In this new and original study, Simon Casey explores the long-neglected link between D. H. Lawrence and philosophical anarchism. Focusing on the writings of some of the major anarchists-with particular emphasis on Stirner, Godwin, Bakunin and Thoreau-this book argues that the conceptual parallels between Lawrence and anarchism are strong and extensive and that reading Lawrence within the context of this tradition significantly enhances any understanding of his work. Lawrence's faith in the essential decency of human nature, his forceful defense of individual liberty, and his intolerance of all forms of domination and control all reflect the essential features of anarchism. NakedLiberty and the World of Desire looks at where these attitudes find explicit articulation in Lawrence's essays, poems, and letters, and shows how they are illustrated in his major works of fiction.

In this new and original study, Simon Casey explores the long-neglected link between D. H. Lawrence and philosophical anarchism. Focusing on the writings of some of the major anarchists-with particular emphasis on Stirner, Godwin, Bakunin and Thoreau-this book argues that the conceptual parallels between Lawrence and anarchism are strong and extensive and that reading Lawrence within the context of this tradition significantly enhances any understanding of his work. Lawrence's faith in the essential decency of human nature, his forceful defense of individual liberty, and his intolerance of all forms of domination and control all reflect the essential features of anarchism. NakedLiberty and the World of Desire looks at where these attitudes find explicit articulation in Lawrence's essays, poems, and letters, and shows how they are illustrated in his major works of fiction.

Desire for Love: The Secret Longings of the Human Heart in D. H. Lawrence’s Works is a collection of essays dedicated to several novels, novellas, short stories and non-fiction by D. H. Lawrence, one of the great 20th-century English writers. With the help of the psychoanalytic-textual approach, Marina Ragachewskaya analyses subtle expressions of the emotional sphere in Lawrence’s characters and their desire for love, which is realised linguistically, stylistically and symbolically. The discussion of the writer’s textual subtleties suggests emotional education and intellectual delight. The book offers an outline of Lawrence’s own psychoanalytic theory and how it is implemented in his fiction. Specific issues – such as love discourse, the unnamed eros, a Jungian quest in search of love, Doppelgängers, love of power and the power of love, sublimation and the language of dance, as well as love in the time of war – pertain to the discovery of unconscious desires and a “culture of feeling” in Lawrence. Comparisons with other authors are surprisingly rare in Lawrence studies. To fill this gap, the volume also contains an essay on Lawrence’s war stories analysed alongside Virginia Woolf’s Mrs Dalloway and Pat Barker’s Regeneration. This inquiry into genuine human feeling will be equally attractive to literature scholars, students and general readers.

This book attempts to answer a fundamental question: How did Douglass manage to persuade anyone about the evils of slavery, and even impress viewers with his personal qualities, when his speeches were commonly considered mere entertainment, in the same category as Barnum's circus acts? In answering this question, Terry Baxter provides a means of understanding the positive responses of Frederick Douglass's white audiences and African American celebrities' roles as both objects of consumption and vehicles for social change.

Many readers are aware of Alfred Tennyson's treatment of legendary battles in such poems as Boadicea, The Revenge, Battle of Brunanburh, and Achilles over the Trench. Yet among Tennyson's most neglected works are his first battle poems, pieces that reflect the poet's immersion in the literature of the heroic age. J. Timothy Lovelace argues that Tennyson's war poems reflect image patterns of the Illiad and Aeneid , and reinvigorate the heroic ethos that informs these and other ancient texts. Highlighting the heroic aspects of Maud and the Idylls of the King , this book shows that Tennyson's early grounding in the Homeric tradition greatly influenced his later, celebrated work on martial subjects.

This book explores the relationship between aesthetic productivity and artists' degree of involvement in social and sexual life as depicted in Virginia Woolf's novels. Ann Ronchetti locates the sources of Woolf's lifelong preoccupation with the artist's relationship to society in her family heritage, her exposure to Walter Pater and the aesthetic movement, and the philosophical and aesthetic interests of the Bloomsbury group.