For a hundred years, the people of Prairie Bend have whispered Nathaniel's name in wonder and fear. Some say he is a folktale, created to frighten children on cold winter nights. Some swear he is a terrifying spirit retumed to avenge the past. But soon . . . very soon . . . some will learn that Nathaniel lives still--that he is darkly, horrifyingly real. Nathaniel--he is the voice that calls to young Michael Hall across the prairie night . . . the voice that draws the boy into the shadowy depths of the old, crumbling, forbidden barn . . . that chanting, compelling voice he will follow faithfully beyond the edge of terror.

When the "don't ask, don't tell" policy emerged as a political compromise under Bill Clinton in 1993, it only ended up worsening the destructive gay ban that had been on the books since World War II. Drawing on more than a decade of research and hundreds of interviews, Nathaniel Frank exposes the military's policy toward gays and lesbians as damaging and demonstrates that "don't ask, don't tell" must be replaced with an outright reversal of the gay ban. Frank is one of the nation's leading experts on gays in the military, and in his evenhanded and always scrupulously documented chronicle, he reveals how the ban on open gays and lesbians in the U.S. military has greatly increased discharges, hampered recruitment, and—contrary to the rationale offered by proponents of the ban—led to lower morale and cohesion within military ranks. Frank does not shy away from tackling controversial issues, and he presents indisputable evidence showing that gays already serve openly without causing problems, and that the policy itself is weakening the military it was supposed to protect. In addition to the moral pitfalls of the gay ban, Frank shows the practical damage it has wrought. Most recently, the discharge of valuable Arabic translators (who happen to be gay) under the current policy has left U.S. forces ill-equipped in the fight against terrorism. Part history, part exposé, and fully revealing, Unfriendly Fire is poised to become the definitive story of "don't ask, don't tell." This lively and compelling narrative is sure to make the blood boil of any American who cares about national security, the right to speak the truth, or just plain common sense and fairness.

An ex-Marine captain shares his story of fighting in a recon battalion in both Afghanistan and Iraq, beginning with his brutal training on Quantico Island and following his progress through various training sessions and, ultimately, conflict in the deadliest conflicts since the Vietnam War.

Detectives Bill Wentz, and Rick Weller thought they had seen it all, but they have never seen anything like Samuel Allen Renshaw. Renshaw is one of the most prolific serial killers of recent times, but he claims that he is being controlled by his brother, Nathaniel. Problem is, no one can find any evidence that Nathaniel ever existed. Is Nathaniel out there somewhere alluding capture and waiting to kill again? Does Samuel have a split personality, or is Nathaniel all in his head? Could he be faking the whole thing as a clever way to cop an insanity defense, or could it be something far more sinister?

For a hundred years, the people of Prairie Bend have whispered Nathaniel's name in wonder and fear. Some say he is a folktale, created to frighten children on cold winter nights. Some swear he is a terrifying spirit retumed to avenge the past. But soon . . . very soon . . . some will learn that Nathaniel lives still--that he is darkly, horrifyingly real. Nathaniel--he is the voice that calls to young Michael Hall across the prairie night . . . the voice that draws the boy into the shadowy depths of the old, crumbling, forbidden barn . . . that chanting, compelling voice he will follow faithfully beyond the edge of terror.

Learn about the life of the famous American author.

Built around close readings of 11 noir films, this book seeks to refresh our understanding of “film noir” by returning to the films themselves. Pushing against totalizing or generalizing approaches, which may have the unintended effect of flattening out significant distinctions and differences between individual approaches, Film Noir and the Possibilities of Hollywood argues for the importance of staying attuned the varied and variegated formal, aesthetic and thematic strategies at work in individual films. By focusing on these strategies, the book invites readers to consider anew the enabling possibilities of Hollywood filmmaking in the studio era.