Names We Call Home is a ground-breaking collection of essays which articulate the dynamics of racial identity in contemporary society. The first volume of its kind, Names We Call Home offers autobiographical essays, poetry, and interviews to highlight the historical, social, and cultural influences that inform racial identity and make possible resistance to myriad forms of injustice.

John Creedon has always been fascinated by place names, from growing up in Cork City as a young boy to travelling around Ireland making his popular television show. In this brilliant new book, he peels back the layers of meaning of familiar place names to reveal stories about the land of Erin and the people who walked it before us. Travel the highways, byways and boreens of Ireland with John and become absorbed in the place names, such as 'The Cave of the Cats', 'Artichoke Road', 'The Eagle's Nest' and 'Crazy Corner'. All hold clues that help to uncover our past and make sense of that place we call home, feeding both mind and soul along the way.

Words We Call Home is a commemorative anthology celebrating more than twenty-five years of achievement for the UBC Creative Writing department -- the oldest writing program in Canada. The more than sixty poets, dramatists, and fiction writers included provide just a sample of the energy and vision the department has fostered over the years. From Earle Birney's pioneering efforts in 1946, to the birth of the department in 1965, to the present day, the programme has created a place for aspiring, talented writers.

In 1871, the British enacted the Criminal Tribes Act in India, branding numerous tribes and caste groups as criminals. In This Land We Call Home, Nusrat F. Jafri traces the roots of her nomadic forebears, who belonged to one such ‘criminal’ tribe, the Bhantus from Rajasthan, through the lens of caste and religious conversions over the last century. This affecting memoir explores religious and multicultural identities and delves into the profound concepts of nation-building and belonging. Nusrat’s family’s conversion to Christianity as a response to Brahmanical gatekeeping highlights their struggle for acceptance. The family found acceptance in the church, alongside a sense of community, theology, songs and carnivals, and quality education for the children in missionary schools. Parallelly, we see the family’s experiences during Gandhi’s return in 1915, the Partition, the two World Wars, the Emergency and the prime ministers’ assassinations. In a way, this is a story like and unlike the stories all of us carry within us; the inherited weight of who we are and where we come from, our tiny little freedoms and our everyday struggles and, mostly, the intricate jumble of our collective ancestry. Nusrat pays homages to her foremothers, the first feminists, and her forefathers, the ones who tried hard to fit into a caste society only to be spat out, and eventually chose alternative faiths in pursuit of acceptance.

Successive events challenge the Bjorklund family as Kaaren delivers a baby who is deaf, Solveig, Kaaren's younger sister, is injured in a train wreck, and Penny despairs over whether Hjelmer will ever return for her.

Evacuated to England from Nazi Germany during World War II, several Jewish children struggle to observe Judaism, rebuild their lives, and search for their parents after the war.

A collection of sermons delivered at Christ Episcopal Church, Valdosta, Georgia, by the Rev. Peter L. Ingeman.