“If there’s only one sadhana you could do to invoke the Goddess of opulence, it would be the one of Sri Suktam,” says the bestselling author Om Swami. Emerging from the sixteen sacred verses of the Rig Veda, Sri Suktam is one of the most ancient and powerful hymns in the world. Tracing our Vedic roots, this spectacular book is replete with the mystical origins of Vedic lores and other untold stories behind each verse of Sri Suktam. Written in the masterful, inimitable style of Om Swami, he continues to reveal the secrets of sadhana. Prepare to be captivated by The Legend of the Goddess, an illuminating journey through the sublime verses of Sri Suktam, offering a historical perspective and a grand roadmap for personal and material success. “This is my most devotional and important work thus far,” says Om Swami. “Sadhana has blessed me with unlimited abundance. I pray the same for you.” hiraṇya-varṇāṃ hariṇīṃ suvarṇa-rajata-srajām | candrāṃ hiraṇ-mayīṃ lakṣmīṃ jātavedo ma āvaha || Immanent in all beings, I hum like the female bumble bee. As kundalini, I unfold myself with the brilliance of thousands of risen suns, fires and moons. On entering the last stage of (mantra) sound, I become the mother of all sounds, showering objects of enjoyment in the same way as a cow showers milk. Having praised me, addressing me as Hiranyavarna, the very wise Prajapati obtained my grace and became the narrator of the yoga religion. Like a doe I flee farther and farther from the mind of the yogin. Yogins observing their vows bind me through their own devotion.

Rudra Puja has been practised in India since the beginning of time. Shiva means Auspicious. Rudra is a synonym for Shiva. Puja means that which is born of fullness. The Vedic scriptures hail the Rudram chants as a method to remove sufferings, attain desires and bestow all round prosperity in one's village. This book presents the complete Rudra Puja Abhisheka procedure in SANSKRIT using clear Devanagari font. Headings are given in English for the performer to follow the text correctly. The Rudram Verses for the SOUTH INDIAN Krishna Yajur Veda are given with VEDIC Accents (Svara). All Mantras for Pancamrit Snanam, Sankalpam and Aarti are given. Durga Suktam, Purusha Suktam, Sri Suktam, Linga Ashtakam and ENGLISH translations of Om Namah Shivaya & Maha Mrityunjaya mantra enhance the book value immensely. Rudram chants are popular on Mondays, Masik Shivaratri, the rainy month of Shravan, and Maha Shivaratari. A handy verse book for use at home or in the temple.

This is a Quiz Book containing over 1,000 questions and answers related to various aspects of Sanaatana (Hindu) Dharma. For children (includes grown–ups with curiosity) who have had some introduction (although of varying degrees) to the essentials of Sanaatana (Hindu) Dharma, may use this as review / self-assessment. This book may be used as a source of fun–filled and productive quiz activity within a family, among friends, between teachers of Sunday ‘culture’ classes and students.

The present book on ‘Satarudriya: Vibhuti of Siva’s Iconography’ is not only the text from the Krishnayajurveda Taittiriya Samhita with its translation but is a discussion of the epithets and their significance in the context of the iconographic concepts associated with Siva and the importance of this Vedic text in understanding the immanence of the Almighty conceived as Rudra. These discussions are illustrated by a bunch of chosen examples of art that form the plates accompanying the text. After a brilliant academic career C. Sivaramamurti entered the Museum profession as Curator for Archaeology in the Madras Museum. He then joined the Archaeological Survey of India as Superintendent, Archaeological Section, Indian Museum, Calcutta, whence he came over to the National Museum as Keeper and rose as Assistant Director and finally became the Director. Closely associated with the International Council of Museums he was in its executive committee and was Chairman of the Indian National Committee of ICOM.

Hymn to Tripurasundarī (Hindu deity).

The Stories In This Volume Are Representative Of Some Of The Most Sensitive Works Produced In The Bhashas.