Why is the name of this composite book “Mystifying Russian soul”? Let’s apply to Wikipedia: “The concept arouse in the second part of the 19th century due to a philosophy of the leading Russian writers such as Dostoevsky and Tolstoy. In their popular in Europe books not ethic, but aesthetic principles as well as not entertaining, but moral needs are playing the dominant role. “Spirit” of such writings turned into “Soul” and lead to a concept “Mystifying Russian soul” popular abroad. Except Dostoyevsky and Tolstoy almost all the writers who became classics of Russian and world literature took part in this process. The composite book “Mystifying Russian soul” contains more than twenty their novels, tales, plays and poems. Contents: Nikolai Gogol Dead Souls Nikolai Gogol Taras Bulba Fyodor Dostoevsky The Brothers Karamazov Fyodor Dostoevsky The Idiot Leo Tolstoy War and Peace Leo Tolstoy Anna Karenina Alexander Pushkin Eugene Onegin Alexander Pushkin The Daughter Of The Commandant Alexander Pushkin The Bakchesarian Fountain Ivan Turgenev Fathers and Children Ivan Goncharov Oblomov Anton Chekhov The Witch and Other Stories Anton Chekhov The Cherry Orchard Anton Chekhov The Three Sisters Mikhail Lermontov A Hero of Our Time Aleksandr Ostrovsky The Storm Mikhail Saltykov A Family of Noblemen Aleksandr Kuprin The Duel Maxim Gorky Mother

Angela wants to escape from Gloomy Castle. The place has dark secrets. But escape is next to impossible, even for Angela, a secret agent with very unique set of skills. Luckily for Angela, she has been sent out of the Castle on a top-secret mission to Monaco. There she needs to get closer to the dangerous and powerful billionaire Vladimir (or, as close friends call him, Vlad). Vlad is smitten by Angelas beauty and personality. She seems to be so different from glamorous models that surround him. But it is high time for Angela to return to the Castle. Can Angela resist falling in love with the handsome billionaire? But what if she is just being played?

With forty-two extensively annotated maps, this atlas offers novel insights into the history and mechanics of how Central Europe’s languages have been made, unmade, and deployed for political action. The innovative combination of linguistics, history, and cartography makes a wealth of hard-to-reach knowledge readily available to both specialist and general readers. It combines information on languages, dialects, alphabets, religions, mass violence, or migrations over an extended period of time. The story first focuses on Central Europe’s dialect continua, the emergence of states, and the spread of writing technology from the tenth century onward. Most maps concentrate on the last two centuries. The main storyline opens with the emergence of the Western European concept of the nation, in accord with which the ethnolinguistic nation-states of Italy and Germany were founded. In the Central European view, a “proper” nation is none other than the speech community of a single language. The Atlas aspires to help users make the intellectual leap of perceiving languages as products of human history and part of culture. Like states, nations, universities, towns, associations, art, beauty, religions, injustice, or atheism—languages are artefacts invented and shaped by individuals and their groups.

This ethnography of everyday life in contemporary Russia is also an examination of discourses and practices of "soul" or dusha. Russian soul has historically appeared as a myth, a consoling fiction, and a trope of national and individual self-definition that drew romantic foreigners to Russia. Dale Pesmen shows that in the 1990s this "soul" was scorned, worshipped, and used to create, manipulate, and exploit cultural capital. Pesmen focuses on "soul" in part as what people chose to do and how they did it, especially practices considered "definitive" of Russians, such as hospitality, the use of alcoholic beverages, steam baths, Russian language, music, and suffering. Attempting to avoid narrow definitions of soul as a thing, Pesmen developed a new way of structuring ethnographic interviews.During her stay in a formerly "closed" military industrial city and surrounding villages, Pesmen spent time on public transportation and in kitchens, steam baths, vegetable gardens, shops, and workplaces. She uses stories from her fieldwork along with examples from the media and literature to introduce a phenomenology of russkaia dusha and of related American and other non-Russian metaphysical notions, exploring diverse elements in their makeup, examining and questioning the world created when people believe in the existence of such "deep," "vast," "enigmatic," "internal" centers. Among theoretical issues she addresses are those of power, community, self, exchange, coherence, and morality. Pesmen's attention to dusha gives her a multifaceted perspective on Russian culture and society and informs her rich portrayal of life in a Russian city at a historically critical moment.

The author's comprehensive research and first-person experience result in an informative, instructive, and compelling book.