This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1911 edition. Excerpt: ... INTRODUCTION PICTORIAL SATIRE AS A FACTOR IN NAPOLEONIC HISTORY E; est le propre de l'homme," says Rabelais; and the history of literature and of art bears witness to the truth of the assertion. The earliest known forms of art are so grotesquely imitative as to suggest a sense of fun in the cave-dwellers. Primitive poetry also often descended from the doings of gods and heroes to sport with dwarfs or gnomes. In either case the motive is at bottom much the same. Man has always delighted in gibes and jests. The dullness of the cave or the lake-dwelling must be enlivened with jokes either in verse or in drawing. Thus can the chief, merry with ale, while away the long evening and live over again amidst his women-folk the joys of triumph over his defeated and disgraced rival. Mocking doggerel and mocking sketches, we may be sure, are as old as the race. They added zest to the efforts of the early bards. Possibly they are the fountain-head of art. It is therefore with something primitive, innate, and almost savage that we are concerned in these volumes. Caricature has always existed and will always exist, for it is the laughter of art. Milton in his gayer moods could in spirit hie away-- "to the spicy nut-brown ale With stories told of many a feat How Faery Mab the junkets eat. VOL. I. xvil b She was pinched and pulled, she said; And he, by Friar's lantern led, Tells how the drudging goblin sweat To earn his cream-bowl duly set." If the grave Puritan poet could delight in "Sport that wrinkled care derides And laughter holding both his sides," how much more so beings akin to Aristophanes, Plautus, Rabelais, and Calverley? Some artists there are who must sometimes sport even with the most serious subject --witness Holbein's Dance of Death. But...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.