Nestled on the banks of the Cane River, Natchitoches (pronounced NAK-i-tush) is perhaps the most beautiful inland town in Louisiana. Founded in 1714 as a French colonial settlement, it boasts brick streets, venerable architecture, and a charming ambiance that draw visitors from around the world. Nearby, a magnificent plantation country and the multicultural Creole community of Isle Brevelle amplify the area's allure. This stunning gallery of photographs by Philip Gould, along with edifying articles, documents the varying cultures of the Cane River region, one of the state's oldest and most historically French areas. The book opens with a look at Natchitoches proper and its breathtaking architectural gems, including stately churches and elegant homes. Gould also captures the life pulsing behind these impressive facades. A blues band performs its monthly gig at Roque's Grocery. A child prepares to be baptized in the Cane River. A young couple celebrates their marriage in high style. Through Gould's lens and an enlightening history by Richard Seale, Natchitoches yesterday and today comes alive. The regal residences and faded communities that lie beyond Natchitoches are remnants of a once bustling plantation economy. Accompanied by revealing commentary from Robert DeBlieux, Gould trains his talented eye on the majestic estates of Oakland, Magnolia, Oaklawn, Cherokee, Beaufort, and Melrose plantations and on the tiny town of Cloutierville, once home to writer Kate Chopin. The book also spotlights the nearby Creole settlement of Isle Brevelle, which dates back to the area's colonial period. Gould celebrates the music, food, folklore, architecture, and landscape of this vibrant multiethnic community -- which originated with a French planter and a former slave. Harlan Mark Guidry, one of the many descendants of Isle Brevelle now living throughout the United States, narrates the story of this unique cultural treasure. Natchitoches and Louisiana's Timeless Cane River offers passage through an extraordinary world where people, heritage, and history are inseparably intertwined. Natives and tourists alike will relish the journey.

Stories of ghosts and strange happenings at these historic Southern homes—with photos included. Louisiana plantations evoke images of grandeur and elegance, but beyond the facade of stately homes are stories of hope and subjugation, tragedy and suffering, shame and perseverance and war and conquest. After sixteen workers axed most of the Houmas House’s ancient oak trees, referred to as “the Gentlemen,” eight of the surviving trees eerily twisted overnight in grief over the losses wrought by a great Mississippi River flood. An illegal duel to reclaim lost honor left the grounds of Natchez’s Cherokee Plantation bloodstained, but the victim’s spirit may still wander there today. A mutilated slave girl named Chloe still haunts the halls of the Myrtles Plantation in St. Francisville. In this book, Cheryl H. White and W. Ryan Smith reveal the dark history, folklore, and lasting human cost of Louisiana plantation life.

Clementine Hunter (1887--1988) painted every day from the 1930s until several days before her death at age 101. As a cook and domestic servant at Louisiana's Melrose Plantation, she painted on hundreds of objects available around her -- glass snuff bottles, discarded roofing shingles, ironing boards -- as well as on canvas. She produced between five and ten thousand paintings, including her most ambitious work, the African House Murals. Scenes of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday night revelry, and zinnias depict experiences of everyday plantation life along the Cane River. More than a personal record of Hunter's life, her paintings also reflect the social, material, and cultural aspects of the area's larger African American community. Drawing on archival research, interviews, personal files, and a close relationship with the artist, Art Shiver and Tom Whitehead offer the first comprehensive biography of this self-taught painter, who attracted the attention of the world. Shiver and Whitehead trace Hunter's childhood, her encounters at Melrose with artists and writers, such as Alberta Kinsey and Lyle Saxon, and the role played by eccentric François Mignon, who encouraged and promoted her art. The authors include rare paintings and photographs to illustrate Hunter's creative process and discuss the evolution of her style. The book also highlights Hunter's impact on the modern art world and provides insight into a decades-long forgery operation that Tom Whitehead helped uncover. This recent attention reinforced the uniqueness of Hunter's art and confirmed her place in the international art community, which continues to be inspired by the life and work of Clementine Hunter.

Nestled between stately live oaks, magnolia trees, and Cane River is the beautiful old town of Natchitoches. The oldest settlement in the Louisiana Purchase and the third-oldest town in the United States, Natchitoches was founded in 1714 by Louis Juchereau de St. Denis, who was sent by the French governor to establish a colony in Louisiana. In Images of America: Natchitoches see the town as the backdrop for such movies as Steel Magnolias and view rare vintage photographs of plantation homes, the laying of bricks on Front Street, and the development of Northwestern State University.

This edited collection examines the development of Atlantic World architecture after 1492. In particular, the chapters explore the landscapes of extraction as material networks that brought people, space, and labor together in harvesting raw materials, cultivating agriculture for export-level profits, and circulating raw materials and commodities in Europe, Africa, and the Americas from 1500 to 1850. This book argues that histories of extraction remain incomplete without careful attention to the social, physical, and mental nexus that is architecture, just as architecture’s development in the last 500 years cannot be adequately comprehended without attention to empire, extraction, colonialism, and the rise of what Immanuel Wallerstein has called the world system. This world system was possible because of built environments that enabled resource extraction, transport of raw materials, circulation of commodities, and enactment of power relations in the struggle between capital and labor. Separated into three sections: Harvesting the Environment, Cultivating Profit, and Circulating Commodities: Networks and Infrastructures, this volume covers a wide range of geographies, from England to South America, from Africa to South Carolina. The book aims to decenter Eurocentric approaches to architectural history to expose the global circulation of ideas, things, commodities, and people that constituted the architecture of extraction in the Atlantic World. In focusing on extraction, we aim to recover histories of labor exploitation and racialized oppression of interest to the global community. The book will be of interest to researchers and students of architectural history, geography, urban and labor history, literary studies, historic preservation, and colonial studies.

Out of colonial Natchitoches, in northwestern Louisiana, emerged a sophisticated and affluent community founded by a family of freed slaves. Their plantations eventually encompassed 18,000 fertile acres, which they tilled alongside hundreds of their own bondsmen. Furnishings of quality and taste graced their homes, and private tutors educated their children. Cultured, deeply religious, and highly capable, Cane River's Creoles of color enjoyed economic privileges but led politically constricted lives. Like their white neighbors, they publicly supported the Confederacy and suffered the same depredations of war and political and social uncertainties of Reconstruction. Unlike white Creoles, however, they did not recover amid cycles of Redeemer and Jim Crow politics. First published in 1977, The Forgotten People offers a socioeconomic history of this widely publicized but also highly romanticized community -- a minority group that fit no stereotypes, refused all outside labels, and still struggles to explain its identity in a world mystified by Creolism. Now revised and significantly expanded, this time-honored work revisits Cane River's "forgotten people" and incorporates new findings and insight gleaned across thirty-five years of further research. This new edition provides a nuanced portrayal of the lives of Creole slaves and the roles allowed to freed people of color, tackling issues of race, gender, and slave holding by former slaves. The Forgotten People corrects misassumptions about the origin of key properties in the Cane River National Heritage Area and demonstrates how historians reconstruct the lives of the enslaved, the impoverished, and the disenfranchised.

A global traveler and adventurer, the German author Friedrich Gerstäcker (1816--1872) first arrived in Louisiana in March 1838, paddling the waterways leading from the wilds of the northwestern part of the state near Shreveport south to cosmopolitan New Orleans. He returned to the state in 1842, living for a year in the areas of Bayou Sara, St. Francisville, and Pointe Coupée -- then considered the most beautiful garden and plantation land along the Mississippi River. In 1867 he briefly visited Louisiana again, observing the devastation wrought by the Civil War and the turmoil of Reconstruction. No mere armchair tourist, Gerstäcker fully engaged himself in exploring Louisiana -- its landscapes, peoples, and Peculiar Institution. He was in the unique position of being both an insider and an outsider, and his sojourns in the state served as the basis for travel books, short stories, and novels. Gerstäcker was a remarkable raconteur and a highly popular author. During his lifetime and beyond, his writings conveyed the tenor of southern life to a German-speaking audience. Now, compiled and translated into English by Irene S. Di Maio, they offer a window on nineteenth-century Louisiana across several decades of growth and upheaval.Gerstäcker's aim as a writer was to inform and entertain, especially through humor, drama, and suspense. His works -- including his fiction -- sustain an almost ethnographic level of detail. The stories, travel sketches, and novel excerpts included here comment on slavery and its aftermath, ethnic and racial diversity, transcultural relations, and immigration and multilingualism. Gerstäcker's impressions of Louisiana remain relevant and deeply engaging