"The book is one that horse lovers of every age cannot fail to enjoy." — The New York Times "Humorous, charming, National Velvet is a little masterpiece." — Time "Put on your not-to-be-missed list." — The New Yorker A butcher's daughter in a small Sussex town ends her nightly prayers with "Oh, God, give me horses, give me horses! Let me be the best rider in England!" The answer to fourteen-year-old Velvet Brown's plea materializes in the form of an unwanted piebald, raffled off in a village lottery, who turns out to be adept at jumping fences—exactly the sort of horse that could win the world's most famous steeplechase, the Grand National. Richly atmospheric of rural English life between the World Wars, National Velvet has enchanted generations of readers since its 1935 debut. The heroine's grit and determination, backed by the support of her eccentric and loving family, offer an inspiring example of the struggles and rewards of following a dream.

The timeless tale of 14-year-old Velvet Brown's participation in the Grand National Steeplechase has thrilled generations of readers. The story provides a positive role model for girls and remains ever popular with young horse lovers.

A fourteen-year-old English girl wins a horse in a raffle, trains it, and rides it in the Grand National steeplechase.

Turner Classic Movies and film historian Richard Corliss present Mom in the Movies: The Iconic Screen Mothers You Love (and a Few You Love to Hate), the definitive, fully illustrated book that shares the many ways Hollywood has celebrated, vilified and otherwise memorialized dear old Mom. With a foreword written by Debbie Reynolds and her daughter Carrie Fisher, and sidebar essays by Eva Marie Saint, Illeana Douglas, Jane Powell, Sam Robards, and Tippi Hedren, this book is packed with an incredible collection of photographs and film stills. Mom in the Movies makes a great gift for any mom—and for anyone with a mother who oughta be in pictures. Here, you will meet the Criminal Moms, like Shelley Winters in Bloody Mama, and the eccentric Showbiz Moms, including those from Gypsy and Postcards from the Edge. You’ll also find Great American Moms, as warm and nourishing as apple pie, in movies such as I Remember Mama and Places in the Heart, along with Surrogate Moms, like Ginger Rogers in Bachelor Mother, Rosalind Russell in Auntie Mame, Dianne Wiest in Edward Scissorhands and Sandra Bullock in The Blind Side. And who can forget the baddest mothers of all? No book on movie moms would be complete without Angela Lansbury in The Manchurian Candidate. From the cozy All-American mom to the terrifying Mommie Dearest or the protective Sigourney Weaver in Aliens, when it comes to mothers on the silver screen, it takes all kinds. With Mom in the Movies, Richard Corliss and Turner Classic Movies bring those many moms vividly to life, in words and pictures.

“No Natives or Dogs Allowed,” blared the storefront sign at Elizabeth Peratrovich, then a young Alaska Native Tlingit. The sting of those words would stay with her all her life. Years later, after becoming a seasoned fighter for equality, she would deliver her own powerful message: one that helped change Alaska and the nation forever. In 1945, Peratrovich stood before the Alaska Territorial Legislative Session and gave a powerful speech about her childhood and her experiences being treated as a second-class citizen. Her heartfelt testimony led to the passing of the landmark Alaska Anti-Discrimination Act, America’s first civil rights legislation. Today, Alaska celebrates Elizabeth Peratrovich Day every February 16, and she will be honored on the gold one-dollar coin in 2020. Annie Boochever worked with Elizabeth’s eldest son, Roy Peratrovich Jr., to bring Elizabeth’s story to life in the first book written for young teens on this remarkable Alaska Native woman.

Taken in by a near-alcoholic artist and a jaded academic, a young Dominican girl in Brooklyn's Fresh Air Fund program explores the contrasts between her inner-city life and her hosts' privileged world and finds her realities powerfully shaped by her relationship with a horse.