"Conquest of the Sierra "depicts the colonial experience in the Sierra Zapoteca, a remote mountain region of Oaxaca, in southern Mexico. Based on unpublished and hitherto untapped archival sources, this book traces the evolution of a unique regional colonial society.

This book is a historical and archeological examination of the Isthmus Zapotec state, which was established at Tehuantepec in late prehispanic times through a campaign of conquest and colonization, and the responses that its descendant populations made to the complex political, economic, and cultural changes introduced by Spanish colonialism. Although the modern-day Isthmus Zapotecs are renowned in Mexico and among Latin Americanists for their vibrant cultural traditions and their legacy of political resistance, only isolated elements of the complex historical processes by which these patterns emerged have been studied previously. Using complementary archival and archeological sources, the book details the transformation of Isthmus Zapotec society under colonialism and the enduring structures through which its members redefined their political autonomy.

Cuernavaca, often called the “Mexican Paradise” or “Land of Eternal Spring,” has a deep, rich history. Few visitors to this modern resort city near Mexico City would guess from its Spanish architecture and landmarks that it was governed by its Tlalhuican residents until the early nineteenth century. Formerly called Cuauhnahuac, the city was renamed by the Spanish in the sixteenth century when Hernando Cortés built his stone palacio on its main square and thrust Cuernavaca into the colonial age. In Visions of Paradise, Robert Haskett presents a history of Cuernavaca, basing his account on an important body of late-seventeenth-century historical records known as primordial titles, written by still unknown members of the Native population. Until comparatively recently, these indigenous-language documents have been dismissed as “false” or “forged” land records. Haskett, however, uses these Nahuatl texts to present a colorful portrait of how the Tlalhuicas of Cuernavaca and its environs made intellectual sense of their place in the colonial scheme, conceived of their relationship to the sacred worlds of both their native religion and Christianity, and defined their own history. Surveying the local history of Cuernavaca from precontact observations by the Aztecs through postclassic times to the present, with a concentration on early colonial times, Haskett finds that the Native authors of the primordial titles crafted a celebratory history proclaiming themselves to be an enduringly autonomous, essentially unconquered people who triumphed over the rigors of the Spanish colonial system.

In The Art of Being In-between Yanna Yannakakis rethinks processes of cultural change and indigenous resistance and accommodation to colonial rule through a focus on the Sierra Norte of Oaxaca, a rugged, mountainous, ethnically diverse, and overwhelmingly indigenous region of colonial Mexico. Her rich social and cultural history tells the story of the making of colonialism at the edge of empire through the eyes of native intermediary figures: indigenous governors clothed in Spanish silks, priests’ assistants, interpreters, economic middlemen, legal agents, landed nobility, and “Indian conquistadors.” Through political negotiation, cultural brokerage, and the exercise of violence, these fascinating intercultural figures redefined native leadership, sparked indigenous rebellions, and helped forge an ambivalent political culture that distinguished the hinterlands from the centers of Spanish empire. Through interpretation of a wide array of historical sources—including descriptions of public rituals, accounts of indigenous rebellions, idolatry trials, legal petitions, court cases, land disputes, and indigenous pictorial histories—Yannakakis weaves together an elegant narrative that illuminates political and cultural struggles over the terms of local rule. As cultural brokers, native intermediaries at times reconciled conflicting interests, and at other times positioned themselves in opposing camps over the outcome of municipal elections, the provision of goods and labor, landholding, community ritual, the meaning of indigenous “custom” in relation to Spanish law, and representations of the past. In the process, they shaped an emergent “Indian” identity in tension with other forms of indigenous identity and a political order characterized by a persistent conflict between local autonomy and colonial control. This innovative study provides fresh insight into colonialism’s disparate cultures and the making of race, ethnicity, and the colonial state and legal system in Spanish America.

The most important political entity in pre-Spanish Mesoamerica was the Tenochca Empire, founded in 1428 when the three kingdoms of Tenochtitlan, Tetzcoco, and Tlacopan formed an alliance that controlled the Basin of Mexico and other extensive areas of Mesoamerica. In a unique political structure, each of the three allies headed a group of kingdoms in the core of the Empire. Each capital possessed settlements of peasants both in its own domain and in those of the other two capitals; in conquered areas nearby, the three capitals had their separate tributaries. In The Tenochca Empire Pedro Carrasco incorporates years of research in the archives of Mexico and Spain and compares primary sources, some not yet published, from all three of the great kingdoms. Carrasco takes in the total tripartite structure of the Empire, defining its component entities and determining how they were organized and how they functioned.