Naegele's "Guide to the Only Good Architecture in Iowa" is a deceptive title but it is not a misnomer. 'Guide' is accurate.' Iowa' is fairly accurate. 'Naegele's' is there because this is a personal account, one that makes no attempt to be unbiased. 'Naegele's' qualifies 'Good', "good" being not absolute but contingent and personal and therefore a very questionable qualifier. 'Only' is the title's difficult word. "Only Good Architecture in Iowa" suggests that architecture is a scarce commodity in Iowa, a suggestion with which Naegele would agree if by "architecture" one means high architecture.By 'Architecture', however, Naegele means "good building," regardless of whether or not that which is built was designed by an architect or whether, in fact, it is a habitable structure or even a building at all. Most entries in this guide are concerned either with vernacular works that are habitable tools-barns, corncribs, ventilator machines, silos-or with built works that are not really buildings at all: billboards, bridges, murals, graveyards, landscapes, wind turbines and water towers. 'Only' brings irony to the title, rendering questionable the assumption it asserts and initiating debate within an otherwise matter-of-fact description. Its inclusion in the title predicts the book's mildly contentious, but always utterly practical, nature.

Walkscapes deals with strolling as an architecture of landscape. Walking as an autonomous form of art, a primary act in the symbolic transformation of the territory, an aesthetic instrument of knowledge and a physical transformation of the 'negotiated' space, which is converted into an urban intervention. From primitive nomadism to Dada and Surrealism, from the Lettrist to the Situationist International, and from Minimalism to Land Art, this book narrates the perception of landscape through a history of the traversed city.

A Handbook for Experience-Driven Sauna DesignFor Builders of Rustic Sauna Cabins and Designers of Contemporary Apartment SaunasAre you planning a new sauna, renovating an old one, or just dreaming? Do yourself a favor. Save your sauna project and read this wonderfully illustrated book about the design of authentic Finnish saunas!New research has identified Finnish sauna bathing as a source of numerous health benefits. To enjoy these effects, one needs a proper Finnish sauna. This book presents the collective wisdom accumulated by Finnish sauna builders, designers, and researchers across centuries, enabling anyone, anywhere, to design a pleasant bath house for family and friend to enjoy. This book provides answers to three major questions:What is a Finnish sauna?What you should require from its design?How to design a Finnish sauna in detail? The book covers all aspects needed to design a functional, healthy, and delightful sauna, from heating and air quality to interior design. It instructs the reader how to master both tangible and intangible, visible and invisible elements of a sauna. The book puts a special emphasis on the sauna experience, living up to the belief that short-term satisfaction is the first step towards long-term health benefits. It features examples of contemporary Finnish sauna design and outlines why a true sauna experience is so much more than merely 'a hot room'.Author Dr. Lassi A Liikkanen (Aalto University) is a designer and scholar. The book is based on five years of intensive research and interviews of key Finnish sauna experts. For his sauna-focused website at Saunologia.fi, he has authored over two hundred articles. His academic accomplishments include nearly one hundred peer-reviewed papers, the latest of those around sauna bathing!"Lassi Liikkanen knows good sauna design. He also knows how critical good design is to enjoying the authentic Finnish bathing experience. I enthusiastically support this effort to share his special knowledge and sauna wisdom with the world."Mikkel Aaland, author of Sweat, and host of the documentary series, Perfect Sweat.

Spanning a period of over half a century, from the early 1940s until his death in 1999, Colin Rowe wrote a multitude of letters to his parents in England and to friends Henry Russell Hitchcock and Ernst Gombrich; to colleagues Stanford Anderson, Robert Maxwell, Michael Spens, Alan Colquhoun, Alvin Boyarsky, John Miller; to architects Louis Kahn and Peter Eisenman; and most intimately and candidly, to his brother, sister-in-law, and nephews in Oxford, England.

If you want to be a good designer, set aside the glossy magazines, turn off your computer, and seek out first-hand encounters with good design. When it comes to cities, buildings, and art, actual experience is almost always better than the virtual kind. No image can replicate Le Corbusier's Ronchamp when the light is just right, or capture the silent speech one hears on a stroll through Ian Hamilton Finlay's Little Sparta, or explain hours dissolving in Peter Zumthor's baths at Vals. That is the reason for this book: to encourage you to actively pursue direct aesthetic experience in the built environment, and to reflect upon the best reasons and ways to be a dedicated design traveler. Traveling to learn is an integral part of the education of student architects and designers. It is vital for designers to know how to be effective design travelers, to know how to seek out and encounter places, buildings, and objects, and to develop a capacity for looking, drawing, and, above all, discerning. But to be a student is only to be "one who is studying," which means all of us who, if we are truly alive, delight in the application of the mind to the acquisition of knowledge.