Mythology, Madness and Laughter: Subjectivity in German Idealism explores some long neglected but crucial themes in German idealism. Markus Gabriel, one of the most exciting young voices in contemporary philosophy, and Slavoj Žižek, the celebrated contemporary philosopher and cultural critic, show how these themes impact on the problematic relations between being and appearance, reflection and the absolute, insight and ideology, contingency and necessity, subjectivity, truth, habit and freedom. Engaging with three central figures of the German idealist movement, Hegel, Schelling, and Fichte, Gabriel, and Žižek, who here shows himself to be one of the most erudite and important scholars of German idealism, ask how is it possible for Being to appear in reflection without falling back into traditional metaphysics. By applying idealistic theories of reflection and concrete subjectivity, including the problem of madness and everydayness in Hegel, this hugely important book aims to reinvigorate a philosophy of finitude and contingency, topics at the forefront of contemporary European philosophy. MARKUS GABRIEL is Assistant Professor of Philosophy at the New School for Social Research, NY. He has published a number of books and journal articles in German, including Der Mensch im Mythos (De Gruyter, 2006), and Das Absolute und die Welt in Schellings Freiheitsschrift (Bonn University Press, 2006).

A hugely important book that rediscovers three crucial, but long overlooked themes in German idealism: mythology, madness and laughter.

"Christian laughter is a maze: you could easily get snarled up within it." So says Michael A. Screech in his note to readers preceding this collection of fifty-three elegant and pithy essays. As Screech reveals, the question of whether laughter is acceptable to the god of the Old and New Testaments is a dangerous one. But we are fortunate in our gu

Men laugh at the gods; they often laugh at the gods. I am more sure that the gods laugh too. It is dreadful to think of the laughter of the gods. O the lute! the lute! How clearly I hear the lute. But you all hear it? Do you not? You swear that you all hear it?

More than 15 years have passed since the speculative realism conference at Goldsmiths College, London, hosted Ray Brassier, Iain Hamilton Grant, Graham Harman, and Quentin Meillassoux. Their dictum was simple: Reality is not what it seems. 15 Years of Speculative Realism begins with four chapters, each dedicated to the work of a speculative realism panellist. On one level, their respective projects engaged with the great philosophical systems of yesteryear: Cartesian dualism; the Platonist distinction between reality and appearance; and the Kantian revival of noumena. But there is much more at stake here, such as the repositioning of the subject as yet another object in the universe, and the radically egalitarian view that individual human thought is best described as a local manifestation of nature. Through these observations, we are also encouraged to ask: 'Could the laws of physics change at any moment?' and 'How does thought think the gradual extinction of itself as but another perishable phenomenon in the physical universe?' Two further chapters offer wider context: the Analysis & Impact chapter evaluates speculative realism's relevance to the wider domain of philosophy, as well as its achievements and shortcomings, with commentary by Slavoj Žižek, and the Interviews chapter has contributions from Graham Harman, Ray Brassier, and Goldsmiths College's speculative realism conference coordinator, Alberto Toscano. As we prophetically enter into a new epoch - characterized by artificial intelligence and a withering climate - we call the Anthropocene, it seems that many of the insights offered to us through the speculative realist lens have come to fruition. The objective, now, is to speculate upon how far this major shift in the humanities will ensue, and how different this reality will be from our preconceived notion of the real offered to us by previous tenets of realism. This book charts the essential meaning of the movement in the wake of its spell as one of the most significant philosophical movements of the twenty-first century.

From Ancient philosophy to contemporary theories of fiction, it is a common practice to relegate illusory appearances to the realm of the non-existent, like shadows on the wall of Plato’s cave. Contrary to this traditional mode of drawing a metaphysical distinction between reality and fiction, Markus Gabriel argues that the realm of the illusory, fictional, imaginary, and conceptually indeterminate is as real as it gets. Being in touch with reality need not and cannot require that we overcome appearances in order to grasp a meaningless reality which exists ‘out there,’ outside and maybe even beyond our minds. Human mindedness (Geist) exists in the mode of fictions through which we achieve self-consciousness. This novel approach provides a fresh perspective on our existence as subjects who lead their lives in the light of self-conceptions. Fictions also develops a social ontology according to which the social unfolds as a constant renegotiation of dissent, of different points of view onto the same reality. Thus, we cannot ever hope to ground human society in a fiction-free realm of objective transactions. However, this does not mean that truth and reality are somehow outdated concepts. On the contrary, we need to enlarge our conception of reality so that it fully encompasses ourselves as specifically minded social animals. This major new work of philosophy will be of interest to students and scholars throughout the humanities and to anyone interested in contemporary philosophy and social thought.