This is an expanded and updated version of Nan Goldin's seminal book The Other Side, originally published in 1993. There will be a revised introduction by Goldin, and for the first time the voices of those whose stories are represented. Now being released at a time when the discourse around gender and sexual orientation is evolving, The Other Side traces some of the history that informs this new visibility. The first photographs in the book are from the 1970s, when Goldin lived in Boston with a group of drag queens and documented their glamour and vulnerability. In the early eighties, Goldin chronicled the lives of transgender friends in New York when AIDS began to decimate her community. In the nineties, she recorded the explosion of drag as a social phenomenon in New York, Berlin and Bangkok, photographing their public personas while showing their real lives backstage. Goldin's newest photographs are intimate portraits, imbued with tenderness, of some of her most beloved friends. The Other Side is her homage to the queens she's loved, many of whom she's lost, over the last four decades. The pictures in this book are not of people suffering gender dysphoria but rather expressing gender euphoria... - Nan Goldin

In this series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, internationally acclaimed color photographers Alex Webb and Rebecca Norris Webb, offer their expert insight into street photography and the poetic image. Through words and photographs-their own and others'-they invite the reader into the heart of their artistic processes. They share their thoughts about a wide range of practical and philosophical issues, from questions about seeing and being in the world with a camera, to how to shape a complete body of work in a way that's both structured and intuitive.

Eden and After is a new collection of photographs from one of the most influential photographers working today. For over 30 years, Nan Goldin has created intimate and compelling photographs that tell personal stories of relationships, friendships, and identity while chronicling different eras and exposing the passage of time. Here, Goldin presents photographs of children that capture the energy, emotion, and mystery of childhood. This beautifully produced book features 300 color illustrations and an introduction from Guido Costa, an art dealer and close friend of the artist.

When photographer Nan Goldin appeared on the art scene in the late 1970s, her tough, autobiographical frankness quickly established her in the all-male field of diaristic photographers. She became known for her beaten down and beaten up personages. This book compiles the still photographs she created for director Bette Gordon’s 1983 independent film, Variety, and offers a glimpse into this artist’s symbiotic working process. Hallmarks of Goldin’s early work and the influence of filmmaking on Goldin’s career are on display in this project. Hovering between fiction and reality, "documentary style" and art photography, the book reveals a curious aspect of Goldin’s iconic career, and provides a window into the collision of music, club life, and art production that colored the Lower East Side of Manhattan.

The Hasselblad Foundation International Award in Photography for 2007 has been awarded to Nan Goldin. Nan Goldin is one of the most significant photographers of our time. Adopting the direct esthetics of snapshot photography she has been documenting her own life and that of her friends for more than 30 years. Her intimate and formally beautiful photographs focus on the urban scene in New York and Europe in the 1970s, 80s and 90s, a period dramatically marked by HIV and AIDS. Her use of photography as a memoir, as a means of protection against loss and as an act of preservation, and her use of the slide show as a means of presenting her work, resonates in the work of photographers of recent generations.

A retrospective of photographer Nan Goldin's work. Diving for Pearls features photography from past exhibits and book, ranging from the early 1990s to 2015. Interspersed within are essays written by Nan Goldin, Lotte Dinse, and Glenn O'Brien.