DigiCat Publishing presents to you this special edition of "Nacha Regules" by Manuel Gálvez. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A study of prostitution necessarily examines questions of power, class, gender, and public health. In Sex and Danger in Buenos Aires these questions combine with particular force. During most of the time covered in this provocative book, from the late nineteenth century well into the twentieth, prostitution was legal in Argentina. Fears and anxieties concerning the effect of female sexual commerce on family and nation were rampant. Donna J. Guy looks at many aspects of the debate that followed an escalating demand for prostitutes by Argentines and European immigrants. She discusses the widespread fear of white slavery, the merits of medically supervised municipal houses of prostitution, the rights of local governments to restrict the civil liberties of citizens and foreigners, the censorship of literature and music dealing with the plight of prostitutes, and the potential criminality of unsupervised working women who might abandon their families. Guy also describes attempts to deal with female prostitution: rehabilitation, modifications of municipal bordello laws, and medical programs to prevent the spread of venereal disease. She makes clear that the treatment of "marginal" women by liberal politicians and doctors helped promoted policies of repression and censorship that would later be extended to other unacceptable social groups. Her study of how both local and national government in Argentina dealt with these women reveals important links between gender, politics, and economics.

This book recounts the events involving Raquel Liberman, an impoverished immigrant to Argentina that was forced by circumstances into prostitution, and the powerful Zwi Migdal, which controlled the recruitment and deployment of Jewish prostitutes in Argentina while maintaining mutually profitable relations with corrupt politicians and policemen. Liberman's story is presented as an example of individual courage and determination in the face of the violence and corruption of the prostitution business. Her struggle with the Zwi Migdal and triumphant public victory over her oppressors was widely publicized in newspapers and magazines, and was a political cause celebre in its time. This book gives readers an intimate view of how the affair caught the public imagination, and was interpreted and transformed by the artistic imagination.

Following the mass arrival of European immigrants to Argentina in the early years of the twentieth century new forms of entertainment emerged including tango, films, radio and theater. While these forms of culture promoted ethnic integration they also produced a new kind of polarization that helped Juan Peron to build the mass movement that propelled him to power.

Spanish American fiction became a world phenomenon in the twentieth century through multilanguage translations of such novels as Gabriel Garcia Marquez's One Hundred Years of Solitude, Manuel Puig's Kiss of the Spider Woman, Octavio Paz's Labyrinth of Solitude, and Isabel Allende's House of the Spirits. Yet these "blockbusters" are only a tiny fraction of the total, rich outpouring of Spanish-language literature from Latin America. In this book, Naomi Lindstrom offers English-language readers a comprehensive survey of the century's literary production in Latin America (excluding Brazil). Discussing movements and trends, she places the famous masterworks in historical perspective and highlights authors and works that deserve a wider readership. Her study begins with Rodó's famous essay Ariel and ends with Rigoberta Menchú's 1992 achievement of the Nobel Prize. Her selection of works is designed to draw attention, whenever possible, to works that are available in good English translations. A special feature of the book is its treatment of the "postboom" period. In this important concluding section, Lindstrom discusses documentary narratives, the new interrelations between popular culture and literary writing, and underrepresented groups such as youth cultures, slum dwellers, gays and lesbians, and ethnic enclaves. Written in accessible, nonspecialized language, Twentieth-Century Spanish American Fiction will be equally useful for general readers as a broad overview of this vibrant literature and for scholars as a reliable reference work.

In the early part of the twentieth century, Buenos Aires erupted from its colonial past as a city in its own right, expressing a unique and vibrant cultural identity.Intersecting Tango engages the city at this key moment, exploring the sweeping changes of 1900-1930 to capture this culture in motion through which Buenos Aires transformed itself into a modern, cosmopolitan city. Taking the reader through a dazzling array of sites, sources, and events, Bergero conveys the city in all its complexity. Drawing on architecture and gendered spaces, photography, newspaper columns, schoolbooks, "high" and "low" literature, private letters, advertising, fashion, and popular music, she illuminates a range of urban social geographies inhabited by the city's defining classes and groups. In mining this vast material, Bergero traces the profound change in social fabric by which these diverse identities evolved, through the processes of modernization and its many dislocations, into a new national identity capable of embodying modernity. In her interdisciplinary study of urban development and cultural encounters with modernity, Bergero leads the reader through the city's emergence, collecting her investigations around the many economic, social, and gender issues remarkably conveyed by the tango, the defining icon of Buenos Aires. Multifaceted and original, Intersecting Tango is as rich and captivating as the dance itself.