Power on the Inside is the first book to examine the historical development of prison gangs worldwide, from those that emerged inside mid-nineteenth-century Neapolitan prisons to the new generation of younger inmates challenging the status quo within gang subcultures today. Historian-criminologist Mitchel P. Roth examines prison gangs throughout the world, from the Americas, Oceania, and South Africa to Southeast Asia, Europe, and beyond. The book examines the many variables that influence the evolution of prison subcultures, from colonialism and population demographics to prison architecture and staff-prisoner relations. Power on the Inside features eighty historical and contemporary images and will inform professionals in the field as well as general readers who want to know more about the realities of prison gangs today.

Visions of Glory brings together twenty-two images and twenty-two brisk essays, each essay connecting an image to the events that unfolded during a particular year of the Civil War. The book focuses on a diverse set of images that include a depiction of former slaves whipping their erstwhile overseer distributed by an African American publisher, a census graph published in the New York Times, and a cutout of a child’s hand sent by a southern mother to her husband at the front. The essays in this collection reveal how wartime women and men created both written accounts and a visual register to make sense of this pivotal period. The collection proceeds chronologically, providing a nuanced history by highlighting the multiple meanings an assorted group of writers and readers discerned from the same set of circumstances. In so doing, this volume assembles contingent and fractured visions of the Civil War, but its differing perspectives also reveal a set of overlapping concerns. A number of essays focus in particular on African American engagements with visual culture. The collection also emphasizes the role that women played in making, disseminating, or interpreting wartime images. While every essay explores the relationship between image and word, several contributions focus on the ways in which Civil War images complicate an understanding of canonical writers such as Emerson, Melville, and Whitman.

The volume for 1886 contains the proceedings of the "Conference on temperance legislation, London, 1886."