Offering a multitude of examples through the centuries, this book examines how the architecture of the ancient world was transformed or destroyed under Byzantium and Islam, to produce new forms which often owed their materials and sometimes their styles to the past.

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Although many books focus on the fascinating story of Heinrich Schliemann, little has been written on Mycenae before his excavations. This book, therefore, fills this gap. It looks at the English-speaking pioneers who visited the citadel at Mycenae before Schliemann, providing additional biographic references in the footnotes (and bibliography and associated sources). The book’s primary purpose is to bring back to life the thoughts of these pioneers on Mycenae. It is also a reflection on dating theories of the site during the nineteenth century. At that time, the general consensus concerning the beginning of the ‘Greek world’ was the classical civilisation of the fifth century BC. This was not the view of many of these travellers. The ancients too had a fascination with Mycenae. The Homeric tales of Agamemnon, King of Mycenae, led to popular sixth and fifth century BC plays from the likes of Aeschylus, Sophocles and Euripides. But what did these ancient writers and later travellers, such as Pausanias, actually see? Finally, there is a need to be reminded of some of the ‘pioneer’ travellers to Mycenae and their descriptions of the Lion Gate citadel and the ‘Treasury of Atreus’, as they are of particular historical interest. Not only that, but some of these observations are pure poetry and a delight to read.

This book concentrates on the sometimes Greek but largely Roman survivals many travellers set out to see and perhaps possess throughout the immense Ottoman Empire, on what were eastward and southward extensions of the Grand Tour. Europeans were curious about the Empire, Christianity’s great rival for centuries, and plenty of information on its antiquities was available, offered here via lengthy quotations. Most accounts of the history of collecting and museums concentrate on the European end. Plundered Empire details how and where antiquities were sought, uncovered, bartered, paid for or stolen, and any tribulations in getting them home. The book provides evidence for the continuing debate about the ethics of museum collections, with 19th century international competition the spur to spectacular acquisitions.