How do writers and their readers imagine the future in a turbulent time of sex war and sex change? And how have transformations of gender and genre affected literary representations of "woman," "man," "family," and "society"? This final volume in Gilbert and Gubar's landmark three-part No Man's Land: The Place of the Woman Writer in the Twentieth Century argues that throughout the twentieth century women of letters have found themselves on a confusing cultural front and that most, increasingly aware of the artifice of gender, have dispatched missives recording some form of the "future shock" associated with profound changes in the roles and rules governing sexuality. Divided into two parts, Letters from the Front is chronological in organization, with the first section focusing on such writers of the modernist period as Virginia Woolf, Zora Neale Hurston, Edna St. Vincent Millay, Marianne Moore, and H.D., and the second devoted to authors who came to prominence after the Second World War, including Gwendolyn Brooks, Sylvia Plath, Margaret Atwood, Toni Morrison, and A.S. Byatt. Embroiled in the sex antagonism that Gilbert and Gubar traced in The War of the Words and in the sexual experimentations that they studied in Sexchanges, all these artists struggled to envision the inscription of hitherto untold stories on what H.D. called "the blank pages/of the unwritten volume of the new." Through the works of the first group, Gilbert and Gubar focus in particular on the demise of any single normative definition of the feminine and the rise of masquerades of "femininity" amounting to "female female impersonation." In the writings of the second group, the critics pay special attention to proliferating revisions of the family romance--revisions significantly inflected by differences in race, class, and ethnicity--and to the rise of masquerades of masculinity, or "male male impersonation." Throughout, Gilbert and Gubar discuss the impact on literature of such crucial historical events as the Harlem Renaissance, the Second World War, and the "sexual revolution" of the sixties. What kind of future might such a past engender? Their book concludes with a fantasia on "The Further Adventures of Snow White" in which their bravura retellings of the Grimm fairy tale illustrate ways in which future writing about gender might develop.

During the American westward expansion, Chickamaugans, originally Cherokees, prioritized resistance to the U.S. government and Euro-American invaders. They signed treaties with Great Britain and Spain. Overlooked by scholars, it was the "diplomatic savvy" of Chickamaugan women and the support of their numerous allies, British loyalists, free persons of color, former slaves, and Native Americans from other nations, that made it possible for Chickamaugan resistance to last from 1775 to 1794. Carla Toney proves that, after the collapse of their resistance, many chose migration, not as individuals, but in migration clusters. She clearly elucidates the feudal patterns brought to the United States, the cultural fluidity of Indigenous nations, and migration as a form of resistance.

In his latest book, John Clark, author of the highly regarded "Beaches of Hawaii" series, gives us the many captivating stories behind the hundreds of Hawaii place names associated with the ocean--the names of shores, beaches, and other sites where people fish, swim, dive, surf, and paddle. Significant features and landmarks on or near shores, such as fishponds, monuments, shrines, reefs, and small islands, are also included. The names of surfing sites are the most numerous and among the most colorful: from the purely descriptive (Black Rock, Blue Hole) to the humorous (No Can Tell, Pray for Sex). Clark began gathering information for the "Beaches" series in 1972, and during the years that followed interviewed hundreds of informants, many of them native Hawaiians, and consulted dozens of Hawaiian reference books, newspapers, and maps. A significant amount of the oral history he collected was unrecorded and remained only in his notebooks and memory. Hawaii Place Names: Shores, Beaches, and Surf Sites is the final result of those years of research, and like its popular predecessors, it benefits substantially from Clark's having spent a lifetime surfing and swimming Hawaii's beaches. Presented in the same convenient format as Pukui, Elbert, and Mookini's Place Names of Hawaii (UH Press, 1974) this rich compendium of information on Hawaii's surf, shore, and beach sites will satisfy visitors and residents alike.

These essays tell the story of geographic, literary, personal and various other types of names. Information on names is offered chronologically from 1391 up to the present time and the 'hip-lit' names used in Bret Easton Ellis's Less than Zero. There are also technical studies, such as the names of drugs in the world of street-Spanish, and the sound patterns of proper names in the English language.