Lewis George Clarke published the story of his life as a slave in 1845, after he had escaped from Kentucky and become a well-regarded abolitionist lecturer throughout the North. His book was the first work by a slave to be acquired by the Library of Congress and copyrighted. During the 1840s he lived in the Cambridge, Massachusetts, home of Aaron and Mary Safford, where he encountered Mary's stepsister, Harriet Beecher Stowe, along with Frederick Douglass, Lewis Tappan, Gerrit Smith, Josiah Henson, John Brown, Lydia Child, and Martin Delaney. His experiences are evident in Uncle Tom's Cabin, published in 1852, and Stowe identified him as the prototype for the book's rebellious character George Harris. This facsimile edition of Clarke's book is introduced by his great grandson, Carver Clark Gayton, who has served as director of Affirmative Action Programs at the University of Washington; corporate director of educational relations and training for the Boeing Company; lecturer at the Evans School of Public Administration, University of Washington; and executive director of the Northwest African American Museum. He lives in Seattle. A V Ethel Willis White Book

Cover -- Contents -- A Re-Introduction to Lewis Clarke, Harriet Beecher Stowe's Forgotten Hero -- FACSIMILE OF THE NARRATIVE BY LEWIS CLARKE -- PREFACE. -- NARRATIVE OF LEWIS CLARKE. -- PROGRESS OF FREEDOM. -- APPENDIX . -- A SKETCH OF THE CLARKE FAMILY. -- QUESTIONS AND ANSWERS. -- WHAT IS SLAVERY? -- SLAVERY AND CHRISTIANITY. -- SLAVEHOLDER'S PARODY. -- I AM MONARCH OF NOUGHT I SURVEY. -- OUR COUNTRYMEN IN CHAINS. -- EXTRACT FROM CAMPBELL'S ""PLEASURES OF HOPE.""--THE SOUTH-READ! READ! -- NOTE . -- Acknowledgments -- Further Reading

Reprint of the original, first published in 1845.

In the decades leading to the Civil War, popular conceptions of African American men shifted dramatically. The savage slave featured in 1830s' novels and stories gave way by the 1850s to the less-threatening humble black martyr. This radical reshaping of black masculinity in American culture occurred at the same time that the reading and writing of popular narratives were emerging as largely feminine enterprises. In a society where women wielded little official power, white female authors exalted white femininity, using narrative forms such as autobiographies, novels, short stories, visual images, and plays, by stressing differences that made white women appear superior to male slaves. This book argues that white women, as creators and consumers of popular culture media, played a pivotal role in the demasculinization of black men during the antebellum period, and consequently had a vital impact on the political landscape of antebellum and Civil War-era America through their powerful influence on popular culture.