Since time immemorial, India has been an ocean bed over which numerous stories have flowed and enriched the world. Storytellers from Tulsidas to Rohinton Mistry have added their magic to this magnificent repository. Inspired in part by Somadeva’s Kathasaritasagara, William Radice collects these timeless tales of India, and tells them anew through his unique idiom. Like itinerant storytellers, he fills these tales with emotion and wit, bringing them alive for the contemporary reader. In Volume 1, the first section begins with the creation myth of Prajapati, while the Mahabharata section starts with Sakuntala’s story, going up to the founding of Dvaraka by Krishna. In Volume 2, the first section begins with the Hindu myth about Brahma’s creation of bodies, while the Mahabharata section starts with the notorious dice-game and ends with the death of Abhimanyu. True to India’s diversity, the third section of both volumes comprises legends and folk tales from Hindu, Muslim, Buddhist, Jain, Christian and tribal sources. The volumes of Myths and Legends of India are a treasure to delight in and cherish.

This Relationship Starts From Ancient Magico-Religious Rituals And Continues Through Ages Right Upto Present Times. In This Long History We Find Different Religions Adopting Different Attitude Towards Theatrical Arts. In Many Cases Theatre Became A Most Powerful Medium Of Propagation Of Religious Creeds. It Was Considered That The Best Way To Appeasse God Is To Offer Him Theatricals. Beautiful Maidens Were Consecrated To The Temples To Serve The Deities By Entertaining Them With Songs, Music, Dance And Drama. One Time The Magnificent Temple Of Brihadeshvara Had In Its Service Four Hundred Devadasis Skilled In Theatrical Arts. Advent Of Bhakti Movement In India Gave New Impetus To The Theatrical Arts In India. Various Theatrical Forms Purported To Depict Leelas Or Divine Acts Of Various Deities Emerged All Over The Country. Grants Were Made To Temples And Religious Establishments To Sustain Theatrical Activities. The Book Gives All Interesting Information About Various Facets Of Theatre-Religion Relationship. The Author, Known For His Erudite Scholarship, Examines Minutely Various Evidences Including Ancient Cave Paintings, Folk And Tribal Rituals, Inscriptions, Religious Scriptures And Theatrical Forms Themselves. The Book Is Must For The Serious Students Of Indology And Indian Theatre.

This 5-Volume, Encyclopaedic Study Of India S North-East Is The Result Of The Author S 11 Years Of Service Extended Over Three Tenures In The Region, Followed By 6 Years Of Library Research After His Retirement. Being The First Of Its Kind, Given Its Contents And Sheer Size, Over 2,500 Pages, It Is A Unique Book.Writing On The North-East Is Not An Easy Exercise, Given Its Diversity (Ethnic, Racial, Religious And Linguistic), Size, History And Geography. If India Is Microcosmic World, The North-East Is Microcosmic India. Of The 5,653 Communities In India, 653 Are Tribal Of Which The 213 Are Indigenous To The North-East. Of The 213, 111 Are Found In Arunachal Pradesh Alone. Illumined By An Equally Amazing Linguistic Diversity, It Is Home To 325 Of The 1,652 Languages Spoken In India. Yet Again, North-East S Total Population Of 3,84,95,089 (2001) Constitutes 2.69 Per Cent Of India S 1,02,70,15,247, While Its Area Of 2,55,088 Sq Km Is 7.75 Per Cent Of India S 32,87,263 Sq Km.