In This 88-page edition: ANCIENT MYSTERIES SECRETS OF TIWANAKU Lost Artifacts and Hidden Rooms? BY HUGH NEWMAN MORE SECRETS OF TIWANAKU Prediluvian Tunnels and the Atlantis Connection BY ADRIANO FORGIONE LOST ORIGINS THE LAST OF THE DENISOVANS Did Their Story End With the Ice Age? BY ANDREW COLLINS LOST HISTORY THE MEN & THE WOMAN WHO PUT SHAKESPEARE TOGETHER The Authorship Controversy Has Not Gone Away BY STEVEN SORA THE UNEXPLAINED PHOTOGRAPHING THE INVISIBLE Certainly There Has Been Deception, but Maybe There‘s More to the Story BY MICHAEL TYMN TECHNOLOGIES OF THE GODS WHERE ARE THE LOST MACHINES? We Have Seen the Results, but What Happened to the Construction Equipment? BY WILLIAM B. STOECKER ANCIENT MYSTERIES THE CHARIOTS OF THE SUN Were Secret Pagan Symbols in Solomon‘s Temple? BY JONATHON PERRIN ANCIENT MYSTERIES LOST REALMS–FOLLOWING THE MYTHIC TRAIL Ancient Clues Point to a Missing History BY FRANK JOSEPH CONSCIOUSNESS BEYOND THE BRAIN Could Mind and Consciousness Exist Independently? BY ROBERT M. SCHOCH, Ph.D. POPULAR CULTURE IS TIME SPEEDING UP? The Future Is Ahead of Schedule BY SUSAN B. MARTINEZ, Ph.D. THE FORBIDDEN ARCHAEOLOGIST THE BROWNSVILLE SKULL: CASE NOT CLOSED BY MICHAEL A. CREMO ASTROLOGY ANCIENT STAR MAPS Could Astrology and the Zodiac Be Much Older than Has Been Thought? BY JULIE LOAR PUBLISHER‘S LETTER RED PYRAMID REDUX BY J. DOUGLAS KENYON

In This 88-page edition: POPULAR CULTURE PUSHING BACK AGAINST TECH TYRANNY Can the “New Luddites”Close Pandora’s Box? BY SUSAN B. MARTINEZ, Ph.D. ANCIENT MYSTERIES THE PROSECUTION DOESN’T REST Evidence for Crime in the Great Pyramid Continues to Mount BY SCOTT CREIGHTON LOST HISTORY SEARCHING FOR ANTILIA & HYPERBOREA Atlantis and Lemuria Were Not the Only Legendary Destinations of Antiquity BY FRANK JOSEPH THE UNEXPLAINED SOCRATES & HIS INNER VOICE Was the Great Philosopher Mentally Ill, or Something Else? BY ROBERT M. SCHOCH, Ph.D. ANCIENT MYSTERIES PORTALS TO THE MULTIVERSE? Is There More to Indigenous Petroglyphs than Meets the Eye? BY KEN WELLS THE UNEXPLAINED A. CONAN DOYLE & THE FAIRIES Why Did the Creator of Sherlock Holmes Stake so Much on His Case for Little People? BY HUNTER LIGUORE CRYPTOZOOLOGY WHERE BE DRAGONS? What If the Stories Were Not Entirely Imaginary BY STEVEN SORA ALTERNATIVE HISTORY THE RIDDLES OF TIME Do the Orthodox Schedules of Our Past Really Line Up with the Facts? BY WILLIAM B. STOECKER ANCIENT AMERICA LADY LIBERTY & INDIGENOUS MOTHER WISDOM The Ancient Bond Between Native Americans and the Goddess in New York Harbor BY ROBERT HIERONIMUS, Ph.D. & LAURA E. CORTNER FUTURE SCIENCE ‘IMPOSSIBLE‘ MATERIAL USHERS IN THE GRAPHENE AGE The Stuff the Journals Rejected Is Now the Coming “Revolution“ BY JEANE MANNING THE FORBIDDEN ARCHAEOLOGIST BY MICHAEL CREMO THE ‘SILURIAN HYPOTHESIS‘ RECONSIDERED ASTROLOGY GODDESS SIGNS Astrology of the Sacred Feminine BY JULIE LOAR PUBLISHER‘S LETTER LIFE-SUSTAINING RESOURCES FROM DEAD SPACE ROCKS? BY J. DOUGLAS KENYON

Since 1997, a series of astounding developments have shattered American archaeology's most cherished beliefs. Excavations have uncovered solid evidence that acient America was settled at least 50,000 years ago. Genetic evidence shows that several waves of migrations came into America from not only Siberia, but also from Polynesia, China, and Japan. A mysterious genetic type has been identified in ancient American skeletal remains as well as in some modern Native Americans. This enigmatic type is linked to the Middle East and may well have originated in a location between America and Europe.Edgar Cayce, America's famous "Sleeping Prophet," gave 68 readings between 1925 to 1944 that provided information on America's Mound Builders and ancient American history. These readings have never been thoroughly analyzed and have been largely forgotten.For the first time, Cayce's statements about ancient America are compared to current archaeological evidence. Incredibly, nearly everything Cayce related about the Mound Builders is true. Well-documented and highly illustrated. This is a reissue of the book first released in 2001.

"Gibson, the grand old man of Poverty Point archaeology, has presented his personal reflections on his and others' extensive work at this mysterious and awe-inspiring site. He recounts (in his equally mysterious Louisiana voice) the setting, meaning, and history of archaeological thought that surround the site."--Mike Russo, National Park Service Jon Gibson confronts the intriguing mystery of Poverty Point, the ruins of a large prehistoric Indian settlement that was home to one of the most fascinating ancient cultures in eastern North America. The 3,500-year-old site in northeastern Louisiana is known for its large, elaborate earthworks--a series of concentric, crescent-shaped dirt rings and bird-shaped mounds. With its imposing 25-mile core, it is one of the largest archaic constructions on American soil. It's also one of the most puzzling--perplexing questions haunt Poverty Point, and archaeologists still speculate about life and culture at the site, its age, how it was created, and if it was at the forefront of an emerging complex society. Gibson's engaging, well-illustrated account of Poverty Point brings to life one of the oldest earthworks of its size in the Western Hemisphere, the hub of a massive exchange network among native American peoples reaching a third of the way across the present-day United States. Gibson, the eminent authority on the site, boldly launches the first full-scale political, economic, and organizational analysis of Poverty Point and nearby affiliated sites. Writing in an informal style, he examines the period's architecture, construction, tools and appliances, economy, exchange, and ceremonies.

Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.

This a reconstruction of the waxing and waning of political fortunes among the chiefly elites at an important centre of the prehistoric world.