This book begins by giving a brief review of temple studies inIndiaand in Andhra Pradesh and in particular the significance of Srisailam prakara aswell as literacy importance are discussed in detail. The patronage byvarious dynastic rulers leading to the physical growth of Srisailam templecomplex, the prevalence of various Saivite sects are presented on the basis ofarchaeological and literary sources from Telugu and Sanskrit. The materialculture identified in the sculptures generally comprising architecture, costumes, ornaments, hair styles, head dresses, household objects, etc. are described in detail with linedrawings.

This volume is a detailed exposition of the visual retellings from the Rāmāyaṇa, Mahābhārata and Bhāgavata Purāṇa on specific South Indian Hoysaḷa temples. The first part of the book deals with the Amṛteśvara temple, particularly its narrative panels depicting the Rāmāyaṇa, Mahābhārata and Bhāgavata Purāṇa. The text is a résumé of episodes paired with photographs which illustrate and review the visual retellings and explore Indian techniques of visual narrative. Corollary material from other Hoysaḷa temples with narrative reliefs, including new sites, is presented in the second part. There are very few published contextual studies of Indian narrative sculptures, and so the book is a contribution to the documentation of Indian medieval art, examining visual narratives within the context of the Hindu temple. The book is illustrated with 150 photographs.

A forensic look into the Sepoy rebellion at Meerut in 1857 and the three-month siege and capture of Delhi which followed.

This contextual study of narrative reliefs depicting Hindu epics and puranas on specific South Indian Hoysal a temples provides a detailed exposition of narrative episodes paired with photographs, illustrating and reviewing the stories and exploring techniques of Indian visual narrative.

George Michell provides a pioneering and richly illustrated introduction to the architecture, sculpture and painting of Southern India under the Vijayanagara empire and the states that succeeded it. This period, encompassing some four hundred years, from the fourteenth to the eighteenth century, was endowed with an abundance of religious and royal monuments which remain as testimonies to the history and ideology behind their evolution. The author evaluates the legacy of this artistic heritage, describing and illustrating buildings, sculptures and paintings that have never been published before. In a previously neglected area of art history, the author presents an original and much-needed reassessment.

The Book Structures And Producing Fine Sculpture In The Andhra-Kalinga Region. The State Of Liberty That These Artists Enjoye Is Seen On The Delineation Of Certain Motifs Used To Decorate The Architectural Members Of The Temples Located In The North-Coastal Andhra In Particular And South India In General. In The Light Of The Fact That Most Of The Books Deal Only On Temple Architecture Of The North-Coastl Andhra, The Current Work Shifts Its Focus On The Decorative Element, And Aspect Hitheto Neglected By The Scholars. The Study Encapsules The Various Elements Of Figure Sculpture And Geometrical Designs Including Depiction Of Flora And Fauna As Found On A New Temples Located At Mukhalingam, Simhachalam And Srikurmam Built During The Period Between The 9Th And 13Th Centuries A.D.