For years, Class Comics has been creating and publishing amazing gay erotic comics that touch readers on many levels. Here comes the newest publication from the Class Comics universe presenting the complete Naked Justice Beginnings in one volume.

Behind the respectable suit of the inconspicuous bank clerk Felix Himner lies the queer superhero Naked Justice. The fight against all sorts of twisted adversaries starts here.

For years, Class Comics has been creating andpublishing amazing gay comics that touch readers on many levels. Each title is brimming with exciting stories, lovable characters, and incredible art. "Big Loads 3" is following the path of "Big Loads 1" and "Big Loads 2." This exclusive hardcover compilation features another six of the hottest comics of the Class Comics universe: "The Pack 1," "Beautiful Dead 1," "The Bromance 1," "Dead of Winter 1 & 2", "Locus 1," and "Love Lost 1." Enjoy!

For millennia, we lived in harmony with the Earth, taking only what we required to survive. But in just the past few centuries, we have used our powers to satisfy our obsession with consumption and new technology, without regard for the consequences. And in doing so, we have exploited our surroundings on an unprecedented scale. In this revised and updated edition of From Naked Ape to Superspecies, David Suzuki and Holly Dressel lucidly describe how we have evolved beyond our needs, trampling other species, believing that we can make the Earth work the way we want it to. And they introduce us to the people who are fighting back, those who are resisting the inexorable advance of the "global economy" juggernaut, the people whose voices are difficult to hear over the din of corporate public relations machines. We learn about how human arrogance—demonstrated by our disregard for the small and microscopic species that constitute the Earth’s engine and our reckless use of technological inventions like powerful herbicides or genetically engineered crops—is threatening the health of our children and the safety of our food supply.

As cities have gentrified, educated urbanites have come to prize what they regard as "authentic" urban life: aging buildings, art galleries, small boutiques, upscale food markets, neighborhood old-timers, funky ethnic restaurants, and old, family-owned shops. These signify a place's authenticity, in contrast to the bland standardization of the suburbs and exurbs. But as Sharon Zukin shows in Naked City, the rapid and pervasive demand for authenticity--evident in escalating real estate prices, expensive stores, and closely monitored urban streetscapes--has helped drive out the very people who first lent a neighborhood its authentic aura: immigrants, the working class, and artists. Zukin traces this economic and social evolution in six archetypal New York areas--Williamsburg, Harlem, the East Village, Union Square, Red Hook, and the city's community gardens--and travels to both the city's first IKEA store and the World Trade Center site. She shows that for followers of Jane Jacobs, this transformation is a perversion of what was supposed to happen. Indeed, Naked City is a sobering update of Jacobs' legendary 1961 book, The Death and Life of Great American Cities. Like Jacobs, Zukin looks at what gives neighborhoods a sense of place, but argues that over time, the emphasis on neighborhood distinctiveness has become a tool of economic elites to drive up real estate values and effectively force out the neighborhood "characters" that Jacobs so evocatively idealized.

A page-turning narrative of privacy and the evolution of communication, from broken sealing wax to high-tech wiretapping

E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages. Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work. For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index. Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.