Mythology and Belief is a textbook for Humanities and Integrated Reading and Writing courses. The text features classical works from the Bible and Quran in addition to popular Greek and Roman myths. It also includes excerpts regarding civil disobedience and human rights.

"Whether it is the "American Dream," alien abduction, or belief in virgin birth and resurrection, these "living myths" play a very therapeutic role in the development of a healthy society. In Myth: A Biography of Belief, David Leeming shows that myths are still a fitting way to capture "the soul's high adventure.""--BOOK JACKET.

How did mythology and religion first begin? Where did the ideas of “God,” “spirit” and “soul” come from? The author takes us to ancient times, showing us how early humans struggled to make sense of the world around them. Drawing on history, geology, volcanology, anthropology, chemistry, astronomy, archeology, oceanography, biology and cognitive science, the author reveals the surprising true meaning of our most sacred stories. “Bill Lauritzen is some kind of genius.” Sir Arthur C. Clarke. “Anyone interested in science and religion should read this book.” Dr. Elizabeth Loftus, Ph.D., psychologist, UC Irvine. “Bill Lauritzen has systematically analyzed, from an original viewpoint, the historic sources related to the origins of religion. He summarized his research in this interesting and thought-provoking book.” Mamikon Mnatsakanian, Ph.D, astrophysicist and mathematician, California Institute of Technology.

Wilderness is one of the most abiding creations in the history of religions. It has a long and seminal history and is of contemporary relevance in wildlife preservation and climate discourses. Yet it has not previously been subject to scrutiny or theorising from a cross-cultural study of religions perspective. What are the specific relations between the world’s religions and imagined and real wilderness areas? The wilderness is often understood as a domain void of humans, opposed to civilization, but the analyses in this book complicate and question the dualism of previous theoretical grids and offer new perspectives on the interesting multiplicity of the wilderness and religion nexus. This book thus addresses the need for cross-cultural anthropological and history of religions analyses by offering in-depth case studies of the use and functions of wilderness spaces in a diverse range of contexts including, but not limited to, ancient Greece, early Christian asceticism, Old Norse religion, the shamanism-Buddhism encounter in Mongolia, contemporary paganism, and wilderness spirituality in the US. It advances research on religious spatialities, cosmologies, and ideas of wild nature and brings new understanding of the role of religion in human interaction with ‘the world’.

The Dictionary of Classical Myth and Religion offers a fully rounded and highly authoritative point of access to all aspects of ancient religious life and thought. Dr Simon Price and Dr Emily Kearns, area advisers for the third edition of the Oxford Classical Dictionary, have come together to select, revise, edit, and in some cases wholly recast, a large number of key entries from OCD to create this handy, accessible reference work on mythology and religion in the Graeco-Roman world. Bringing to the attention of a wider audience the authority and scholarly rigour of OCD, the Oxford Dictionary of Classical Myth and Religion provides students, teachers, and general readers with an affordable comprehensive, and wide-ranging A-Z reference source. The Dictionary is unique in that in addition to Greek myths and Roman festivals it covers Greek and Roman religious places, monuments, religious personnel, divination, astrology, and magic, and also contains many entries on Judaism and Christianity in Greek and Roman times.

Greek myths have long been admired as beautiful, thrilling stories but dismissed as serious objects of belief. For centuries scholars have held that Greek epics, tragedies, and the other compelling works handed down to us obscure the “real” myths that supposedly inspired them. Instead of joining in this pursuit of hidden meanings, Sarah Iles Johnston argues that the very nature of myths as stories—as gripping tales starring vivid characters—enabled them to do their most important work: to create and sustain belief in the gods and heroes who formed the basis of Greek religion. By drawing on work in narratology, sociology, and folklore studies, and by comparing Greek myths not only to the myths of other cultures but also to fairy tales, ghost stories, fantasy works, modern novels, and television series, The Story of Myth reveals the subtle yet powerful ways in which these ancient Greek tales forged enduring bonds between their characters and their audiences, created coherent story-worlds, and made it possible to believe in extraordinary gods. Johnston captures what makes Greek myths distinctively Greek, but simultaneously brings these myths into a broader conversation about how the stories told by all cultures affect our shared view of the cosmos and the creatures who inhabit it.