“Reading Nanaimo Girl is like enjoying a martini or three with Auntie Mame. The stories are colourful, global, boozy and just cheeky enough to make you envious — and at the same time a little concerned.” — Dana Gee, Vancouver Sun Born in Nanaimo, British Columbia in the 1930s, Prudence Emery was expected to do the right things, but shattered family expectations by going to art school in London, England, where studies sometimes took a back seat to partying. And then she found herself in the world of celebrities. From Expo 67 in Montreal to the press office at London's Savoy Hotel, Prudence met the likes of Twiggy, Noël Coward, Louis Armstrong, Petula Clark, Liza Minelli, and Edward Albee. She escorted David Frost to an interview with Sheikh Mujibar Rahman and arranged for Pierre Trudeau to attend a party where he met Barbra Streisand for the first time. It was a world so rich with stories that the Canadian Press wrote, "If ever a job was tailor-made for a book of memoirs, Prudence Emery has it." But it was just the beginning. A new career as a film publicist spanned decades and introduced her to some of Hollywood's biggest names, from Sophia Loren to Jennifer Lopez, from Peter O'Toole to Matt Damon. She worked with Nicolas Cage when he was a nervous teenager and later when he was an outgoing superstar. And she was a frequent colleague of famed director David Cronenberg. Nanaimo Girl is the story of a life well lived and an encouragement to all, young and old, to get out, defy expectations, and have a rip-roaring good time.

With her short skirt, bobbed hair, and penchant for smoking, drinking, dancing, and jazz, the “Modern Girl” was a fixture of 1920s Canadian consumer culture. She appeared in art, film, fashion, and advertising, as well as on the streets of towns from coast to coast. In The Modern Girl, Jane Nicholas argues that this feminine image was central to the creation of what it meant to be modern and female in Canada. Using a wide range of visual and textual evidence, Nicholas illuminates both the frequent public debates about female appearance and the realities of feminine self-presentation. She argues that women played an active and thoughtful role in their embrace of modern consumer culture, even when it was at the risk of serious social, economic, and cultural penalties. The first book to fully examine the “Modern Girl”’s place in Canadian culture, The Modern Girl will be essential reading for all those interested in the history of gender, sexuality, and the body in the modern world.

Piano tuner and jazz musician Frank Ryan is in Japan teaching bored housewives how to play piano. Then he gets a gig in a trendy underground bar and ends up ensnared with a young woman with a grudge and the crime boss who owns the bar. Drawn into Tokyo Girl’s vendetta, Frank stumbles into an underworld where transgressions are paid for by the flash of a razor-sharp cleaver. And for a pianist, that’s not a good thing. Tokyo Girl is the follow-up to Beethoven’s Tenth, featuring reluctant sleuth Frank Ryan.

Although immigrants from the United States, China, and elsewhere were part of the workforce brought in between 1850 and 1900 to man the mining industry of Vancouver Island, the largest group of miners was born in Britain. Belshaw (philosophy, history, and politics, U. College of the Cariboo, Canada) explores the aspirations, motivations, and experiences of these British immigrants, who formed the core of British Columbia's first industrial working class. He attempts a holistic examination that details the group's demographic features, its responses to day-to-day life under industrial capitalism, and its cultural development and explores the lives of the miners, their families, and their communities. Annotation copyrighted by Book News, Inc., Portland, OR

A biography that doesn’t quite exist, about a violinist who can’t be found, as told by people who don’t agree on much. Novelist Geoff Berner has been tasked with writing a biography of DD, a mysterious, charismatic, chimerical musician who has, it seems, dropped off the face of the earth. In the course of his search for DD, Berner interviews her friends, ex-bandmates, ex-lovers, and others. They paint such variable portraits of her that each successive attempt to describe her casts doubt on the previous testimony. As his project is taken over by the lively, infuriating, entertaining tales, a wounded, gifted, and complex DD starts to emerge from all the eyewitness accounts and swear-to-God true stories. Who is DD? Where did she go? And why didn’t that book get written? Travel through a world of knockabout musicians and chancers, on the trail of an inimitable artist who truly lives in the moment, for better or worse.

“The ways in which we can redress the past are many and varied,” writes Jean Barman, “and it is up to each of us to act as best we can.” The seventeen essays collected here, originally published between 1996 and 2013, make a valuable contribution toward this laudable goal. With a wide range of source material, from archival and documentary sources to oral histories, Barman pieces together stories of individuals and groups disadvantaged in white settler society because of their gender, race and/or social class. Working to recognize past actors that have been underrepresented in mainstream histories, Barman’s focus is BC on “the cusp of contact.” The essays in this collection include fascinating, though largely forgotten, life stories of the frontier—that space between contact and settlement, where, for a brief moment, anything seemed possible. This volume, featuring over thirty archival photographs and illustrations, makes these important and very readable essays accessible to a broader audience for the first time.