Napoleon's Hussars made their first real impact during the Napoleonic Wars in 1806, with their astonishing pursuit of the Prussians over 1,160km from the river Saale to the Oder in twenty-five days. They then capped this feat on arrival when, by dint of audacious demonstrations by the 500 men of the combined 5th and 7th Hussars, the 6,000-strong Prussian garrison was bluffed into capitulating its fortress at Stettin along with 160 cannon. This splendid volume by Emir Bukhari describes the organization, war records, dress and equipment of these most colorful of Napoleon's troops.

Small men, with big egos and moustaches, the hussars of Napoleon’s army wore some of the most flamboyant and stylish uniforms of the epoch. The uniforms of the seventeen regiments of hussars are discussed in detail, along with the dress of their brethren in the thirty-two regiments of chasseurs a cheval, with an emphasis on highly elaborate dress of the trumpeters. Archive documents which have never been previously used to study the subject will be used for the first time: many of these documents have not been published in French and have never appeared as translations. Illustrated with contemporary illustrations, original items of uniform and reconstructions of uniforms, this is the definitive guide to the dress of the Napoleon’s light cavalry. This is one of a series of ground-breaking books which will be the defacto study of this perennially popular subject for historians, researchers, wargamers, re-enactors and artists. Using archive records to ‘set the record straight’, as well as contemporary illustrations and original items of uniforms, the author sets out to describe the uniform of every regiment of Napoleon’s army. Using archive sources found in the Archives Nationales and Service Historique du Armee de Terre in Paris, the author’s unrivalled research over a period of twenty years, will reveal exactly how, for the first time in over 200 years, Napoleon’s army was mounted, clothed and equipped. Having been granted to access to over 1,000 archive boxes, the author assesses how the regulations were adopted in practice. This vast resource, as yet untapped by the majority of researchers and historians for understanding the Napoleonic era in general, include the many regimental archive boxes preserved in the French Army archives. These sources provide, potentially bias free empirical data from which we can reconstruct the life story of a regiment, its officers and above all its clothing. What did trumpeters wear? Did cavalry regiments really have sapeurs? We answer these questions and present the reality of how regiments were dressed derived from diaries, letters, inspection returns, regimental accounts and even cases of fraud. For the first time, this unique series of books discusses the wide ranging 1806 uniform regulation and the more famous Bardin regulation which applied to all arms of the Army and explores the way in which regiments on campaign adopted and adapted their uniforms. For the first time since the days of Napoleon, we can say exactly what was worn by the French army.

Napoleon’s rise to power in the late eighteenth century occurred at a time when the structure of most European armies was based on the paradigm army of Frederick the Great. Napoleon, however, changed all of this and in a few short years transformed the French army into the most powerful force on the continent of Europe. During the period of 1805 to 1813, Napoleon’s army had no equal with regard to operational effectiveness. Speed and positioning of forces were the two main characteristics that made the French army so successful. These same two characteristics were also inherent to French cavalry units. Thus, the central research question is: What influence did cavalry have upon Napoleon’s operations? To facilitate this study, two campaigns were examined that illustrate cavalry’s impact on Napoleon’s operations. The first campaign was the Jena Campaign of 1806; the second was the Saxony Campaign of 1813. The Jena Campaign demonstrated that with the employment of sufficient and well-trained cavalry, Napoleon could render his victories decisive through the complete destruction of the enemy army. Conversely, the Saxony Campaign demonstrated that without the effective employment of sufficient and well-trained cavalry, Napoleon could not obtain the complete destruction of the enemy army and thus, his victories were hollow, or at best Pyrrhic. Therefore, based on the analysis of these two campaigns, this study has concluded that Napoleon’s cavalry was a key element for Napoleon achieving complete destruction of the enemy army, thus rendering his victories decisive.

Few military formations have attracted more attention than Napoleon's Imperial Guard, and fewer still have been so extravagantly clothed and accoutred with the finest materials and the brightest colours. On both campaign and parade, the Guard, and especially the cavalry regiments, provided a dazzling display of military grandeur. From the green and gold trappings of the Chasseurs à Cheval, to the multi-coloured Mamelukes, the Guard cavalry was among the most brilliantly dressed formations ever to grace the field of battle. In compiling this magnificent volume, the author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, even in some instances down to company level. This information is supported by around 100 contemporary prints, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renown military artist, Keith Rocco has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the Cavalry of the Imperial Guard, and will be eagerly sought by reenactors, wargamers and modellers, and will sit on the book shelves of historians and enthusiasts as one of the most important publications ever produced on this most famous of military formations.

The author of Battle for Paris 1815 examines the uniforms and equipment of the infantry of Napoleon’s Imperial Guard. From its origins as the Consular Guard of the French Republic, and as Napoleon’s personal bodyguard, the Imperial Guard developed into a force of all arms numbering almost 100,000 men. Used by Napoleon as his principal tactical reserve, the Guard was engaged only sparingly, being deployed at the crucial moment of battle to turn the tide of victory in favor of the Emperor of the French. Naturally, the Imperial Guard has been the subject of numerous books over many decades, yet there has never been a publication that has investigated the uniforms and equipment of the infantry of the Imperial Guard with such detail and precision. The author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, in some instances down to company level. This information is supported by an unrivaled collection of illustrations, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renowned military artist, Keith Rocco, has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the Imperial Guard, and will not only be invaluable to historians, but also reenactors, wargamers and modelers. It is one of the most important publications ever produced on this most famous of military formations.

This book draws on original regimental records to give by far the most detailed account ever published in English of the organization and personalities of the most renowned of the foreign units that served in the Emperor's armies. Unlike most of his foreign troops, these Polish horsemen were true volunteers, who owed their honoured place in his Imperial Guard to their proven courage and dash on battlefields from Spain to Russia. The text is illustrated with rare portraits and photographs, and with detailed colour plates of the Lancers' magnificent uniforms.