When William Boyd published his biography of New York modern artist Nat Tate, a huge reception of critics and artists arrived for the launch party, hosted by David Bowie, to toast the late artist's life. Little did they know that the painter Nat Tate, a depressive genius who burned almost all his output before his suicide, never existed. The book was a hoax, and the art world had fallen for it. Nat Tate is a work of art unto itself-an investigation of the blurry line between the invented and the authentic, and a thoughtful tour through the spirited and occasionally ludicrous American art scene of the 1950s. William Boyd is the author of nine novels, including A Good Man in Africa, winner of the Whitbread Award and the Somerset Maugham Award; An Ice-Cream War, winner of the John Llewellyn Rhys Memorial Prize and shortlisted for the Booker Prize; Brazzaville Beach, winner of the James Tait Black Memorial Prize; and Restless, winner of the Costa Novel of the Year Award. Praise for Nat Tate: "William Boyd's description of Tate's working procedure is so vivid that it convinces me that the small oil I picked up on Prince Street, New York, in the late '60s must indeed be one of the lost Third Panel Triptychs. The great sadness of this quiet and moving monograph is that the artist's most profound dread-that God will make you an artist but only a mediocre artist-did not in retrospect apply to Nat Tate."-David Bowie "A moving account of an artist too well understood by his time."-Gore Vidal

The infamous literary prank that fooled a legion of art critics in the 1990sArtist Nathwell Tate was born in 1928 in Union Beach, New Jersey. On January 8 1960 he contrived to round up and burn almost his entire output of Abstract Expressionism. Four days later he killed himself. This book offers an account of Tate's life and work.---When William Boyd published his biography of New York modern artist Nat Tate, a huge reception of critics and artists arrived for the launch party, hosted by David Bowie, to toast the late artist's life. Little did they know that the painter Nat Tate, a depressive genius who burned almost all his output before his suicide, never existed. The book was a hoax, and the art world had fallen for it.Nat Tate is a work of art unto itself - an investigation of the blurry line between the invented and the authentic, and a thoughtful tour through the spirited and occasionally ludicrous American art scene of the 1950s.

Presents a fictional biography of a young, Abstract Expressionist artist living in the New York City of the 1950s who, after a trip to Europe to meet the masters of twentieth-century art, despairs of his talent and decides to end his life.

THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.

A vivid and compelling memoir recounting the real lives, loves and friendship of 1940s Soho and its working girls. Barbara Tate was 17 when she heard the whispered word that would change her life: Soho. It would take four years for Barbara to escape her loveless home but when she finally made it to the forbidden streets of Soho - just as London was recovering from the trauma of the second world war - things would never be the same again. There the naive Barbara meets the beautiful and capricious Mae. When she takes a job as Mae's maid, Barbara imagines she'll be housekeeping. But down a shabby backstreet, Barbara discovers the secret lives of Soho's working girls. An astonishing world full of fierce friendships and bitter rivalries, dangerous men and desperate measures, Barbara soon learns that taking the money from a staggering supply of punters and making copious amounts of tea are only the bare essentials. She will need to be nursemaid, protector and confidante to impossible, adorable, self-destructive Mae.

The stunning, startling collection that is also the last work from a major poet A woman named Mildred starts laying eggs after feathers from wild poultry begin coming down the chimney. A man becomes friends with a bank robber who abducts him and eventually rues his captor’s death. A baby is born transparent. James Tate’s work, filled with unexpected turns and deadpan exaggeration, “fanciful and grave, mundane and transcendent,” (New York Times) has been among the most defining and significant of our time. In his last collection before his death in 2015, Tate’s dark yet whimsical humor, his emotional acuity, and his keen ear for the absurd are on full display in prose poems that finely constructed and lyrical, surrealistic and provocative. With The Government Lake, James Tate reminds us why he is one of the great poets of our age and one of the true masters of the form.

Brodie Moncur is a piano tuner, as brilliant in his own way as John Kilbarron, the pianist Brodie accompanies on all of his tours. It is a luxurious life, and a level of success Brodie could hardly have dreamed of growing up in a remote Scottish village, in a household ruled by a tyrannical father. But Brodie would gladly give it all up for the love of the Russian soprano Lika Blum: beautiful, worldly, seductive-- and consort to Kilbarron. Brodie's passion for Lika only grows as their lives become increasingly more intertwined, more secretive, and, finally, more dangerous. What Brodie doesn't know about Lika, and about her connection to Kilbarron and his sinister brother, Malachi, eventually tests Brodie's ability, and will, to survive. -- adapted from publisher info.