By the early middle ages vernacular aristocratic traditions of heroic narration were firmly established in Western and Northern Europe. Although there are regional, linguistic and formal differences, one can observe a number of similarities. Oral literature disseminates a range of themes that are shared by narratives in most parts of the continent. In all the European regions, this tradition of heroic narration came into contact with Christianity, which led to modifications. Similar processes of adaptation and transformation can be traced everywhere in this field of early European vernacular narrative. But with the increasing specialization of academic fields over the last half century, inter-disciplinary dialogue has become increasingly difficult. The volume is a contribution to renew the inter-disciplinary dialogue about common themes, topics and motifs in Nordic, Roman, Anglo-Saxon and Germanic literature, and about the different methodologies to explore them.

Gabe thought he had covered all the angles, but it's tough to plan a contingency for accidentally trapping an evil god in your brain. Gabriel Delling might call himself a professional con artist, but when walking superstitions start trying to bite his face off, his charm is shockingly unhelpful. It turns out living nightmares almost never appreciate a good joke. Together with a succubus who insists on constantly saving his life, Gabe desperately tries to survive a new reality that suddenly features demons, legends, and a giant locust named Dale-all of whom pretty much hate his guts. And when an ancient horror comes hunting for the spirit locked in his head, Gabe finds himself faced with the excruciating choice between death...or becoming some kind of freaking hero. Hero Forged is the first book in the new series, Ethereal Earth, a modern fantasy adventure that challenges the natures of myth, humanity, and what it means to be the good guy.

A study of heroism in the myths of the world - an exploration of all the elements common to the great stories that have helped people make sense of their lives from the earliest times. It takes in Greek Apollo, Maori and Jewish rites, the Buddha, Wotan, and the bothers Grimm's Frog-King.

A New York Times-Bestseller! For twelve-year-old Emily, the best thing about moving to San Francisco is that it's the home city of her literary idol: Garrison Griswold, book publisher and creator of the online sensation Book Scavenger (a game where books are hidden in cities all over the country and clues to find them are revealed through puzzles). Upon her arrival, however, Emily learns that Griswold has been attacked and is now in a coma, and no one knows anything about the epic new game he had been poised to launch. Then Emily and her new friend James discover an odd book, which they come to believe is from Griswold himself, and might contain the only copy of his mysterious new game. Racing against time, Emily and James rush from clue to clue, desperate to figure out the secret at the heart of Griswold's new game—before those who attacked Griswold come after them too. This title has Common Core connections.

By the early middle ages vernacular aristocratic traditions of heroic narration were firmly established in Western and Northern Europe. Although there are regional, linguistic and formal differences, one can observe a number of similarities. Oral literature disseminates a range of themes that are shared by narratives in most parts of the continent. In all the European regions, this tradition of heroic narration came into contact with Christianity, which led to modifications. Similar processes of adaptation and transformation can be traced everywhere in this field of early European vernacular narrative. But with the increasing specialization of academic fields over the last half century, inter-disciplinary dialogue has become increasingly difficult. The volume is a contribution to renew the inter-disciplinary dialogue about common themes, topics and motifs in Nordic, Roman, Anglo-Saxon and Germanic literature, and about the different methodologies to explore them.

The purpose of this book is to provide a clear and systematic account of the complexities of fictional narration which result from the shifting relationship in all storytelling between the story itself and the way it is told.

This work contains a Hebrew and an English section. The former is an edition of the Maḥberot Eitan ha-Ezraḥi, a maqama collection composed after the pattern of al-Ḥarizi’s Taḥkemoni. The edition opens with an introduction, translated at the beginning of the English section. The rest of the English section is devoted to an analysis of that branch of the Hebrew maqama tradition that is rooted in the Maqāmāt of al-Ḥarīrī, starting from a review of the evidence for the presence of the Maqāmāt in the world of Hebrew letters, through the Taḥkemoni, and concluding with the Maḥbarot of Immanuel ha-Romi.