In spring 1996, Saint Joseph's University hosted the exhibition "The Holy Family as Prototype of the Civilization of Love: Images from the Viceregal Americas," which commemorated the 75th anniversary of the introduction of the Feast of the Holy Family to the liturgical calendar of the Universal Church. The exhibition displayed paintings from the Spanish Colonial period, rare books and engravings from seventeenth- and eighteenth-century Europe, and lithographs and devotional paintings on tin from nineteenth-century Mexico and New Mexico. Culled from private collections, galleries in Miami, New York, Washington D.C., and institutional collections of several Catholic universities, these art works offered a visual chronicle of the evolution of devotion to the Holy Family.

Reason's Traces addresses some of the key questions in the study of Indian and Buddhist thought: the analysis of personal identity and of ultimate reality, the interpretation of Tantric texts and traditions, and Tibetan approaches to the interpretation of Indian sources. Drawing on a wide range of scholarship, Reason's Traces reflects current work in philosophical analysis and hermeneutics, inviting readers to explore in a Buddhist context the relationship between philosophy and traditions of spiritual exercise.