The two privileged regiments of Carabiniers survived the French Revolution with their elite status intact. They covered themselves with glory at Austerlitz, Friedland, Ratisbonne and Wagram where their bloody losses shocked Napoleon into ordering them new helmets and cuirasses. Re-formed after near annihilation in Russia in 1812, they fought at Leipzig and in many actions of the 1814 French campaign, and made one of the final charges at Waterloo. lllustrated with rare early prints and meticulous colour reconstructions, this book details their story, and their unique uniforms, from surviving period documents.

The two privileged regiments of Carabiniers survived the French Revolution with their elite status intact. They covered themselves with glory at Austerlitz, Friedland, Ratisbonne and Wagram where their bloody losses shocked Napoleon into ordering them new helmets and cuirasses. Re-formed after near annihilation in Russia in 1812, they fought at Leipzig and in many actions of the 1814 French campaign, and made one of the final charges at Waterloo. lllustrated with rare early prints and meticulous colour reconstructions, this book details their story, and their unique uniforms, from surviving period documents.

Owing to the heavy casualties suffered by the Carabiniers in the 1809 campaign, the Emperor decreed that they should be armored to the same advantage as the Cuirassiers. In this way the two corps drew together in being the only troops of the Grande Armeé who were armoured, while at the same time they diverged in breaking away from their traditionally similar dress. Emir Bukhari does a splendid job of examining the uniforms and equipment of Napoleon's Cuirassiers and Carabiniers of the Napoleonic Wars (1799-1815), in a text complemented throughout by numerous illustrations and diagrams including eight full page color plates by the ever popular Angus McBride.

Dressed in distinctive green uniforms and classically inspired copper helmets, the Dragoons of the Imperial Guard were raised in 1806 by the same criteria as other Guard units – by selection of picked, literate veterans from Line regiments who had six to ten years of service, and citations for bravery in at least two campaigns. The following year they were named Dragons de l'Impératrice in a unique compliment to the Empress Josephine. As a ceremonial regiment it enjoyed many privileges, but it also saw combat on a number of occasions, including the battles of Essling and Wagram (1809), the Russian campaign (1812, when it suffered severe losses), at Bautzen, Wachau and Leipzig (1813), in the 1814 Campaign of France, and at Ligny and Waterloo (1815).

South-east Europe is one of the most neglected fronts of the Napoleonic Wars (1799-1815); yet on the coast of the Adriatic Sea – broadly, former Western Yugoslavia and the Ionian Islands – France struggled to hold a vital strategic outpost dominating Austrian and Russian access to the Mediterranean. Here she took into imperial service former Austrian frontier regiments, which fought with distinction in Russia in 1812; and raised irregulars from among the exotic warrior populations to guard the Turkish frontier inland, and the coasts and islands from British naval raids. This detailed review of all such troops is illustrated with rare prints and meticulous colour plates.

Created during the Peace of Amiens, the nineteen regiments of cuirassiers that existed during the course of the 1e Empire were, after the Imperial Guard, perhaps the most famous and recognisable soldiers of the epoch. This book explores the long gestation of clothing and equipping the cuirassiers, the development of the arm from twelve regiments to twenty-one – if we include the carabiniers from 1811 – and how their clothing evolved across the period. As well as assessing the curiassiers, the story of the evolution of the uniforms of the carabiniers is also told. Much ink has been spilt on the two regiments and their uniforms, yet, as with the cuirassiers, precious little archive research has been carried out. This is one of a series of ground-breaking books which will be the defacto study of this perennially popular subject for historians, researchers, wargamers, re-enactors and artists. Using archive records to ‘set the record straight’, as well as contemporary illustrations and original items of uniforms, the author sets out to describe the uniform of every regiment of Napoleon’s army. Using archive sources found in the Archives Nationales and Service Historique du Armee de Terre in Paris, the author’s unrivalled research over a period of twenty years, will reveal exactly how, for the first time in over 200 years, Napoleon’s army was mounted, clothed and equipped. Having been granted to access to over 1,000 archive boxes, the author assesses how the regulations were adopted in practice. This vast resource, as yet untapped by the majority of researchers and historians for understanding the Napoleonic era in general, include the many regimental archive boxes preserved in the French Army archives. These sources provide, potentially bias free empirical data from which we can reconstruct the life story of a regiment, its officers and above all its clothing. What did trumpeters wear? Did cavalry regiments really have sapeurs? We answer these questions and present the reality of how regiments were dressed derived from diaries, letters, inspection returns, regimental accounts and even cases of fraud. For the first time, this unique series of books discusses the wide ranging 1806 uniform regulation and the more famous Bardin regulation which applied to all arms of the Army and explores the way in which regiments on campaign adopted and adapted their uniforms. For the first time since the days of Napoleon, we can say exactly what was worn by the French army.

During the Napoleonic Wars the supreme battlefield shock weapon was the heavy cavalry – the French cuirassiers, and their British, Austrian, Prussian and Russian counterparts. Big men mounted on big horses, the heavy cavalry were armed with swords nearly a metre long, used for slashing or thrusting at their opponents; many wore steel armour, a practice revived by Napoleon. They were tasked with smashing a hole in the enemy's line of battle, with exploiting a weakness, or with turning a flank. Their classic manoeuvre was the charge; arrayed in close-order lines or columns, the heavy cavalry would begin their attack at the walk, building up to a gallop for the final 50 metres before impact. Illustrated with diagrams, relevant paintings and prints and specially prepared colour plates, this is the first volume of a two-part study of the cavalry tactics of the armies of Napoleon and those of his allies and opponents. Written by a leading authority on the period, it draws upon drill manuals and later writings to offer a vivid assessment of how heavy cavalry actually fought on the Napoleonic battlefield.