She was never mine to lose... When Scarlett falls asleep on a Caribbean beach she awakes to her worst nightmare – Katie is gone. With all fingers pointed to her Scarlett must risk everything to clear her name. As Scarlett begins to unravel the complicated past of Katie's mother she begins to think there's more to Katie's disappearance than meets the eye. But who would want to steal a child? And how did no-one see anything on the small island? Time is running out and Scarlett is certain of only one thing – she didn't kill Katie. Did she? Praise for She's Mine: 'Loved this twisty, turny psychological thriller set in paradise. Tense and intriguing, it'll have you turning pages late at night' Suzy K. Quinn, author of Don't Tell the Teacher. 'This psychological thriller is full of twists and if you like fast moving, action filled plots then I recommend this book - it's a great summer holiday read' Lesley Sanderson, author of The Orchid Girls. 'The author went way out there and came out with a bestseller!' Doris Vandruff. 'A fab and creepy read that kept me gripped from the first chapter' Tracy Clarkson. 'This one was definitely a bit of a rollercoaster!' Rukhsana Ashiq. 'I loved this entertaining read' Julia Barrett. 'It was full of twists and surprises' Michelle Perry.

New and completely updated edition Hilarious and addictive, this chronicle of a small-town girl’s stint as a celebrity nanny reveals what really happens in the diaper trenches of Hollywood. When Oregon native Suzanne Hansen becomes a live-in nanny to the children of Hollywood über-agent Michael Ovitz, she thinks she’s found the job of her dreams. But Hansen’s behind-the-scenes access soon gets her much more than she bargained for: working twenty-four hours a day, juggling the shifting demands of the Hollywood elite, and struggling to comprehend wealth unimaginable to most Americans, not to mention dealing with the expected tantrums and the unexpected tense–and intense–atmosphere in the house where she lives with her employers. When the thankless drudgery takes its toll and Hansen finally quits, her boss threatens to blackball her from ever nannying in Hollywood again. Discouraged but determined, Hansen manages to land gigs with Debra Winger and then Danny DeVito and Rhea Perlman. Attentive, welcoming parents with a relaxed attitude toward celebrity–looks like Hansen’s fallen into a real-life happy ending. But the round-the-clock workdays continue, rubbing some of the glitter off L.A. living, and Hansen’s not sure how much longer she can pretend to be Mary Poppins. Even bosses who treat her like family can’t help as she struggles to find meaning in her work while living in a town that seems to lack respect for nannies and everyone else who comes in the employee’s entrance–but without whom many showbiz households would grind to a halt. Peppering her own journey with true stories and high drama experienced by other nannies to the stars, Hansen offers an intriguing, entertaining mix of tales from the cribs of the rich and famous. You’ll Never Nanny in This Town Again is a treat for everyone who is fascinated by the skewed priorities of Tinseltown, for anyone who has wondered how high-wattage supermoms do it all, and for readers who love peeking behind the curtains of celebrity, all of whom will devour this unparalleled–and unabashedly true–account of one girl’s tour of duty as Hollywood’s hired help.

A former nanny offers insight into the crucial roles nannies play in the lives of their employers, drawing on interviews with nannies throughout the country while focusing on the experiences of three women from very different backgrounds.

From domestic goddess to desperate housewife, What a Girl Wants? explores the importance and centrality of postfeminism in contemporary popular culture. Focusing on a diverse range of media forms, including film, TV, advertising and journalism, Diane Negra holds up a mirror to the contemporary female subject who finds herself centralized in commodity culture to a largely unprecedented degree at a time when Hollywood romantic comedies, chick-lit, and female-centred primetime TV dramas all compete for her attention and spending power. The models and anti-role models analyzed in the book include the chick flick heroines of princess films, makeover movies and time travel dramas, celebrity brides and bravura mothers, ‘Runaway Bride’ sensation Jennifer Wilbanks, the sex workers, flight attendants and nannies who maintain such a high profile in postfeminist popular culture, the authors of postfeminist panic literature on dating, marriage and motherhood and the domestic gurus who propound luxury lifestyling as a showcase for the ‘achieved’ female self.