"The Wanderings of Oisin" by William Butler Yeats is an affirmative and mystical narrative poem likely blending elements of mythology, folklore, and personal introspection. In this epic poem, readers can expect Yeats' poetic retelling of the ancient Irish legend of Oisin, the legendary bard and warrior who embarks on a series of fantastical adventures. The title, "The Wanderings of Oisin," suggests a narrative journey filled with wonder and enchantment, as Oisin traverses mystical landscapes and encounters otherworldly beings. Yeats' language is likely to be rich and evocative, as he weaves together vivid imagery and lyrical verse to evoke the magical realm of ancient Ireland. His poem may explore themes of love, loss, and the passage of time, as Oisin grapples with the challenges of mortality and the lure of immortality.

"The Wanderings of Oisin" is a narrative poem by W. B. Yeats that delves into themes of aging, nostalgia, and the passage of time. Drawing from Irish mythology and legend, the poem follows the ancient hero Oisin, who returns to Ireland after spending three centuries in the mythical land of Tír na nÓg with the fairy princess Niamh. As Oisin recounts his adventures and reflects on the changes that have occurred in his absence, he grapples with a sense of displacement and loss in a world vastly different from the one he knew. Through vivid descriptions and lyrical language, Yeats evokes a sense of longing for a glorious past while also exploring the inevitable dissonance between memory and reality. The poem captures the tension between the desire for eternal youth and the reality of mortality, as Oisin comes to terms with the transient nature of life and the inevitability of change. "The Wanderings of Oisin" stands as a poignant meditation on the passage of time, the complexities of memory, and the enduring power of myth and storytelling.

This volume is the 10th issue of Variants. In keeping with the mission of the European Society for Textual Scholarship, the articles are richly interdisciplinary and transnational. They bring to bear a wide range of topics and disciplines on the field of textual scholarship: historical linguistics, digital scholarly editing, classical philology, Dutch, English, Finnish and Swedish Literature, publishing traditions in Japan, book history, cultural history and folklore. The questions that are explored — what texts are worth editing? what is the nature of the relationship between text, work, document and book? what is a critical digital edition? — all return to fundamental issues that have been at the heart of the editorial discipline for decades. With refreshing insight they assess the increasingly hybrid nature of the theoretical considerations and practical methodologies employed by textual scholars, while reasserting the relevance and need for producing scholarly editions, whether in print or digital, and continuing advanced research in bibliographical codes, textual transmissions, genetic dossiers, the fluidity of texts and other such Subjects that connect textual scholarship with broader investigations into our nations’ literary culture and written heritage.

The Collected Works of W. B. Yeats offer a comprehensive journey through the poetic evolution of one of Ireland’s greatest literary figures. Spanning his early works that draw on Irish myth and folklore to the profound and often mystical poems of his later years, this collection captures the breadth and depth of Yeats's artistic vision. From the haunting beauty of »The Lake Isle of Innisfree« to the poignant reflections in »Sailing to Byzantium« and the philosophical musings of »The Second Coming,« each poem showcases Yeats's masterful command of language and his ability to weave complex themes with lyrical elegance. W. B. YEATS [1865-1939] was an Irish poet and dramatist. He was a key figure in the Irish Literary Revival and won the Nobel Prize in Literature in 1923. Yeats's works, including The Tower and The Winding Stair, blend myth, mysticism, and modernism, leaving an enduring legacy in both Irish and global literature.

This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

Yeats's Poetry and Poetics brings together some of the finest Yeats criticism ever published, together with some new pieces specially written for this volume. Spanning the whole of Yeats's career, the essays are organised into three main parts. The first deals with Yeats's concern with the speaking voice and its bearing on public and private readings of his verse; and on his use of certain kinds of images in his poetry and plays, from ghosts and fairies, to figures borrowed from painters and sculptors and, extraordinarily, to the actual dancer for whom he makes room in his work. The second section puts Yeats's poetry in context with the work of Synge, D.H. Lawrence, Walter de la Mare and other 'Georgians', and with that of T.S. Eliot and other modernists; assessing the continuities (real and asserted) in Yeats's long poetic career against the revolutions in the poetry of his time. The profound connections between the writings of Yeats and Joyce, including the coupling of Finnegans's Wake and 'The Wanderings of Oisin' are also examined. Rounding off the volume 'Phantasmagoria', explores the implications for his poetics of Yeats's spiritualist philosophy, especially in terms of his conception of the poetic self, and, finally, the last section analyses two works animated by Yeats's quest for the 'faery bride' and his desperate attempt to attract, through his work, a real one.