NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue features works by: Miah Arnold, Kevin Brown, Sabra Embury, Katherine M. Guttman, Ian Grody, Austin Havican, Christopher Higgs, Donora Hillard, J.R. Hundemer, Bill Hutchison, Jamie Iredell, Michael, Jauchen, Joshua Jennings, Paul Kavanagh, Prathna Lor, Sean Lovelace, Josh Maday, Dustin Martins, Yousi Mazpule, Amanda McQuade, Lisa Di Nanno, Sarah Pacha, Sam Pink, Joseph Riippi, Megan Roth, C. Harris Stevens, Ross Tierney, and Steven Wolfe.

NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Lizzy Acker, Genevieve Betts,Blake Butler, Katherine Lien Chariott, Katie Cortese, James Davis, Brandon Scott Gorrell, David Grimes, Amy Holwerda, M. David Hornbuckle, Bill Hutchison, Jason Kerzinski, Mark Konkel, MK Laughlin, Kelly Luce, Josh Maday, Nomi Meta-Murota, Amy Nichols, Neil Ellis Orts, Steve Price, Joseph Riippi, Matthew Stiles, Naomi Thompson, Janet Thorning, & DC Young.

NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Dorothy Albertini, Jaynel Attolini, Andrew Brininstool, Ed Casey, Jimmy Chen, Stephanie Dickinson, Rodney Gomez, M. J. Kelley, Ashley MacLean, Josh Maday, Traci Matlock, Michael K. Meyers, Dan Moreau, Edward Mullany, Evan J. Peterson, Martin Rock, Sankar Roy, Didi Schiller, Holly Simonsen, Audri Sousa, Robin Tung, Luisa Villani, and Shellie Zacharia.

NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Allie Marini Batts, Barr Bielinski, Becky Bosshart, Cian Cruise, Chella Courington, Justin Lawrence Daugherty, Stephanie Dickinson, Barbara Westwood Diehl, Alisa Golden, Katy Gunn, Casey Hannan, Katie Jean Shinkle, Chase Holland, D. Seth Horton, Lisa Marie Hunter, Paul Kavanagh, Jacqueline Kharouf, Edan Lepucki, Matthew Mahaney, Laura McCullough, Wendy Merry, Vilaska Nguyen, Meg Pokrass, Jessica Probus, Laurence Ross, Forrest Roth, Woody Skinner, J. David Stevens, Laurie Stone, Vanessa Angelica Villarreal, Andrew Wickenden, Russ Woods, and Jacob Wren.

NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Selena Anderson, Garrett Ashley, Lauren Becker, S.G. Childress, Jasmine Dreame Wagner, Nicolle Elizabeth, Bryce Emley, Kendra Fortmeyer, Gabrielle Lucille Fuentes, Scott Garson, Elisabeth Geier, L.P. Griffith, Elise Hunter, Simon Jacobs, Jason Joyce, Benjamin King, Kenneth Kronenberg, Emily Link, Maxim Loskutoff, Dan Lundin, Sam Martone, Rupprecht Mayer, John A. McDermott, Nicole Miller, John Poch, Alexis Pope, Michelle Reale, C. R. Resetarits, Scott Riley, Matt Sailor, Jared Yates Sexton, Patrick Swaney, Anthony Varallo, Mark Walters, Zack Wentz, A. Werner, and Gregory Zorko.

"As this fast-paced nanothriller unfolds, readers are taken on a tour de force of nanotechnology's promises and perils - until the fate of the earth itself hangs in the balance."--BOOK JACKET.

A lavishly funded, security-conscious nanotechnology institute in the foothills of the Rockies, Nano is ahead of the curve in the competitive world of molecular manufacturing, including the construction of microbivores, tiny nanorobots with the ability to gobble up viruses and bacteria. But when Pia Grazdani takes a job there, she’s shocked by the secretive corporate culture. She’s warned by her boss not to investigate the other work being done at the gigantic facility, nor to ask questions about the source of the seemingly endless capital that funds the institute’s research. And when Pia encounters a fellow employee on a corporate jogging path suffering the effects of a seizure, she soon realizes she may have literally stumbled upon Nano’s human guinea pigs. Is the tech giant on the cusp of one of the biggest medical discoveries of the twenty-first century—a treatment option for millions—or have they already sold out to the highest bidder?