"Leveraged from the TV program, this book examines the mythical world of the human body."--Provided by publisher.

Provides evidence either verifying or disproving thirty urban legends, such as exploding silicon implants, cooking a chicken in a tanning bed, and cleaning chrome with cola, as seen on the television show "Mythbusters."

In this New York Times bestselling “imperative how-to for creativity” (Nick Offerman), Adam Savage—star of Discovery Channel’s Mythbusters—shares his golden rules of creativity, from finding inspiration to following through and successfully making your idea a reality. Every Tool’s a Hammer is a chronicle of my life as a maker. It’s an exploration of making, but it’s also a permission slip of sorts from me to you. Permission to grab hold of the things you’re interested in, that fascinate you, and to dive deeper into them to see where they lead you. Through stories from forty-plus years of making and molding, building and break­ing, along with the lessons I learned along the way, this book is meant to be a toolbox of problem solving, complete with a shop’s worth of notes on the tools, techniques, and materials that I use most often. Things like: In Every Tool There Is a Hammer—don’t wait until everything is perfect to begin a project, and if you don’t have the exact right tool for a task, just use whatever’s handy; Increase Your Loose Tolerance—making is messy and filled with screwups, but that’s okay, as creativity is a path with twists and turns and not a straight line to be found; Use More Cooling Fluid—it prolongs the life of blades and bits, and it prevents tool failure, but beyond that it’s a reminder to slow down and reduce the fric­tion in your work and relationships; Screw Before You Glue—mechanical fasteners allow you to change and modify a project while glue is forever but sometimes you just need the right glue, so I dig into which ones will do the job with the least harm and best effects. This toolbox also includes lessons from many other incredible makers and creators, including: Jamie Hyneman, Nick Offerman, Pixar director Andrew Stanton, Oscar-winner Guillermo del Toro, artist Tom Sachs, and chef Traci Des Jardins. And if everything goes well, we will hopefully save you a few mistakes (and maybe fingers) as well as help you turn your curiosities into creations. I hope this book serves as “creative rocket fuel” (Ed Helms) to build, make, invent, explore, and—most of all—enjoy the thrills of being a creator.

In 2006 Nicholas Searle worked as a writer on the science series slash cult phenomenon called Mythbusters, and he could never quite bring himself to leave. How else would he know whether yodelling could really start an avalanche? Or whether the daddy long legs really is the most deadly spider of them all? Or if a plane could take off from a conveyor belt? Or what a bull would really do in a china shop? Since the publication of pop-science hits Mythbusters Zaps, Rays and Waves and Rock the Body Nicholas has turned the Mythbusters into the Mythopedia - Mythbusting from A to Z book which renders down more than 100 of the greatest myths into their constituent elements; the experts, the science, the materials, the tools, and the weird stuff in between holding it all together. Barely a non moss-gathering stone has been left unrolled, from Absolute Zero to the Zeroth Law. Replete with links, quotes, photos, sizzling science and frown- busting humour, the Mythopedia - Mythbusting from A to Z will help you spot a transom from a stern, the centripetal from the centrifugal force and a lathe from a lawn chair.

Paranormal and supernatural events have been reported for millennia. They have fostered history’s most important cultural transformations (e.g., via the miracles of Moses, Jesus, Mohammed). Paranormal phenomena are frequently portrayed in the world’s greatest art and literature, as well as in popular TV shows and movies. Most adults in the U.S. believe in them. Yet they have a marginal place in modern culture. No university departments are devoted to studying psychic phenomena. In fact, a panoply of scientists now aggressively denounces them. These facts present a deeply puzzling situation. But they become coherent after pondering the trickster figure, an archaic being found worldwide in mythology and folklore. The trickster governs paradox and the irrational, but his messages are concealed. This book draws upon theories of the trickster from anthropology, folklore, sociology, semiotics, and literary criticism. It examines psychic phenomena and UFOs and explains why they are so problematical for science.