This book introduces the concept of 'narrative instability' in order to make visible a new trend in contemporary US popular culture, to analyze this trend's poetics, and to scrutinize its textual politics. It identifies those texts as narratively unstable that consciously frustrate and obfuscate the process of narrative understanding and comprehension, challenging their audiences to reconstruct what happened in a text's plot, who its characters are, which of its diegetic worlds are real, or how narrative information is communicated in the first place. Despite - or rather, exactly because of - their confusing and destabilizing tendencies, such texts have attained mainstream commercial popularity in recent years across a variety of media, most prominently in films, video games, and television series. Focusing on three clusters of instability that form around identities, realities, and textualities, the book argues that narratively unstable texts encourage their audiences to engage with the narrative constructedness of their universes, that narratively unstable texts encourage their audiences to engage with the narrative constructedness of their universes, that narrative instability embodies a new facet of popular culture, that it takes place and can only be understood transmedially, and that its textual politics particularly speak to white male, middle-class Americans.

Chicana/o literature frequently depicts characters who exist in a vulnerable liminal space, living on the border between Mexican and American identities, and sometimes pushed to the edge by authorities who seek to restrict their freedom. As this groundbreaking new study reveals, the books themselves have occupied similarly precarious positions, as Chicana/o literature has struggled for economic viability and visibility on the margins of the American publishing industry, while Chicana/o writers have grappled with editorial practices that compromise their creative autonomy. From the Edge reveals the tangled textual histories behind some of the most cherished works in the Chicana/o literary canon, tracing the negotiations between authors, editors, and publishers that determined how these books appeared in print. Allison Fagan demonstrates how the texts surrounding the authors’ words—from editorial prefaces to Spanish-language glossaries, from cover illustrations to reviewers’ blurbs—have crucially shaped the reception of Chicana/o literature. To gain an even richer perspective on the politics of print, she ultimately explores one more border space, studying the marks and remarks that readers have left in the margins of these books. From the Edge vividly demonstrates that to comprehend fully the roles that ethnicity, language, class, and gender play within Chicana/o literature, we must understand the material conditions that governed the production, publication, and reception of these works. By teaching us how to read the borders of the text, it demonstrates how we might perceive and preserve the faint traces of those on the margins.

Narrative Theory offers an introduction to the field's critical and philosophical approaches towards narrative throughout history.

The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.

The novelty-narrative hypothesis is used to understand stock market instability using big data textual analytics of financial news.

Essay from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,0, , language: English, abstract: This paper is about the instabilities of narration and meaning in Robert Louis Stevenson's "Strange Case of Dr. Jekyll and Mr. Hide". Robert Louis Stevenson’s late-Victorian novel "Strange Case of Dr. Jekyll and Mr. Hyde" takes place in London between 1883 and 1885, and deals with the dual life of a man named Dr. Jekyll. He secretly separates his second, immoral personality called Mr. Hyde with the aid of drugs, what enables him to live out his desires by violence. His lawyer and friend, Mr. Utterson, aspires to figure out what is going on with his friend and the suddenly emerging troublemaker Hyde, after some indications, that Dr. Jekyll has dealings with him. The double personality of Dr. Jekyll and Mr. Hyde leads to an instability of characters, narration and meaning, what invites the reader to have a closer look at the novel’s properties. But the revealing figure is neither Dr. Jekyll nor Mr. Hyde. It is Mr. Utterson who enables the reader to follow the mysterious story of them, what often gets neglected by critics as well as the role of women for the presentation of instability of meaning and narration.

The distinguishing characteristic of the book is its mix of essays focusing on teaching cultural diversity in the classroom and illustrating diversity through fiction to the general readers."--BOOK JACKET.