Our 240 page Summer 2018 issue of Mystery Tribune is a must-have! This volume features must-read short fiction by enduring voices such as Walter Mosley and Brendan DuBois as well stories by Jill D. Block and Erica Wright. A curated collection of photography from European and American artists, interview with award winning Fabien Nury on noir comics thriller "Black Rock", and some of the best voices in mystery and suspense are among the other highlights. The issue features: Stories by Walter Mosley, Brendan DuBois, Jill D. Block, Brodie Lowe, Rusty Barnes, Erica Wright, J.B. Stevens, Matt Phillips, Tom Larsen, and Jack Smiles. Revisit of the classic essay "The Passing of the Detective". Interviews and Reviews by Dan Fesperman, Fabien Nury, and Jerry Holt. Photography by Michael Hemy, Marta Bevacqua, Tom Butler and more... This issue also features a preview of new Tyler Cross noir comics and a deep dive into the recent work of Scandinavian legend Gunnar Staalesen. An elegantly crafted quarterly issue, our Summer 2018 issue will make a perfect companion or gift for avid mystery readers and fans of literary crime fiction.

Our 240 page Fall 2018 issue of Mystery Tribune is a must-have! This volume features must-read short fiction by the acclaimed author Reed Farrel Coleman and Scandinavian author Ragnar Jónasson. A curated collection of photography from European and North American artists, interview with award winning Max Allan Collins on noir comics novel “The Night I Died”, and some of the best voices in mystery and suspense are among the other highlights. Issue No7, Fall 2018 features: Stories by Reed Farrel Coleman, Ragnar Jónasson, Charles Salzberg, Justin Bendell, Michael Anthony, Alison Preston, Lance Mason, Joe De Quattro, Bern Sy Moss, Michael Smith, and Richard Risemberg. A close and personal essay by Hector Acosta on the presence of Latin authors in crime fiction Interviews and Reviews by Max Allan Collins, Cara Hunter, Charles Perry and Nick Kolakowski. Art and Photography by Patty Maher, Nathan Colantonio, Linda Kristiansen, Philip Kanwischer, and Milica Staletovic. An elegantly crafted quarterly issue, printed on uncoated paper and with a beautiful layout designed for optimal reading experience, our Fall 2018 issue will make a perfect companion or gift for avid mystery readers and fans of literary crime fiction.

Volume 2 Number 6 of The Mystery Fancier, November-December 1978, contains: "Behind the Scenes at Bouchercon 9: or, It Was Murder at the Bismark!" by Mary Ann Grochowski, "Miss Marple She Isn't," by David H. Doerrer, "Agatha Christie Is Still Alive and Well," by Amnon Kabatchnik, "When Is This Stiff Dead? Detective Stories and Definitions of Death," by Thompson and Banks, "The Weevil in the Beancurd: Or, The Cop Abroad," by George N. Dove, and "The Nero Wolfe Saga: Part X," by Guy M. Townsend.

The Mystery Fancier, Volume 8 Number 6, November-December 1986, contains: "Spade Trumps Unplayed," by Jeff Banks, "The Singular Miss Seeton," by Neysa Chouteau, "Cornell Woolrich: The Last Years (Part II)," by Francis M. Nevins, Jr., "William MacHarg's O'Malley: Transitional Cop," by George N. Dove, "Let the Public Decide: An Interview with Nicolas Freeling," by Jane S. Bakerman, "A Gun-Toting Yankee in King Arthur's Court: The Violent World of Dempsey and Makepeace," by R. E. Skinner and "Further Gems from Literature," by William F. Deeck.

A collection of the year's best mystery short fiction selected by New York Times best-selling and Edgar Award-winning author C. J. Box. C. J. Box, #1 New York Times best-selling author of the hugely popular Joe Pickett series, selects the best short mystery and crime fiction of the year in this annual "treat for crime-fiction fans" (Library Journal).

He was an eyewitness to a crime that his best friend committed. . . . “It all started the day school ended” That was when my English teacher decided not to flunk me—if I wrote a long story during my summer vacation. My name’s Tom Barry. I’m sixteen, and I really do want to be a junior next year at the high school in St. Paul where I live. But with my full-time job at Mr. Kerr’s grocery store, I didn’t think I’d have enough time to do it. But by the end of the week, the paper seemed small potatoes. You see, Mr. Kerr’s store was broken into—and my best friend Mouse was involved. I saw him, but I didn’t know what to do. I didn’t want to be a fink. I kept mum because it was right about then that I was invited to stay at my uncle’s resort near Pinecone. It’s a real neat place in the Minnesota woods, and I figured I would cool out there. And then I found that they have crime just like in St. Paul—but this time the stakes were much higher. Suddenly, my life was on the line. . . .

An ex-convict returns to his Chicago community a changed man—but maybe not for the better—in this “vivid, suspenseful, funny, and compassionate novel” (Booklist). One of Booklist’s Top 10 First Novels of the Year One of Roxane Gay’s Top 10 Books of the Year After fourteen years in prison, Gerald “Stew Pot” Reeves, age thirty-one, returns home to live with his mom in Parkland, a black middle-class neighborhood on Chicago’s South Side. The residents are in a tailspin, dreading the arrival of the man they remember as a frightening delinquent. The anxiety only grows when Stew Pot announces that he experienced a religious awakening in prison. Most folks are skeptical, with one notable exception: Mrs. Motley, a widowed retired librarian and the Reeves’ next-door neighbor, who loans Stew Pot a Bible, which is seen by him and many in the community as a friendly gesture. With uncompromising fervor (and with a new pit bull named John the Baptist), Stew Pot soon appoints himself the moral judge of Parkland—and starts wreaking havoc on people’s lives. Before long, tension and suspicion reign, and this close-knit community must reckon with questions of faith, fear, and forgiveness . . . “[A] novel of epiphanies, tragedies, and transformations . . . perfect for book clubs.” —Booklist, starred review “May slowly builds suspense as he persuasively unfolds the narrative in this work that reads like an Agatha Christie mystery.” —Library Journal “A wonderful urban novel full of vitality and pathos and grit.” —Dennis Lehane