Driven out of Germany after his defeat at Leipzig in 1813, Napoleon seemed to face disaster. Some 345,000 Allied troops were converging on France from the east; and Napoleon had only about 80,000 men. Most of his veterans had been killed in Russia and Germany, and he was short of cavalry to counter the swarms of Cossacks. For his last and possibly most brilliant campaign, Napoleon raised three regiments of mounted Scouts for his Imperial Guard. Through the story of these units the reader can follow Napoleon's dazzling manoeuvres in the campaign of 1814; and their widely varied uniforms are reconstructed in meticulously researched colour plates.

In a series of wonderful, full-color plates, this superb book conveys the glory of soldiers of a military era surpassing the splendor of any others. 91 illustrations.

A detailed analysis of the organization, uniforms and weapons of the French Imperial Guard created by Napoleon I. The author describes how this large military body evolved from the Consular Guard created by Bonaparte as early as 1799 and how this came to include dozens of different military units belonging to each branch of service (infantry, cavalry, artillery, specialist corps). The Imperial Guard was a 'miniature army' made up of veteran soldiers, who were dressed with the most spectacular and elegant uniforms ever seen on the battlefields of Europe. The Guard also included several 'exotic' non-French units that are also covered in the text: Egyptian Mamelukes, Polish and Lithuanian lancers, Tatar scouts, Dutch grenadiers and lancers. The way in which Napoleon employed the Guard in battle is discussed and also how it differed from the rest of the French Army in terms of military dress and weaponry.

One of the least understood of Napoleon's corps were the four regiments of Gardes d'honneur, raised in 1813 during the frantic rebuilding of the French cavalry after the huge losses in Russia. Recruited from the leading social classes, uniformed and equipped at their own expense, and accompanied by servants to take care of such unpleasant chores as stable duty, these men were promised commissions as officers after a year's service in the ranks. Though spectacularly unready for combat upon their arrival with the army, the Guards of Honour would gain skill and confidence while serving alongside the élite cavalry of the Imperial Guard in the campaigns of Saxony and France, 1813-14, and distinguished themselves in battle at Hanau and Rheims. The story of their organisation, uniforms and service is researched from rare archives and memoirs, and illustrated with portraits, surviving uniform items, and meticulous colour plates.

A detailed analysis of the organization, uniforms and weapons of the French Imperial Guard created by Napoleon I. The author describes how this large military body evolved from the Consular Guard created by Bonaparte as early as 1799 and how this came to include dozens of different military units belonging to each branch of service (infantry, cavalry, artillery, specialist corps). The Imperial Guard was a 'miniature army' made up of veteran soldiers, who were dressed with the most spectacular and elegant uniforms ever seen on the battlefields of Europe. The Guard also included several 'exotic' non-French units that are also covered in the text: Egyptian Mamelukes, Polish and Lithuanian lancers, Tatar scouts, Dutch grenadiers and lancers. The way in which Napoleon employed the Guard in battle is discussed and also how it differed from the rest of the French Army in terms of military dress and weaponry.

The author of Battle for Paris 1815 examines the uniforms and equipment of the cavalry of Napoleon’s Imperial Guard. Few military formations have attracted more attention than Napoleon’s Imperial Guard, and fewer still have been so extravagantly clothed and accoutered with the finest materials and the brightest colors. On both campaign and parade, the Guard, and especially the cavalry regiments, provided a dazzling display of military grandeur. From the green and gold trappings of the Chasseurs à Cheval, to the multicolored Mamelukes, the Guard cavalry was among the most brilliantly dressed formations ever to grace the field of battle. In compiling this magnificent volume, the author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, even in some instances down to company level. This information is supported by around 100 contemporary prints, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renown military artist, Keith Rocco has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the cavalry of the Imperial Guard. It is sure to be treasured by reenactors, wargamers, and modelers, as well as historians and enthusiasts as one of the most important publications ever produced on this most famous of military formations.