal fairs and powwows as events where American Indians gather to celebrate community and equestrian competition. In Riding Buffaloes and Broncos, Allison Fuss Mellis reveals how northern Plains Indians have used rodeo to strengthen tribal and intertribal ties and Native solidarity. In the late nineteenth century, Indian agents outlawed most traditional Native gatherings but allowed rodeo, which they viewed as a means to assimilate Indians into white culture. Mistakenly, they treated rodeo as nothing more than a demonstration of ranching skills. Yet through selective adaptation, northern Plains horsemen and audiences used rodeo to sidestep federally sanctioned acculturation. Rodeo now enabled Indians to reinforce their commitment to the very Native values--a reverence for horses, family, community, generosity, and competition--that federal agencies sought to destroy. Mellis has mined archival sources and interviewed American Indian rodeo participants and spectators throughout the northern Great Plains, Southwest, and Canada, including Crow, Northern Cheyenne, and Lakota reservations. The book features numerous photographs of Indian rodeos from the nineteenth and twentieth centuries and maps illustrating the all-Indian rodeo circuit in the United States and Canada.