This volume explores the interaction between text and image in Indian Buddhist contexts, including not only the complex relationship between verbal stories and visual representations at Indian sites, but also the ways in which visual imagery is used within textual narratives. The chapters are authored by a mixture of textual scholars and art historians, bringing together different disciplinary perspectives in order to seek a richer understanding of how text and art relate, and of the role of narrative imagery in different media and contexts.The book opens with an introduction that explores what narratives and visual narratives are, and why we might want to study narrative images alongside imagery-rich literary narratives. The volume is then divided into three parts. The chapters in "Part I: Visual Narratives" (Zaghet, Reddy, Zin) explore visual depictions of stories in their own right; those in "Part II: Narrative Networks" (Mace, Appleton & Clark, Strong) seek to understand the relationship between specific visual and verbal narratives; and those in "Part III: Narrative Visions" (Gummer, Fiordalis, Walters) primarily investigate how visual imagery and visualisation work in textual narratives.The volume seeks to bridge the divide that traditionally exists between textual scholars and art historians, and to challenge the contributors to think beyond the usual boundaries of our work.

Retellings of the Buddha's life story have animated and sustained Buddhist thought and practice through some 2,500 years of history. To this day, Buddhist holidays and rituals are pinned to the arc of his biography, celebrating his birth, awakening, teaching, and final nirvana. His story is the model that exemplary Buddhists follow. Often, there is a moment of insight akin to the Buddha's experience with the Four Sights, followed by a great departure from home, and a period of searching that it is hoped will lead to final awakening. The Buddha's story is not just the Buddha's story; it is the story of Buddhism. In this book, twelve leading scholars of South Asian texts and traditions articulate the Buddha-life blueprint--the underlying and foundational pattern that holds the life story of a buddha together. They retell the episodes of Buddha Gautama's extended life story, while keeping in mind the cosmic, paradigmatic arc of his narrative. The contributors have dedicated their careers to exploring hagiographical materials, each applying their own methodological and theoretical interests to shed new light on the enduring story of Buddhism. Using multiple perspectives, voices, and sources, this volume underscores the multivalent centrality of this story. The book will be an invaluable resource to practicing Buddhists and students of Buddhist Studies to help them engage in the most foundational story of the tradition.

Part One: The Portuguese and the Tooth Relic -- Chapter One: The Tale of the Portuguese Tooth and Its Sources -- Chapter Two: Where the Tooth Was Found: Traditions about the Location of the Relic in Sri -- Lanka -- Chapter Three: Whose Tooth Was It? Traditions about the Identity of the Relic -- Chapter Four: The Trial of the Tooth -- Chapter Five: The Destruction of the Tooth -- Conspectus of Part One: The Storical Evolution of the Tales of the Portuguese Tooth -- Part Two: The British and the Tooth Relic -- Chapter Six: The Cosmopolitan Tooth: The Relic in Kandy before the British Became Aware of -- It -- Chapter Seven: The British Takeover of 1815 and the Kandyan Convention -- Chapter Eight: The Relic Returns: The Tooth and Its Properties Restored to the Temple -- Chapter Nine: The Relic Lost and Recaptured: The Tooth and the Rebellion of 1817- -- Chapter Ten: The Relic Disestablished: Missionary Oppositions to the Tooth -- Chapter Eleven: Showings of the Tooth: The Story of the King of Siam's Visit (1897) -- Chapter Twelve: Showings of the Tooth: The Story of Queen Elizabeth's Shoes (1954).

"In Part I of this book, I argued that preta narratives participated in a larger world-building process that negotiated the contours of the Buddhist cosmos and, with it, the place of the departed. Through stories about encounters between humans and pretas, Buddhist authors explored the place of the departed in a karmic cosmological system, worked out how to best assist them, and advocated for the importance of the sangha in facilitating these offerings. These tales do not merely reflect the process through which the preta as a specific entity and rebirth category became distinguished from the ancestral departed, but also participated in this process. This illustrates the importance of viewing narratives, in Rob Campany's terms, as argumentative. Stories are not merely the distillation of more abstract doctrine but are sites for the construction of religious worldviews. This illustrates that religious cosmologies are not laid down fully formed in doctrinal treatises. They are cumulatively built over time, and "popular culture" can do important work in the aggregative construction of cosmologies"--

In Song-period China (960–1279 CE), masters in the Chan (Japanese Zen) school of Buddhism were presented as sources of religious authority on par with the Buddha, an almost unthinkably lofty status before the rise of Chan. This claim carried great rhetorical power, facilitating Chan’s appeal to Buddhist monastics and powerful patrons alike. But it also raised a challenging question for Chan Buddhists, who insisted that buddhahood properly transcends all worldly marks: By what signs could one recognize a Chan master as a buddha? Discerning Buddhas argues that Chan Buddhists wove together tropes of sovereignty, hospitality, and martial heroism drawn from both Buddhist tradition and China’s cultural heritage to develop a distinctive vision of what it meant for a Chan master to be a buddha in Song-period China. Kevin Buckelew analyzes the ways Chan Buddhists deployed such tropes in ritual, literature, and visual culture in order to stage the comparison of Chan mastery with buddhahood. He examines how they used the concept of buddhahood to work through questions about the ideal Chan master’s authority, agency, and masculinity, in the process rendering buddhahood in terms highly legible to elite Chinese society. Chan Buddhists, Buckelew shows, developed their own “signature” of buddhahood, according to which enlightened Chan masters who truly deserved comparison to the Buddha were supposed to be distinguished from everyone else. By exploring the resulting Chan culture of discernment, which raised fundamental questions about Buddhist authority at a pivotal inflection point in Chinese history, this book offers fresh insight into the place of Buddhism in Chinese society.

Visions of the Buddha offers a ground-breaking approach to the nature of the early discourses of the Buddha, the most foundational scriptures of Buddhist religion. Although the early discourses are commonly considered to be attempts to preserve the Buddha's teachings, Shulman demonstrates that these texts are full of creativity, and that their main aim is to beautify the image of the wonderous Buddha. While the texts surely care for the early teachings and for the Buddha's philosophy or his guidelines for meditation, and while at times they may relate real historical events, they are no less interested in telling good stories, in re-working folkloric materials, and in the visionary contemplation of the Buddha in order to sense his unique presence. The texts can thus be, at times, a type of meditation. Eviatar Shulman frames the early discourses as literary masterpieces that helped Buddhism achieve the wonderful success it has obtained. Much of the discourses' masterful storytelling was achieved through a technique of composition defined here as the play of formulas. In the oral literature of early Buddhism, texts were composed of formulas, which are repeated within and between texts. Shulman argues that the formulas are the real texts of Buddhism, and are primary to full discourses. Shaping texts through the play of formulas balances conservative and innovative tendencies within the tradition, making room for creativity within accepted forms and patterns. The texts we find today are thus versions--remnants--chosen by history of a much more vibrant and dynamic creative process.

This book highlights what Buddhism has to offer for "living well" here and now—for individuals, society as a whole, all sentient beings and the planet itself. From the perspectives of a variety of Buddhist thinkers, the book evaluates what a good life is like, what is desirable for human society, and ways in which we should live in and with the natural world. By examining this-worldly Buddhist philosophy and movements in India, Sri Lanka, Bhutan, the Tibetan diaspora, Korea, Taiwan, Japan and the United States, the book assesses what Buddhists offer for the building of a good society. It explores the proposals and programs made by progressive and widely influential lay and monastic thinkers and activists, as well as the works of movement leaders such as Thich Nhat Hanh and Dr. B. R. Ambedkar, for the social, economic, political and environmental systems in their various countries. Demonstrating that Buddhism is not solely a path for the realization of nirvana but also a way of living well here and now, this book will be of interest to researchers working on contemporary and modern Buddhism, Buddhism and society, Asian religion and Engaged Buddhism.