Not only is one of the most famous pieces of ancient Greek art-the celebrated gold and ivory statuette of the Snake Goddess-almost certainly modern, but Minoan civilization as it has been popularly imagined is largely an invention of the early twentieth century. This is Kenneth Lapatin's startling conclusion in Mysteries of the Snake Goddess-a brilliant investigation into the true origins of the celebrated Bronze Age artifact, and into the fascinating world of archaeologists, adventurers, and artisans that converged in Crete at the turn of the twentieth century. Including characters from Sir Arthur Evans, legendary excavator of the Palace of Minos at Knossos, who was driven to discover a sophisticated early European civilization to rival that of the Orient, to his principal restorer Swiss painter Emil Gillieron, who out of handfuls of fragments fashioned a picture of Minoan life that conformed to contemporary taste, this is a riveting tale of archeological discovery.

An archaeological detective story investigates one of the most famous pieces of ancient Greek art, a gold and ivory statuette, exposing this piece as an invention of the early 20th century and exploring the reasons behind this brilliant forgery.

Gillian Alban meticulously pursues the Fairy Melusine snake-woman image through the plot and the poetry of A. S. Byatt's novel Possession, into medieval legend, and beyond into her antecedents in ancient myth. The book describes the erotically inspiring force of Melusine's love story and draws parallels with goddesses such as Lamia, Ishtar or Inanna, Isis, and Asherah. Mother, creator, and leader, the figure of Melusine was ultimately vilified and tellingly converted into the demon of patriarchal accounts, as seen in the examples of Lilith, Medusa, Scylla, and the serpent in the Garden. Alban deconstructs part of Genesis, including the roles of Adam and Eve and Cain's crime, and illuminates the Old Testament worship of the goddess Asherah alongside the male Yahweh. A forceful exploration of literature, history, and myth, this study sweeps away limiting assumptions about the female sex. Melusine the Serpent Goddess restores the dignity acknowledged to women of old, making a forceful statement about the power and creativity of women.

A female Indiana Jones meets Tomb Raider when Samantha Knox receives a mysterious field diary and finds herself thrust into a treacherous plot. After stealing a car and jumping on a train, chased by a group dangerous pursuers, Sam finds out what’s so special about this book: it contains a cipher that leads to a cursed jade statue that could put an end to all mankind.

The papers published here are dedicated to the memory of Ellen N. Davis, one of the most valued and beloved Aegean scholars of her generation. All of the articles are in some way inspired or influenced by Davis' own contributions to the field. In the area of metalwork, several papers investigate interconnections within and around the Aegean during the Early, Middle, and Late Bronze Ages (Betancourt, Ferrence, and Muhly, Weingarten, Kopcke), while others examine metal ware in its social context (Wiener). Papers on wall painting range from studies of pigments and optical illusions (Vlachopoulos), to representations of water (Shank). Anthropomorphic representations, or their absence, of goddesses or priestesses (Jones), rulers (Palaima), or initiates (Koehl) are also studied here with new eyes and fresh insights.

In this newly revised and updated second edition of Labrys and Horns, you'll find the pantheon, rituals, symbols and practices of Modern Minoan Paganism. MMP is a revivalist tradition that connects the deities of ancient Crete with modern Pagans in a living spiritual practice. With a pantheon headed by a triplicity of mother goddesses who embody the three sacred realms of land, sky, and sea, MMP calls us to remember a time when women were valued as equals to men, when the Great Mothers took care of all their children, and when the sacred touched every person every day of their lives. Minoan spirituality is so relevant to our times, when we're doing our best to move forward and away from inequality and oppression. This book can help you build relationships with the Minoan gods and goddesses and bring their blessings into your life, and from there, into the larger world.

Joseph Campbell brought mythology to a mass audience. His bestselling books, including The Power of Myth and The Hero with a Thousand Faces, are the rare blockbusters that are also scholarly classics. While Campbell s work reached wide and deep as he covered the world s great mythological traditions, he never wrote a book on goddesses in world mythology. He did, however, have much to say on the subject. Between 1972 and 1986 he gave over twenty lectures and workshops on goddesses, exploring the figures, functions, symbols, and themes of the feminine divine, following them through their transformations across cultures and epochs. In this provocative volume, editor Safron Rossia goddess studies scholar, professor of mythology, and curator of collections at Opus Archives, which holds the Joseph Campbell archival manuscript collection and personal librarycollects these lectures for the first time. In them, Campbell traces the evolution of the feminine divine from one Great Goddess to many, from Neolithic Old Europe to the Renaissance. He sheds new light on classical motifs and reveals how the feminine divine symbolizes the archetypal energies of transformation, initiation, and inspiration."