Award-winning screenwriters reveal their Hollywood secrets in crafting brilliant stories and methodology through interviews with world-renowned UCLA screenwriting professor Lew Hunter. Naked Screenwriting includes interviews with Francis Ford Coppola, Billy Wilder, Oliver Stone, Bruce Joel Rubin, William Goldman, Julius Epstein, Alexander Payne, Jim Taylor, Alfred Uhry, Tom Schulman, Ted Tally, Ruth Prawer Jabvola, Eric Roth, Jean-Claude Carriere, Frank Pierson, David Ward, Horton Foote, Ron Bass, Alan Ball, Callie Khouri, Robert Benton, Irving Ravetch, and Harriet Frank Junior. Never before has a book covered Oscar-winning writers so thoroughly, shedding insight and wisdom into the art of screenwriting.

Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as * Twenty-five percent of German television is written by Hollywood writers. Screenwriters just need to know how to reach that market. * Many countries, including those in the European Union, have script development money available—to both foreign and local talent--from government-sponsored film funds. * The Web's influence on the film industry has been profound, and here you can find out how to network through the Web. The book also lists the key Web addresses for writers. Andrew Horton, author of two acclaimed books on screenwriting, includes personal essays by accomplished screenwriters from around the world and offers insightful case studies of several films and television scripts, among them My Big Fat Greek Wedding; Crouching Tiger, Hidden Dragon; and The Sopranos. Full of endless enthusiasm for great films and great scripts, this book will be an essential resource for both aspiring writers and accomplished writers hoping to expand their horizons, improve their skills, and increase their chances for success. Includes an interview with Terry Gilliam and contributions from Bernard Gordon, writer for The Day of the Triffids and The Thin Red Line; Lew Hunter, Chair of Screenwriting at UCLA; Karen Hall, writer/producer for Judging Amy and M*A*S*H; and other screenwriters

""Naked Playwriting" is a complete, comprehensive playwriting course-from developing a theme through plotting and structuring a play, developing characters, creating dialog, formatting a script, and plying methods that aid the actual writing and rewriting processes. It also offers guidance on marketing and submitting play scripts for both contests and production, getting an agent, protecting one's copyright, and working with directors, actors, and theater companies. This new edition, in addition to fully updating the material in the popular first edition, adds detailed information on such recent develops as "Zoom plays" and "devised theater"; writing non-formulaic plays that create their own structures; a new emphasis on writing 10-minute and one-act plays; completely revised play submission guidelines that reflect a process that has wholly changed since the first edition was published; an section on the now-popular trend of moving from playwriting to TV scripting; material on the growing trend toward playwrights directing their own plays; and much more. Well-written and filled with illustrative examples, it provides both innovative and tried-and-true writing techniques, sage advice from veteran writers, a short study of the major schools of dramatic thought, and pertinent writing anecdotes. This one-of-a-kind playwriting book will help both novices and working writers discover and improve their playwriting skills and get their plays produced"--

The most innovative and creative screenwriting book yet, from an author who knows first-hand what it takes to get a movie made. Based on an award-winning website hailed as "smart enough for professional screenwriters and accessible enough for aspiring screenwriters", Crafty Screenwriting is the first book not only to offer a successful screenwriter's tricks of the trade, but to explain what development executives really mean when they complain that the "dialogue is flat," or "the hero isn't likeable." Fresh, provocative, and funny, Alex Epstein diagnoses problem that other screenwriting books barely address, and answers questions they rarely ask, like "Why is it sometimes dangerous to know your characters too well before you start writing," or "Why does your script have to be so much better than the awful pictures that get made every day?" As a development executive who has accepted and rejected countless screenplays, and a produced screenwriter himself, Epstein can take you into the heart of the most important question of all: "Is this a movie?" A crucial book for anyone who has ever wondered what it takes to get their movie made.

2 in 1 Screenplay and Graphic Novel (storyboard). Based on the most famous Orphic tale: Search for Eurydice. Synopsis: Orpheus (minstrel of the Argonauts) is distraught upon finding that the mythical healing powers of the Golden Fleece are not enough to resurrect his dead wife. In mourning he plays his most sorrowful song drawing tears from the very eyes of those who rule over the Dead. King and Queen of the Underworld give him one chance to rescue her, but he must stick to one certain rule: To not look back until he has reached the surface. "If you break this rule she will be lost forever." Reincarnated in the present for the entertainment of the gods; Orpheus becomes part of a wager of mythic proportions. Can he rescue his wife by discovering his true identity or will the Valley of Acherusia, (the only known way for a living being to reach the Underworld) still remain a guarded secret. Orpheus holds the belief that she isn't quite dead yet.