This book provides the first comprehensive survey and collection of Nigerian diaspora literature, offering readings of novelists such as Chimamanda Ngozi Adichie, Sefi Atta, Helon Habila, Helen Oyeyemi, Taiye Selasi, Chika Unigwe, Chris Abani, and Ike Oguine. As members of the new African diaspora, their literature captures experiences of recent Nigerian migration to the United States and the United Kingdom. Examining representative novels, such as Adichie’s Half of a Yellow Sun and Americanah, Habila’s Waiting for an Angel, Abani’s GraceLand, and Oyeyemi’s The Icarus Girl, the book discusses these novels’ literary and narrative methods and provides detailed analyses of two of the most common themes: depictions of migratory experiences and representations of Nigeria. Placing the novels in their relevant historical, sociological, philosophical, and theoretical contexts, Narrating the New African Diaspora presents an insightful study of current anglophone Nigerian narrative literature.

From Jerusalem to Ghana to Katrina-ravaged New Orleans, a woman reclaims her history in a “beautifully written and thought-provoking” memoir (Dave Eggers, author of A Hologram for the King and Zeitoun). A biracial woman from a country still divided along racial lines, Emily Raboteau never felt at home in America. As the daughter of an African American religious historian, she understood the Promised Land as the spiritual realm black people yearned for. But while visiting Israel, the Jewish Zion, she was surprised to discover black Jews. More surprising was the story of how they got there. Inspired by their exodus, her question for them is the same one she keeps asking herself: have you found the home you’re looking for? In this American Book Award–winning inquiry into contemporary and historical ethnic displacement, Raboteau embarked on a ten-year journey around the globe and back in time to explore the complex and contradictory perspectives of black Zionists. She talked to Rastafarians and African Hebrew Israelites, Evangelicals and Ethiopian Jews—all in search of territory that is hard to define and harder to inhabit. Uniting memoir with cultural investigation, Raboteau overturns our ideas of place, patriotism, dispossession, citizenship, and country in “an exceptionally beautiful . . . book about a search for the kind of home for which there is no straight route, the kind of home in which the journey itself is as revelatory as the destination” (Edwidge Danticat, author of The Farming of Bones).

The New York Times reports that since 1990 more Africans have voluntarily relocated to the United States and Canada than had been forcibly brought here before the slave trade ended in 1807. The key reason for these migrations has been the collapse of social, political, economic, and educational structures in their home countries, which has driven Africans to seek security and self-realization in the West. This lively and timely collection of essays takes a look at the new immigrant experience. It traces the immigrants' progress from expatriation to arrival and covers the successes as well as problems they have encountered as they establish their lives in a new country. The contributors, most immigrants themselves, use their firsthand experiences to add clarity, honesty, and sensitivity to their discussions of the new African diaspora.

This volume is dedicated to fictional negotiations of future, or rather futureS. After all, ‘future’ cannot but exist in a multitude of complementary and/or competing futures, all causally related to each other just as much as to their pasts and their respective memories. Within this cyclical and causal triad of past, present and future, futureS have been made and unmade, remembered and forgotten, affirmed and subverted in the multiversity of competing agencies, interests, and accesses to power and privileges. Thus framed, African and African diasporic futureS have been done, undone and redone over the centuries, affecting and affected by planetary actions as ruled by global power constellations, whilst being contemplated and moulded by fictional in(ter)ventions in the process. Literature and other cultural means of expression such as film, fine arts, performing arts and the internet are at the centre of this volume. Employing FutureS as a critical category of analysis, the book comprises perspectives from Europe, Africa and the Middle East, from academics, activists and artists. They all share their perspectives on African and African-diasporic visions of futureS, with an emphasis on dreaming and memory, environmentalism and ethics, freedom and resistance. This book was originally published as a special issue of the Journal of the African Literature Association.

Everything Good Will Come introduces an important new voice in contemporary fiction. With insight and a lyrical wisdom, Nigerian-born Sefi Atta has written a powerful and eloquent story set in her African homeland. It is 1971, a year after the Biafran War, and Nigeria is under military rule—though the politics of the state matter less than those of her home to Enitan Taiwo, an eleven-year-old girl tired of waiting for school to start. Will her mother, who has become deeply religious since the death of Enitan’s brother, allow her friendship with the new girl next door, the brash and beautiful Sheri Bakare? This novel charts the fate of these two African girls; one who is prepared to manipulate the traditional system and one who attempts to defy it. Written in the voice of Enitan, the novel traces this unusual friendship into their adult lives, against the backdrop of tragedy, family strife, and a war-torn Nigeria. In the end, Everything Good Will Come is Enitan’s story; one of a fiercely intelligent, strong young woman coming of age in a culture that still insists on feminine submission. Enitan bucks the familial and political systems until she is confronted with the one desire too precious to forfeit in the name of personal freedom: her desire for a child. Everything Good Will Come evokes the sights and smells of Africa while imparting a wise and universal story of love, friendship, prejudice, survival, politics, and the cost of divided loyalties.

Afro-Cuban Diasporas in the Atlantic World explores how Yoruba and Afro-Cuban communities moved across the Atlantic between the Americas and Africa in successive waves in the nineteenth century. In Havana, Yoruba slaves from Lagos banded together to buy their freedom and sail home to Nigeria. Once in Lagos, this Cuban repatriate community became known as the Aguda. This community built their own neighborhood that celebrated their Afrolatino heritage. For these Yoruba and Afro-Cuban diasporic populations, nostalgic constructions of family and community play the role of narrating and locating a longed-for home. By providing a link between the workings of nostalgia and the construction of home, this volume re-theorizes cultural imaginaries as a source for diasporic community reinvention. Through ethnographic fieldwork and research in folkloristics, Otero reveals that the Aguda identify strongly with their Afro-Cuban roots in contemporary times. Their fluid identity moves from Yoruba to Cuban, and back again, in a manner that illustrates the truly cyclical nature of transnational Atlantic community affiliation. Solimar Otero is Associate Professor of English and a folklorist at Louisiana State University. Her research centers on gender, sexuality, Afro-Caribbean spirituality, and Yoruba traditional religion in folklore, literature and ethnography. Dr. Otero is the recipient of a Ruth Landes Memorial Research Fund grant (2013), a fellowship at the Harvard Divinity School's Women's Studies in Religion Program (2009 to 2010), and a Fulbright award (2001).

Contributions by Cécile Accilien, Maria Rice Bellamy, Gwen Bergner, Olga Blomgren, Maia L. Butler, Isabel Caldeira, Nadège T. Clitandre, Thadious M. Davis, Joanna Davis-McElligatt, Laura Dawkins, Megan Feifer, Delphine Gras, Akia Jackson, Tammie Jenkins, Shewonda Leger, Jennifer M. Lozano, Marion Christina Rohrleitner, Thomás Rothe, Erika V. Serrato, Lucía Stecher, and Joyce White Narrating History, Home, and Dyaspora: Critical Essays on Edwidge Danticat contains fifteen essays addressing how Edwidge Danticat’s writing, anthologizing, and storytelling trace, (re)construct, and develop alternate histories, narratives of nation building, and conceptions of home and belonging. The prolific Danticat is renowned for novels, collections of short fiction, nonfiction, and editorial writing. As her experimentation in form expands, so does her force as a public intellectual. Danticat’s literary representations, political commentary, and personal activism have proven vital to classroom and community work imagining radical futures. Among increasing anti-immigrant sentiment and containment and rampant ecological volatility, Danticat’s contributions to public discourse, art, and culture deserve sustained critical attention. These essays offer essential perspectives to scholars, public intellectuals, and students interested in African diasporic, Haitian, Caribbean, and transnational American literary studies. This collection frames Danticat’s work as an indictment of statelessness, racialized and gendered state violence, and the persistence of political and economic margins. The first section of this volume, “The Other Side of the Water,” engages with Danticat’s construction and negotiation of nation, both in Haiti and the United States; the broader dyaspora; and her own, her family’s, and her fictional characters’ places within them. The second section, “Welcoming Ghosts,” delves into the ever-present specter of history and memory, prominent themes found throughout Danticat’s work. From origin stories to broader Haitian histories, this section addresses the underlying traumas involved when remembering the past and its relationship to the present. The third section, “I Speak Out,” explores the imperative to speak, paying particular attention to the narrative form with which such telling occurs. The fourth and final section, “Create Dangerously,” contends with Haitians’ activism, community building, and the political and ecological climate of Haiti and its dyaspora.