¿Qué se entiende por machismo? ¿Qué características tiene un hombre machista? ¿De dónde procede y qué antecedentes tiene esta conducta? ¿Cómo puede un hombre trascender su propio machismo y lograr una mayor conexión con sus emociones y las de quienes lo rodean? ¿Cómo pueden hombres y mujeres, juntos, construir nuevas y/o diferentes formas de entender y vivir la masculinidad y los roles de género? Estas, y otras preguntas, son abordadas de manera analítica y experiencial por parte del autor, quien nos invita a un interesante recorrido por el tema y los conceptos que rodean al machismo, en una época como la actual, en la que hombres y mujeres estamos llamados a deconstruir viejos roles y patrones de conducta, para abrazar nuevas maneras de relacionarnos.

Machismo, the male ideal so specific to Hispanic culture, is complemented by its corollary marianismo, the female ideal. Both are examined in this careful study, along with the Post-Traumatic Stress Disorder that so often accompanies--and, in fact, overhangs--the lives of the women who have survived the abuse that machismo too often inflicts.

This book analyzes, from six standpoints, the different ways in which artists have represented the male nude body from modernity to the present day. A hundred and seventy-two works of art created in various techniques and belonging to collections from all over the world engage in a dialogue that originates in modern eighteenth century Europe, when the canon of classical antiquity was revived and identity between moral virtue and strength was assessed to define the heroic man.

An “erudite, comprehensive” analysis of Latinx identity in the United States as it relates to American culture, society, and politics (Eduardo Bonilla-Silva, author of Racism Without Racists) “Latinx” (pronounced “La-teen-ex”) is the gender-neutral term that covers one of the largest and fastest growing minorities in the United States, accounting for 17 percent of the country. Over 58 million Americans belong to the category, including a sizable part of the country’s working class, both foreign and native-born. Their political empowerment is altering the balance of forces in a growing number of states. And yet Latinx barely figure in America’s ongoing conversation about race and ethnicity. Remarkably, the US census does not even have a racial category for “Latino.” In this groundbreaking discussion, Ed Morales explains how Latinx political identities are tied to a long Latin American history of mestizaje—“mixedness” or “hybridity”—and that this border thinking is both a key to understanding bilingual, bicultural Latin cultures and politics and a challenge to America’s infamously black–white racial regime. This searching and long-overdue exploration of the meaning of race in American life reimagines Cornel West’s bestselling Race Matters with a unique Latinx inflection.

More than any other ancient civilization, the Greeks placed the human body at the center of their culture. To them, the sculpted human figure was both an object of sensory delight and an expression of an intelligent mind. In the modern popular imagination, mention of the ancient Greeks is likely to conjure up an image of idealized and naked youth, and it is true that the ideal nude, both male and female, is a striking feature of Greek sculpture. However, in later Greek art, sculptors and their patrons became increasingly interested in human diversity, experimenting with the representation of ethnicity, age, social standing, and character. The marble, bronze, and terra-cotta sculptures presented in this volume--outstanding highlights drawn from over six centuries of artistic production--demonstrate the diversity of Greek figural forms, from the idealized beauty of the Classical era to the individualized portraits of the Hellenistic period. Large, stunning details testify to the artists' skills in portraying cold, hard materials as warm, human flesh.

A rollicking, exuberant and powerfully moving story of a family swept up by social unrest in post–World War II Cairo Abd el-Aziz Gaafar, formerly a well-respected landowner now in the grip of penury, moves his family to Cairo and takes on menial work at the Automobile Club—a place of refuge and luxury for its European members, but one where Egyptians may appear only as servants. Alku, the lifelong Nubian servant of Egypt’s corrupt king, runs the show in all but name. The servants, a squabbling, humorous, and deeply human group, live in a perpetual state of fear: beaten for their mistakes, their wages dependent on Alku’s whims. When Abd el-Aziz’s pride gets the better of him and he stands up for himself, his death—as much from shame as from his injuries after Alku has him beaten—leaves his widow further impoverished and two of his sons obliged to work in the Club. As the family is drawn into the turbulent politics of Egypt—public and private—both servants and masters are subsumed by the country’s social upheaval. Soon, the Egyptians of the Automobile Club face a stark choice: to live safely but without dignity as servants, or to fight for their rights and risk everything.