Wole Soyinka, winner of the Nobel Prize for Literature, here analyses the interconnecting worlds of myth, ritual and literature in Africa.

"Northrup's highly accessible book breaks through the most common barriers that readers encounter in studying African history. Each chapter takes on a common myth about Africa and explains both the sources of the myth and the research that debunks it. These provocative chapters will promote lively discussions among readers while deepening their understanding of African and world history. The book is strengthened by its incorporation of actors and issues representing the African diaspora and African Americans in particular." —Rebecca Shumway, College of Charleston

Gathering a wide range of traditional African myths, this compelling new collection offers tales of heroes battling mighty serpents and monstrous birds, brutal family conflict and vengeance, and desperate migrations across vast and alien lands. From impassioned descriptions of animal-creators to dramatic stories of communities forced to flee monstrous crocodiles, all the narratives found here concern origins - whether of the universe, peoples or families. Together, they create a kaleidoscopic picture of the rich and varied oral traditions that have shaped the culture and society of successive generations of Africans for thousands of years, throughout the long struggle to survive and explore this massive and environmentally diverse continent.

This collection of fascinating and revealing tales captures the sprawling diversity of African mythology. Four hundred alphabetically arranged entries touch on virtually every aspect of African religious belief, from Africa's great epic themes (dualistic gods, divine tricksters, creator gods, and heroes) to descriptions of major mythic systems (the Dogon, the Asante, and the San) and beyond. Scheub covers the entire continent, from the mouth of the Nile to the shores of the Cape of Good Hope, including North African as well as sub-Saharan cultures. His retellings provide information about the respective belief system, the main characters, and related stories or variants. Perhaps most important, Scheub emphasizes the role of mythmaker as storyteller--as a performer for an audience. He studies various techniques, from the rhythmic movements of a Zulu mythmaker's hands to the way a storyteller will play on the familiar context of other myths within her cultural context. An invaluable bridge to the richly diverse oral cultures of Africa, this collection uncovers a place where story and storyteller, tradition and performance, all merge.

Sub-Saharan Africa is a land of colourful contrasts and diverse cultures. Despite the destructive influences of colonialism and the slave trade and the lack of early written records, Africa has persevered with its powerful tradition of storytelling, with tales of its history passed down in songs and stories through the generations. Because of the huge diversity of lifestyles and traditions, no real unified mythology exists in Africa, but broadly speaking, a number of beliefs, ideas and themes are shared by African peoples. So this collection offers a selection of descriptions and tales, often those recorded faithfully by some of the first to put them to paper – tales of the gods, creation stories, trickster adventures, animal fables and stories which amuse and teach – from Olukun’s Revenge, from the Yoruba people of west Africa, to The Story of the Glutton, from the Bantu-speaking peoples of east Africa, all brought together with the aim of providing an insight into the boundless and vibrant world of African myth. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

His unforgiving brother, a post-apartheid politician, tries to come to terms with Oscar's apostasy but will himself betray both his principles and his family when he falls in love with Amina, a beautiful and spirited psychotherapist.

". . . its pages come alive with wonderful illustrative material coupled with sensitve and insightful commentary." —Reviews in Anthropology " . . . the scope, breadth, and lucidity of this excellent study confirm that Okpewho is undoubtedly the most important authority writing on African oral literature right now . . . " —Research in African Literatures "Truly a tour de force of individual scholarship . . . " —World Literature Today " . . . excellent . . . " —African Affairs " . . . a thorough synthesis of the main issues of oral literature criticism, as well as a grounding in experienced fieldwork, a wide-ranging theoretical base, and a clarity of argument rare among academics." —Multicultural Review "This is a breathtakingly ambitious project . . . " —Harold Scheub " . . . a definitive accounting of the evidence of living oral traditions in Africa today. Professor Okpewho's authority as an expert in this important new field is unrivaled." —Gregory Nagy "Isidore Okpewho's African Oral Literature is a marvelous piece of scholarship and wide-ranging research. It presents the most comprehensive survey of the field of oral literature in Africa." —Emmanuel Obiechina " . . . a tour de force of scholarship in which Okpewho casts his net across the African continent, searching for its verbal forms through voluminous recent writings and presents African oral literature in a new voice, proclaiming the literariness of African folklore." —Dan Ben-Amos "This is an outstanding book by a scholar whose work has already influenced how African literature should be conceived. . . . Professor Okpewho is a scholar with a special talent to nurture scholarship in others. After this work, African literature will never be the same." —Mazisi Kunene Isidore Okpewho, for many years Professor of English at the University of Ibadan, is one of the handful of African scholars who has facilitated the growth of African oral literature to its status today as a literary enterprise concerned with the artistic foundations of human culture. This comprehensive critical work firmly establishes oral literature as a landmark of high artistic achievement and situates it within the broader framework of contemporary African culture.