In this book Marc Manganaro analyzes the rhetorical ploys and the readings of myths that these authors use to establish their respective 'voices of authority.'

In Theorizing Myth, Bruce Lincoln traces the way scholars and others have used the category of "myth" to fetishize or deride certain kinds of stories, usually those told by others. He begins by showing that mythos yielded to logos not as part of a (mythic) "Greek miracle," but as part of struggles over political, linguistic, and epistemological authority occasioned by expanded use of writing and the practice of Athenian democracy. Lincoln then turns his attention to the period when myth was recuperated as a privileged type of narrative, a process he locates in the political and cultural ferment of the eighteenth and nineteenth centuries. Here, he connects renewed enthusiasm for myth to the nexus of Romanticism, nationalism, and Aryan triumphalism, particularly the quest for a language and set of stories on which nation-states could be founded. In the final section of this wide-ranging book, Lincoln advocates a fresh approach to the study of myth, providing varied case studies to support his view of myth—and scholarship on myth—as ideology in narrative form.

Laurence Coupe offers students a crucial overview of the evolution of 'myth', from the ancient Greek definitions to those of a range of contemporary thinkers. This introductory volume* provides an introduction to both the theory of myth and the making of myth* explores the uses made of the term 'myth' within the fields of literary criticism, anthropology, cultural studies, feminism, Marxism and psychoanalysis* discusses the association between modernism, postmodernism, myth and history* familiarises the reader with themes such as the dying god, the quest for the grail, the rela.

Nortrop Frye differed from other theorists of myth in tracing all of the major literary genres--romance, comedy, satire, not just tragedy--to myth and ritual. This volume is the most thorough presentation of his thinking on the subject.

Presenting major myth theorists from antiquity to the present, this work offers a cross-disciplinary approach to the study of myth. Rewritten and restructured, it reflects the increased interest in myth among both scholars and general readers since the publication of the first edition.

This is the first book to treat the impact of religious, philosophical and psychological traditions of the East on Western intellectuals, artists, travellers and spiritual seekers in the twentieth century. Addressed to both general readers and scholars of religion, it is especially valuable for its penetrating and inter-religious analysis of two of the most compelling themes now facing the world: the emergence of cross-cultural religious understanding of the natural order and ecological crisis and the metaphysical basis for both the formal diversity and essential unity of religious traditions of both East and West. The West has long romanticized the "mysterious" East, but it has, also, judged its traditions as "uncivilized." Our notions about Eastern spirituality have been formed by a succession of travellers, scientists, artists, intellectuals, poets, philosophers and missionaries, as well as by Eastern travellers who have spent time in the West. This book helps us to recognize the influence of Eastern ideas upon modern Western thought by tracing the history of engagements between East and West up until the present day. It concludes with a section that helps us to perceive the timeless value of the many Eastern contributions to the West's current intellectual and spiritual state.

This book charts the Hollywood studio system's genesis, international dominance, and self-understood demise by way of its influences on modernist literature in the United States. It shows how the American film industry's business practices and social conditions inflected the form of some of the greatest works of prose fiction and non-fiction.