Who were the victims of Jack the Ripper? And what was the impact of his killings on women at the time, and over the last 150 years?

Jack the Ripper. Jeffrey Dahmer. John Wayne Gacy. Locusta of Gaul. If that last name doesn’t seem to fit with the others, it’s likely because our modern society largely believes that serial killers are a recent phenomenon. Not so, argues Debbie Felton—in fact, there’s ample evidence to show that serial killers stalked the ancient world just as they do the modern one. Felton brings this evidence to light in Monsters and Monarchs, and in doing so, forces us to rethink the assumption that serial killers arise from problems unique to modern society. Exploring a trove of stories from classical antiquity, she uncovers mythological monsters and human criminals that fit many serial killer profiles: the highway killers confronted by the Greek hero Theseus, such as Procrustes, who tortured and mutilated their victims; the Sphinx, or “strangler,” from the story of Oedipus; child-killing demons and witches, which could explain abnormal infant deaths; and historical figures such as Locusta of Gaul, the most notorious poisoner in the early Roman Empire. Redefining our understanding of serial killers and their origins, Monsters and Monarchs changes how we view both ancient Greek and Roman society and the modern-day killers whose stories still captivate the public today.

Covering figures ranging from Catherine Monvoisin to Vlad the Impaler, and describing murders committed in ancient aristocracies to those attributed to vampires, witches, and werewolves, this book documents the historic reality of serial murder. The majority of serial murder studies support the consensus that serial murder is essentially an American crime—a flawed assumption, as the United States has existed for less than 250 years. What is far more likely is that the perverse urge to repeatedly and intentionally kill has existed throughout human history, and that a substantial percentage of serial murders throughout ancient times, the middle ages, and the pre-modern era were attributed to imaginative surrogate explanations: dragons, demons, vampires, werewolves, and witches. Legends, Monsters, or Serial Murderers? The Real Story Behind an Ancient Crime dispels the interrelated misconceptions that serial murder is an American crime and a relatively recent phenomenon, making the novel argument that serial murder is a historic reality—an unrecognized fact in ancient times. Noted serial murderers such as the Roman Locuta (The Poisoner); Gilles De Rais of France, a prolific serial killer of children; Andres Bichel of Bavaria; and Chinese aristocratic serial killer T'zu-Hsi are spotlighted. This book provides a unique perspective that integrates supernatural interpretations of serial killing with the history of true crime, reanimating mythic entities of horror stories and presenting them as real criminals.

First published in 1994, this book investigates the social construction of serial homicide and assesses the concern that popular fears and stereotypes have exaggerated: the actual scale of multiple homcide. Jenkins has produced an innovative synthesis of approaches to social problem construction that includes an historical and social-scientific estimate of the objective scale of serial murder; a rhetorical analysis of the contruction of the phenomenom in public debate; a cultural studies-oriented analysis of the portrayal of serial murder in contemorary media. Chapters include: "The Construction of Problems and Panic," which covers areas such as comprehending murder, dangerous outsiders, and the rhetoric of perscution; "The Reality of Serial Murder," which discusses statistics, stereotype examination, and media patterns;"Popular Culture: Images of the Serial Killer"; "The Racial Dimension: Serial Murder as Bias Crime"; and "Darker than We Imagine"; "Cults and Conspiracies."

A fresh cultural analysis of female monsters from Greek mythology, and an invitation for all women to reclaim these stories as inspiration for a more wild, more “monstrous” version of feminism The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds—who are angry or greedy or ambitious, who are overtly sexual or not sexy enough—aren’t just outside the norm. They’re unnatural. Monstrous. But maybe, the traits we’ve been told make us dangerous and undesirable are actually our greatest strengths. Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match. Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we’re told fall outside the bounds of natural femininity. But monsters also get to do what other female characters—damsels, love interests, and even most heroines—do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us—harassed, shut out, and ruled by predators—women have never been more ready to become repellent, fearsome, and ravenous.

Jack the Ripper. Jeffrey Dahmer. John Wayne Gacy. Locusta of Gaul. If that last name doesn’t seem to fit with the others, it’s likely because our modern society largely believes that serial killers are a recent phenomenon. Not so, argues Debbie Felton—in fact, there’s ample evidence to show that serial killers stalked the ancient world just as they do the modern one. Felton brings this evidence to light in Monsters and Monarchs, and in doing so, forces us to rethink assumptions about serial killers arising from the decadence of modern society. Exploring a trove of stories from classical antiquity, she uncovers mythological monsters and human criminals that fit many serial killer profiles: the highway killers confronted by the Greek hero Theseus, such as Procrustes, who torture and mutilate their victims; the Sphinx, or “strangler,” from the story of Oedipus; child-killing demons and witches that could explain abnormal infant deaths; and historical figures such as Locusta of Gaul, the most notorious poisoner in the early Roman Empire. Redefining our understanding of serial killers and their origins, Monsters and Monarchs changes how we view both ancient Greek and Roman society and the modern-day killers whose stories still captivate the public today.